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“It was first when I started to draw images which could be read as signs that I went into public space. Because these paintings made sense in the streets – all people, all languages could read them. After studying the theory of communication, information and drawing and how meaning speaks through signs and how this language – because that’s what it is – works – I chose a primitive code.”
— Keith HaringRepresentative of Keith Haring’s signature practice, Untitled, 1982 explores the interplay of graffiti and fine art, a juxtaposition which defined the artist’s practice. Through his signature use of symbolic hieroglyphs to create his own unique visual vocabulary, the present work contains playful motifs on a shaped, Plywood support rendered in fluorescent DayGlo.
Featured in Haring’s groundbreaking, first solo exhibition at Tony Shafrazi Gallery in the same year 1982, the present work and others in the show cemented Haring’s place within popular culture and the vibrant downtown New York art scene. As if resembling a nightclub, the works were presented under ultraviolet light, popping off the striped wallpaper, and the opening was soundtracked by a hip hop DJ. This important exhibition served as a jumping off point in Haring’s career, and would soon solidify his place as one of the premier artists in the 20th century. In addition to the Shafrazi exhibition, the present work has been exhibited in major exhibitions at the Museé d’Art Moderne, Paris, The de Young Museum, San Francisco, Tate Liverpool, the UCCA Center for Contemporary Art, Beijing, and more.
The present work installed at Somewhere Downtown: Art in 1980s New York, UCCA Center for Contemporary Art, Beijing, 2022 
The present work installed at Keith Haring, Tony Shafrazi Gallery, New York, 1982 
The present work installed at Keith Haring: The Political Line, Musée d’Art Moderne, Paris, 2013 
The present work installed at Keith Haring: The Political Line, The de Young Museum, San Francisco, 2014 
The present work installed at Keith Haring: The Political Line, Kunsthalle der Hypo-Kulturstiftung, Munich, 2015 
The present work installed at Keith Haring, Tate Liverpool, 2019 
The present work installed at Keith Haring, Museum Folkwang, Essen, 2020 
The present work installed at Keith Haring, Centre for Fine Arts (BOZAR), Brussels, 2019 -
The present work installed at Somewhere Downtown: Art in 1980s New York, UCCA Center for Contemporary Art, Beijing, 2022 -
The present work installed at Keith Haring, Tony Shafrazi Gallery, New York, 1982
Haring’s Readymades
Throughout the early part of the 1980s, Haring consistently relied on found objects as his chosen supports. Utilizing otherwise discarded elements that he would gather from New York’s streets, Haring gave the objects a new life and meaning. The irregularly-shaped Plywood on which the present work was painted is emblematic of this. This act of taking a usually discarded piece of wood and using it as an art object mimics the ideas put forth by Marcel Duchamp in the early 20th century. Exploring an unconventional style of artmaking, Duchamp removed mass-produced, commonplace items from their intended settings and elevated them to the status of fine art. This notion undoubtedly inspired Haring, who decades later used found materials to function as his own kind of readymades. Almost all of Haring’s early works from this period were done on such supports, ranging from wood, to tarps and pots, which he chose over canvas—something he would not use until around 1985.
Marcel Duchamp, Bicycle Wheel, 1951, The Museum of Modern Art, New York. Image: © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY, Artwork: © 2023 Artists Rights Society (ARS), New York / ADAGP, Paris / Estate of Marcel Duchamp “I am intrigued with the shapes people choose as their symbols to create language. There is within all forms a basic structure, an indication of the entire object with a minimum of lines, that becomes a symbol. This is common to all languages, all people, all times.”
—Keith HaringHaring’s Visual Lexicon
Developing an interest in semiotics, or the study of signs, while a student at the School of Visual Arts, New York, Haring was fascinated with the ways in which different cultures used symbols to communicate. Though seemingly simple upon first look, Haring’s motifs and images “reveal an intense emotional backdrop to his creative energy with recurring themes of love, sex, compassion, fear, birth and death.”i Using symbols resembling hieroglyphics, the present work represents Haring’s preoccupations with different systems of language and representation. With simplified, almost primitive lines to render his figures, Haring seems to disguise his signs among the playful and energetic backgrounds that he chooses.
One such sign, the stacking doll motif, is depicted in Untitled. Drawn to the brightly colored, hand-painted Matryoshkas, Haring interprets the motif as signifying change, transition and transformation. Such an interpretation was not unusual for the artist – the reference to and call for change consistently appears throughout Haring’s practice. Identifying the dolls as almost talisman-like, Haring imbues the symbol with a deeper meaning, and would use this motif repeatedly throughout his career.
