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  • "I selected this image primarily due to its significance to the characters often overlooked in the theater: the outcasts and vagabond waifs of numerous productions throughout the stage’s history. Often the filler for the production (the background singers, and street extras), I wanted to elevate the role of these characters to the forefront, never the star but essential to the story. I have always related my paintings as being a stage in and of themselves, the curtains having just parted to reveal a scene where something is about to unfold... the colors and landscapes in this scene in particular remind me of the swamps and streams that once existed under the concrete of the Arsht Center."
    —Hernan Bas

380

Downhill at Dusk (the Runaway)

2013
Hand-stenciled pigmented linen pulp, on cotton-base sheet, with thin margins.
I. 23 3/4 x 17 3/4 in. (60.3 x 45.1 cm)
S. 24 1/8 x 18 1/4 in. (61.3 x 46.4 cm)

Signed with initials, dated and numbered 'RP 1/4' in pencil (a proof, aside from the edition of 30), co-published by the Adrienne Arsht Center for the Performing Arts, Miami, and the Benefit Print Project, New York, framed.

Full Cataloguing

Estimate
$4,000 - 5,000 

Sold for $6,300

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Editions & Works on Paper

New York Auction 19-21 October 2021