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  • Literature

    Dieter Schwarz 1974.15-1974.20
    Jörg Schellmann 77-82

  • Artist Biography

    Donald Judd

    American • 1928 - 1994

    Donald Judd came to critical acclaim in the 1960s with his deceptively simple, yet revolutionary, three-dimensional floor and wall objects made from new industrial materials, such as anodized aluminum, plywood and Plexiglas, which had no precedent in the visual arts. His oeuvre is characterized by the central constitutive elements of color, material, and space. Rejecting the illusionism of painting and seeking an aesthetic freed from metaphorical associations, Judd sought to explore the relationship between art object, viewer, and surrounding space with his so-called "specific objects." From the outset of his three-decade-long career, Judd delegated the fabrication to specialized technicians, eschewing any trace of the artist’s hand. Though associated with the minimalist movement, Judd rejected the term and did not wish to confine his practice to this categorization. 

    After moving to Marfa in 1972, he began drawing plans for the Chinati Foundation, an exhibition space which opened in 1986 to showcase his objects as well as the work of other contemporary artists and is still operating today. In 2020, his revolutionary career was celebrated in a major retrospective at the Museum of Modern Art, New York. 

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243

Untitled (S. 1974.15-1974.20, S. 77-82)

1974
The complete set of six etchings in black, on German Etching paper, with full margins.
all I. 21 3/4 x 27 1/2 in. (55.2 x 69.9 cm)
all (one vertical) S. 30 3/4 x 41 3/4 in. (78.1 x 106 cm)

All signed, dated and numbered 29/35 in pencil, co-published by Multiples Inc., New York and Castelli, Graphics, New York (with their inkstamp on the reverse), all unframed.

Estimate
$12,000 - 18,000 

Sold for $11,970

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Editions & Works on Paper

New York Auction 19-21 October 2021