“The impact of the breakdancing, hip hop, and club culture on Haring’s visual sign language manifests itself in the poses of many of his silhouetted figures and in the energetic, powerful lines surrounding them, signifying dance and movement.”
—Villa AlbertinaFluorescent Compositions
Inspired by the “energy and dynamism he had witnessed in the streets,” Haring used DayGlo paint to depict Untitled’s coded composition.ii Frequently used in club interiors, DayGlo fluoresces brightly under both ambient and ultraviolet light. Further bridging the gap between art and popular culture, the vibrant green and orange hues in the present work brings a dynamic element to an otherwise flat composition. The figures seem to jump off the face of the wooden support, giving the work an energetic, almost three-dimensional quality, achieved with the use of this luminous paint. This effect is furthered with the artist’s quintessential use of rhythmic, cartoonish lines surrounding forms to suggest their movement.
The use of these forms on a DayGlo surface would persist throughout his practice; Haring would go on to curate exotic DayGlo art shows at Club 57 and other venues in downtown Manhattan. This connection with the New York scene is evident in his work and exaggerated with Untitled’s vibrancy. Other DayGlo paintings can be found in such esteemed museum collections as the Art Institute of Chicago, the Broad Foundation, Los Angeles and the Keith Haring Foundation, New York.
The artist in his studio. Image: © Allan Tannebaum i Vicky Andrews, “Art, activism, club life and pop culture.” Keith Haring – Reviewed,” The Double Negative, September 7, 2019, online.
ii “Keith Haring: The Alphabet,” press release, Villa Albertina, Vienna, 2018, online.
Provenance
Tony Shafrazi Gallery, New York
Per Skarstedt Fine Art, New York
Christie's Private Sales, New York
Acquired from the above by the present ownerExhibited
New York, Tony Shafrazi Gallery, Keith Haring, October 9–November 13, 1982
Paris, Musée d'Art Moderne (no. 89, pp. 161, 310 illustrated, p. 161); San Francisco, The de Young Museum (no. 94, p. 141; erroneously catalogued with the incorrect dimensions); Munich, Kunsthalle der Hypo-Kulturstiftung (illustrated); Kunsthal Rotterdam (illustrated), Keith Haring: The Political Line, April 19, 2013–February 8, 2016
Vienna, Albertina Museum, Keith Haring - The Alphabet, March 15–June 24, 2018
Tate Liverpool; Brussels, Centre for Fine Arts (BOZAR); Essen, Museum Folkwang, Keith Haring, June 14, 2019–September 6, 2020, pp. 44, 49 (illustrated, p. 44)
Beijing, UCCA Center for Contemporary Art, Somewhere Downtown: Art in 1980s New York, October 4, 2022–January 29, 2023, p. 81 (illustrated)Literature
Jeffrey Deitch, Suzanne Geiss, and Julia Gruen, Keith Haring, New York, 2008, p. 223 (Tony Shafrazi Gallery, New York, 1982 installation view illustrated)
Artist Biography
Keith Haring
American • 1958 - 1990
Haring's art and life typified youthful exuberance and fearlessness. While seemingly playful and transparent, Haring dealt with weighty subjects such as death, sex and war, enabling subtle and multiple interpretations.
Throughout his tragically brief career, Haring refined a visual language of symbols, which he called icons, the origins of which began with his trademark linear style scrawled in white chalk on the black unused advertising spaces in subway stations. Haring developed and disseminated these icons far and wide, in his vibrant and dynamic style, from public murals and paintings to t-shirts and Swatch watches. His art bridged high and low, erasing the distinctions between rarefied art, political activism and popular culture.
Ο◆116
Untitled
signed and dated "K. Haring SEPT. 1 1982 ⨁" on the reverse
DayGlo paint on wood
32 x 25 in. (81.3 x 63.5 cm)
Painted on September 1, 1982.
