Texas Gallery, Houston
Daniel Weinberg Gallery, Los Angeles
Private Collection, San Francisco
Christie's, New York, May 15, 2002, lot 349
Acquired at the above sale by the present owner
Houston, Texas Gallery, Dan Flavin Untitled (for Ad Reinhardt) 1990 Themes & Variations, April 3–May 19, 1990
Santa Monica, Daniel Weinberg Gallery, Dan Flavin, December 1990–January 1991, p. 5 (illustrated)
Washington, D.C., National Gallery of Art; Modern Art Museum of Fort Worth; Chicago, Museum of Contemporary Art, Dan Flavin: A Retrospective, October 3, 2004–October 30, 2005, fig. 81, pp. 95, 201 (illustrated, p. 95)
Michael Govan and Tiffany Bell, Dan Flavin: The Complete Lights 1961-1996, New York, 2004, fig. 81, no. 563, pp. 95, 379 (illustrated)
American • 1933 - 1996
Dan Flavin employed commercially-sold fluorescent light tubes in order to produce what he liked to call "situations" or installations. His minimalist approach transcended simplicity through his use of neon colors and thoughtful compositions. With straight-edged light beams, Flavin would often create dynamic arrangements reminiscent of Fred Sandback's work with yarn.
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