Estimate
$600,000 - 800,000
Sold for $952,500
Specialist, Head of Sale, Morning Session
+1 212 940 1288
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20th Century & Contemporary Art Day Sale, Morning Session
New York Auction 16 May 2023
101
Lois Dodd
Burning House with Clapboards
Estimate $60,000 - 80,000
Sold for $215,900
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102
Jaune Quick-to-See Smith (Confederated Salish and Kootenai)
I See Red: Redskin War Shirt
Estimate $25,000 - 35,000
Sold for $76,200
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103
Sylvia Snowden
Salvation
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Sold for $127,000
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104
Lynne Drexler
Matoaka Aflame
Estimate $60,000 - 80,000
Sold for $114,300
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105
Vivian Springford
Untitled (VS 20)
Estimate $60,000 - 80,000
Sold for $95,250
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106
Joan Mitchell
Untitled
Estimate $300,000 - 500,000
Sold for $825,500
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107
Sam Francis
Untitled SFF.771
Estimate $250,000 - 350,000
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108
James Brooks
Noran
Estimate $30,000 - 40,000
Sold for $69,850
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109
Ed Clark
Untitled
Estimate $70,000 - 100,000
Sold for $152,400
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110
Vivian Springford
Untitled (Tanzania Series)
Estimate $80,000 - 120,000
Sold for $241,300
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111
This lot is no longer available.
112
Alex Katz
White Band (Katherine)
Estimate $400,000 - 600,000
Sold for $444,500
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113
Alex Katz
Danielle 3
Estimate $300,000 - 500,000
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114
John Wesley
Phone
Estimate $80,000 - 120,000
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115
Andy Warhol
O.J. Simpson
Estimate $300,000 - 500,000
Sold for $482,600
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116
Keith Haring
Untitled
Estimate $600,000 - 800,000
Sold for $952,500
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117
Roy Lichtenstein
Brushstroke Sculpture
Estimate $500,000 - 700,000
Sold for $1,016,000
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118
Joel Shapiro
Untitled
Estimate $300,000 - 500,000
Sold for $406,400
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119
John Chamberlain
TAOIST TOAST
Estimate $400,000 - 600,000
Sold for $444,500
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120
Tom Wesselmann
Cross Motion II
Estimate $150,000 - 250,000
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121
Sol LeWitt
Wall Drawing #1111 Circle with broken bands of color
Estimate $150,000 - 200,000
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122
Dan Flavin
untitled (for Ad Reinhardt) 1b
Estimate $150,000 - 200,000
Sold for $152,400
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123
Donald Judd
untitled (Menziken #91-175)
Estimate $500,000 - 700,000
Sold for $698,500
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124
Brice Marden
Untitled (#2A)
Estimate $450,000 - 650,000
Sold for $482,600
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125
Kenneth Noland
Pairs
Estimate $180,000 - 220,000
Sold for $241,300
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126
Mary Heilmann
Shaped Serape
Estimate $80,000 - 120,000
Sold for $152,400
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127
Sturtevant
Warhol Gold Marilyn
Estimate $200,000 - 300,000
Sold for $190,500
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128
Tom Wesselmann
Study for first face #4
Estimate $80,000 - 120,000
Sold for $114,300
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129
Tom Wesselmann
Mouth Fragment
Estimate $100,000 - 150,000
Sold for $101,600
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131
Wayne Thiebaud
Red Farm
Estimate $100,000 - 150,000
Sold for $127,000
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132
Philip Guston
Lemonade and Doughnuts
Estimate $100,000 - 150,000
Sold for $457,200
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133
Romare Bearden
Sunset Limited from Profile/Part I, The Twenties: Mecklenburg County
Estimate $220,000 - 350,000
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134
Ernie Barnes
Hustlers
Estimate $70,000 - 100,000
Sold for $254,000
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135
Gertrude Abercrombie
Shell
Estimate $20,000 - 30,000
Sold for $63,500
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136
Gertrude Abercrombie
Doors with Cat and Shell
Estimate $60,000 - 80,000
Sold for $209,550
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137
Max Ernst
Taya's Sun
Estimate $100,000 - 150,000
Sold for $304,800
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138
Lucio Fontana
Concetto spaziale
Estimate $200,000 - 300,000
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139
Jean Dubuffet
La liquidité du monde
Estimate $300,000 - 500,000
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140
Francis Picabia
Suzanne
Estimate $120,000 - 180,000
Sold for $203,200
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141
Barry Flanagan RA
Hare
Estimate $200,000 - 300,000
Sold for $330,200
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142
Jean Dubuffet
Le fantasque
Estimate $200,000 - 300,000
Sold for $508,000
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143
Andy Warhol
Nosepicker II
Estimate $200,000 - 300,000
Sold for $228,600
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144
Andy Warhol
Girl in Park (Phipps)
Estimate $70,000 - 100,000
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145
Andy Warhol
Boy and Tree
Estimate $70,000 - 100,000
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146
George Condo
Take Yourself Away
Estimate $400,000 - 600,000
Sold for $482,600
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147
Julian Schnabel
Mi vida es una cumbre de mentiras
Estimate $70,000 - 100,000
Sold for $139,700
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148
David Wojnarowicz
The Anatomy and Architecture of June 19, 1953 (for Julius and Ethel Rosenberg)
Estimate $150,000 - 200,000
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149
David Wojnarowicz
Untitled (Time/Money) from the Ant series
Estimate $30,000 - 50,000
Sold for $57,150
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150
Martin Wong
St. Joseph's
Estimate $150,000 - 200,000
Sold for $190,500
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151
Martin Wong
Mandala
Estimate $40,000 - 60,000
Sold for $63,500
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152
Hugh Steers
At the Armoire
Estimate $40,000 - 60,000
Sold for $133,350
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153
Futura 2000
Self-Portrait of Picasso 1969
Estimate $30,000 - 50,000
Sold for $114,300
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154
This lot is no longer available.
155
Kenny Scharf
Somnoplaya
Estimate $200,000 - 300,000
Sold for $292,100
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156
Peter Saul
Chinese Cubist
Estimate $80,000 - 120,000
Sold for $120,650
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157
Josef Albers
Study for Homage to the Square: Bright
Estimate $300,000 - 500,000
Sold for $844,550
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158
Tom Wesselmann
Little Still Life #20
Estimate $200,000 - 300,000
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159
Claes Oldenburg
Flying Pizza (Original Drawing for New York Ten)
Estimate $40,000 - 60,000
Sold for $50,800
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160
Roy Lichtenstein
Prototype for Fish and Sky
Estimate $40,000 - 60,000
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161
Roy Lichtenstein
Collage for Seascape
Estimate $70,000 - 100,000
Sold for $101,600
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162
Robert Mangold
A Rectangle and a Circle Within a Square
Estimate $80,000 - 120,000
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163
Robert Mangold
Four Color Frame Painting #3
Estimate $60,000 - 80,000
Sold for $196,850
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164
Sol LeWitt
Open Cube Structure
Estimate $40,000 - 60,000
Sold for $63,500
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165
Ilya Bolotowsky
Rectangle Within a Circle
Estimate $20,000 - 30,000
Sold for $107,950
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166
Frank Stella
Fortín de las flores (Original Drawing for Ten from Leo Castelli)
Estimate $100,000 - 150,000
Sold for $190,500
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167
Sol LeWitt
Three-Part Drawing Using Three Colors In Each Part
Estimate $60,000 - 80,000
Sold for $44,450
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168
Sol LeWitt
Vertical Brushstrokes
Estimate $80,000 - 120,000
Sold for $95,250
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169
Ad Reinhardt
Untitled (Study for New York International)
Estimate $70,000 - 100,000
Sold for $76,200
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170
Stuart Davis
Study for a Drawing #1
Estimate $40,000 - 60,000
Sold for $38,100
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171
Giacomo Balla
Sottobicchiere
Estimate $20,000 - 30,000
Sold for $33,020
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172
Sonia Delaunay
Rythme couleur
Estimate $30,000 - 40,000
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173
Joan Miró
Femmes devant le soleil (Women in Front of the Sun)
Estimate $200,000 - 300,000
Sold for $381,000
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174
Fernand Léger
Composition américaine aux éléments mécaniques
Estimate $15,000 - 20,000
Sold for $40,640
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175
Hannah Höch
Komposition
Estimate $10,000 - 15,000
Sold for $21,590
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176
Ben Nicholson
Red to Black
Estimate $40,000 - 60,000
Sold for $88,900
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177
František Kupka
Quatre histoires de blanc et noir
Estimate $20,000 - 30,000
Sold for $22,860
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178
Paul Klee
Schatten Fürstin (Princess of the Shadows)
Estimate $20,000 - 30,000
Sold for $50,800
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179
Auguste Herbin
Composition cubiste
Estimate $15,000 - 20,000
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180
Adolf Wölfli
Untitled
Estimate $25,000 - 35,000
Sold for $63,500
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181
Jean Dubuffet
Personnage
Estimate $40,000 - 60,000
Sold for $60,960
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182
Lee Lozano
Untitled
Estimate $15,000 - 20,000
Sold for $38,100
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183
Gerhard Richter
Untitled
Estimate $30,000 - 40,000
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184
Tom Sachs
118 Composition No. III; Composition with Red, Blue, Yellow, and Black (Mondrian)
Estimate $50,000 - 70,000
Sold for $158,750
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185
Tom Sachs
Gucci Vice on Pedestal
Estimate $15,000 - 20,000
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186
Jacques Villeglé
Rue de Beaune
Estimate $10,000 - 15,000
Sold for $8,890
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187
Alfred Jensen
Magic in Egypt II
Estimate $7,000 - 10,000
Sold for $16,510
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188
Adolf Richard Fleischmann
Untitled
Estimate $10,000 - 15,000
Sold for $12,065
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189
Arman
The Seven Muses / Galaxiale
Estimate $30,000 - 40,000
Sold for $24,130
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190
Arman
Poubelle organique
Estimate $8,000 - 12,000
Sold for $16,510
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191
Christo
Valley Curtain (Project for Colorado) Grand Hogback, 7 Miles North from Rifle
Estimate $60,000 - 80,000
Sold for $107,950
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192
Christo
Otterlo Mastaba (Project for Rijksmuseum Kröller-Müller)
Estimate $12,000 - 18,000
Sold for $19,050
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193
George Rickey
Sedge with Trapezoids
Estimate $20,000 - 30,000
Sold for $40,640
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194
Mark di Suvero
Untitled
Estimate $20,000 - 30,000
Sold for $66,040
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195
Tom Wesselmann
Study for Nude (Study for 7 Objects in a Box)
Estimate $40,000 - 60,000
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196
Tom Wesselmann
Open Ended Nude (Drawing Edition)
Estimate $25,000 - 35,000
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197
Keith Haring
Untitled (Elvis Presley)
Estimate $150,000 - 200,000
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198
Keith Haring
Untitled
Estimate $180,000 - 220,000
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199No Reserve
Francesco Clemente
Tale
Estimate $10,000 - 15,000 •
Sold for $41,910
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200
John Wesley
Good Night Mary
Estimate $30,000 - 50,000
Sold for $38,100
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201
Andy Warhol
Dollar Sign
Estimate $50,000 - 70,000
Sold for $95,250
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202
Andy Warhol
Ladies and Gentlemen
Estimate $30,000 - 40,000
Sold for $27,940
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203
Jean-Michel Basquiat
Untitled (Insect Order)
Estimate $40,000 - 60,000
Sold for $35,560
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204
Robert Rauschenberg
Sherbet Tree (Slide)
Estimate $40,000 - 60,000
Sold for $48,260
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205
Sam Francis
Untitled
Estimate $80,000 - 120,000
Sold for $139,700
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206
Grace Hartigan
Chapeau de Castella
Estimate $50,000 - 70,000
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207
Helen Frankenthaler
Coyote Dawn
Estimate $150,000 - 250,000
Sold for $304,800
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208
Sol LeWitt
Horizontal Lines in Color (More Or Less)
Estimate $80,000 - 120,000
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209
Sam Gilliam
Focus II
Estimate $50,000 - 70,000
Sold for $88,900
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210
Beauford Delaney
Untitled
Estimate $30,000 - 50,000
Sold for $57,150
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211
Adolph Gottlieb
The Hunter
Estimate $30,000 - 50,000
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212
Arshile Gorky
Study for Nighttime, Enigma and Nostalgia
Estimate $40,000 - 60,000
Sold for $66,040
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213
Adolph Gottlieb
Liberation
Estimate $40,000 - 60,000
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214
Fernand Léger
Jeune fille à la branche
Estimate $200,000 - 300,000
Sold for $228,600
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215
Moïse Kisling
Nu allongé
Estimate $70,000 - 100,000
Sold for $82,550
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216
Françoise Gilot
Nude on the Beach by the Sea
Estimate $6,000 - 8,000
Sold for $22,860
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217
Milton Avery
Young Mother and Child
Estimate $70,000 - 100,000
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218
This lot is no longer available.
219
Reginald Marsh
Coney Island
Estimate $30,000 - 50,000
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220
Milton Avery
Pilgrim Tower
Estimate $40,000 - 60,000
Sold for $40,640
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221
Milton Avery
Still Life
Estimate $18,000 - 25,000
Sold for $20,320
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222
Leonora Carrington
Four works: (i) Study for Snake-Bite Floripondio; (ii) Study for Mural El Mundo Magico de Los Mayas; (iii) Untitled; (iv) Untitled
Estimate $30,000 - 40,000
Sold for $25,400
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223
Francisco Toledo
Pez con toro
Estimate $70,000 - 90,000
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224
Pedro Coronel
Danza mágica
Estimate $100,000 - 150,000
Sold for $120,650
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225
Mario Carreño
La lavandera (The Laundress)
Estimate $100,000 - 150,000
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226
Fernando Botero
The Gardener
Estimate $70,000 - 100,000
Sold for $139,700
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227
Fernando Botero
Reclining Woman (Donna sdraiata)
Estimate $200,000 - 300,000
Sold for $279,400
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228
Alfredo Ramos Martínez
La India de las tunas (Indian Woman with Prickly Pears)
Estimate $25,000 - 35,000
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229
Aldo Bonadei
Landscape
Estimate $15,000 - 20,000
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230
Sergio Camargo
Sem título
Estimate $250,000 - 350,000
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231
León Ferrari
Untitled
Estimate $30,000 - 40,000
Sold for $31,750
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232
Sergio Camargo
Sem título (#425-A)
Estimate $18,000 - 25,000
Sold for $35,560
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233
Louise Nevelson
Model for the Torah Ark Doors of Temple Beth El
Estimate $30,000 - 50,000
Sold for $30,480
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234
Louise Nevelson
Volcanic Magic XXIV
Estimate $15,000 - 20,000
Sold for $30,480
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235
Magdalena Abakanowicz
Untitled
Estimate $40,000 - 60,000
Sold for $50,800
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236
Bruce Nauman
Untitled (Cross Beams)
Estimate $30,000 - 40,000
Sold for $27,940
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237
Bernar Venet
9 Acute Unequal Angles
Estimate $60,000 - 80,000
Sold for $69,850
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238
Victor Vasarely
Hazay-a
Estimate $60,000 - 80,000
Sold for $69,850
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239
Kenneth Noland
Reborn
Estimate $80,000 - 120,000
Sold for $114,300
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240
Deborah Remington
Cambay
Estimate $30,000 - 50,000
Sold for $76,200
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241
Thomas Downing
Untitled
Estimate $30,000 - 40,000
Sold for $44,450
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242
Ralph Humphrey
October Light
Estimate $18,000 - 25,000
Sold for $24,130
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243
Thomas Nozkowski
Untitled (8-64)
Estimate $10,000 - 15,000
Sold for $48,260
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244
Maurice Sievan
Zoogarluk
Estimate $15,000 - 20,000
Sold for $279,400
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245
Shusaku Arakawa
Sculpting
Estimate $18,000 - 25,000
Sold for $69,850
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246
George Condo
Untitled (Impressions)
Estimate $30,000 - 40,000
Sold for $127,000
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247
Alex Katz
Ada (Orange)
Estimate $60,000 - 80,000
Sold for $101,600
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248
Alex Katz
Study for Bird
Estimate $25,000 - 35,000
Sold for $40,640
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249
Robert Indiana
Spring Gold
Estimate $30,000 - 50,000
Sold for $53,340
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250
Richard Estes
Venice-imbarcadero a palazzo ducale
Estimate $35,000 - 45,000
Sold for $88,900
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251
George L. K. Morris
St. Étienne-du-Mont, No. 2
Estimate $10,000 - 15,000
Sold for $10,160
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252
Max Weber
The Refugees
Estimate $6,000 - 8,000
Sold for $7,620
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253
Sir Jacob Epstein
Sir Winston Churchill
Estimate $30,000 - 50,000
Sold for $95,250
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254
Pablo Picasso
Head of a Boy
Estimate $60,000 - 90,000
Sold for $107,950
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255
Alexander Calder
Flyball Governor
Estimate $40,000 - 60,000
Sold for $76,200
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256
Alexander Calder
Untitled (Cartoon for Centre Square, Philadelphia Banner)
Estimate $30,000 - 40,000
Sold for $69,850
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257
Hermann Nitsch
Wiener Sezession
Estimate $15,000 - 20,000
Sold for $21,590
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258
Sam Gilliam
Untitled
Estimate $20,000 - 30,000
Sold for $40,640
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259
Sol LeWitt
Wavy Vertical Brushstrokes
Estimate $16,000 - 20,000
Sold for $21,590
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260
Sol LeWitt
Tangled Bands
Estimate $12,000 - 18,000
Sold for $12,700
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