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Executed in 1978 as part of the acclaimed Profile series, Sunset Limited from Profile/Part I, The Twenties: Mecklenburg County provides an intimate look into Romare Bearden’s life. Combining personal memories with African American cultural history to serve as the basis for his compositions, Bearden uses the medium of collage to represent pieced-together stories. Each work in the autobiographical series depicts a scene from the artist’s memory and presents the viewer with a look into Bearden’s upbringing. First presented at Cordier & Ekstrom with the rest of the works from Part I of the series, Sunset Limited envisions a scene that is at once imagined and realistic, illustrating the last moment with the artist’s once sweetheart, Liza. In addition to its first exhibition in New York, the present work has been exhibited widely in landmark retrospectives at the Mint Museum, Charlotte, The Studio Museum, Harlem and at the High Museum, Atlanta.
A detail of the present work. Autobiographical Nostalgia
The autobiographical Profile series illustrates various moments throughout the artist’s adolescence, starting as a child in early 20th century Mecklenburg County, North Carolina, and continuing through his moves to Pittsburgh and Harlem. Each artwork corresponds to a chapter in a text, written by the artist’s friend Albert Murray. This combination of word and image is what brings the works to life, resulting in multi-dimensional storytelling that engulfs the viewer as if they were part of each moment. Created in the years after returning to his hometown in North Carolina for the first time in almost 50 years, Sunset Limited specifically depicts the last time where Bearden saw his friend; “the last time I saw Liza was down at the station, when I left for Pittsburgh on the 5:13.” At the center of this memory is the illustration of a typical evening in the American South in the early 1900s – a woman holds a child while tending to her chicken and horses, while the train, inevitably carrying Bearden away from Mecklenburg, jets off in the near distance. Though a seemingly sad moment in the artist’s young life, the composition is imbued with an almost hopeful sense of nostalgia. Through an amalgamation of found images from magazines, the present work uses the collage medium as a window – giving the viewer the opportunity to peer into Bearden’s innermost memories and relate to them.
“I found that, especially with Vermeer and [Jan] Steen, a lot of the work was controlled, like Mondrian’s, by the use of rectangles over rectangles. I really think the art of painting is the art of putting something over something else.”
—Romare BeardenBearden’s Collage Practice
Having first turned to collage in the late 1950s, Bearden used a variety of materials to create constructed landscapes that are at once familiar and imagined. Through the use of different paper cut-outs, Bearden’s memories are collaged over top of one another in a fractured, almost improvisational way, referencing the artist’s deep connections to jazz music. The present work also demonstrates Bearden’s experimentation with Dada collage techniques, something he explored while studying with George Grosz at the Arts Student League in New York. With these influences, Bearden employed a more painterly approach to the medium of collage, layering each form within the composition like brushstrokes on a canvas. Organizing the forms on top of one another also adds an element of depth to the work, creating an almost three-dimensional, whimsical memory within the present work and in the Profile series as a whole.
The artist in his studio. Image: Image: © Brooklyn Museum / Gift of George Feher / Bridgeman Images Provenance
Cordier & Ekstrom, New York
Acquired from the above by the present ownerExhibited
Charlotte, Mint Museum; Jackson, Mississippi Museum of Art; The Baltimore Museum of Art; Richmond, Virginia Museum of Fine Arts; New York, The Brooklyn Museum, Romare Bearden: 1970-1980, October 12, 1980–November 29, 1981, no. 42, pp. 39, 84 (illustrated, p. 84)
New York, The Studio Museum in Harlem; Chicago, Museum of Contemporary Art; Los Angeles, Wight Gallery, University of California; Atlanta, High Museum of Art; Pittsburgh, The Carnegie Museum of Art; Washington, D.C., National Museum of American Art, Smithsonian Institution, Memory and Metaphor: The Art of Romare Bearden, 1940-1987, April 14, 1991–January 4, 1993, pl. XVIII, no. 109, pp. 63, 67, 98, 124 (illustrated, p. 98)
Charlotte, The Mint Museum; Tampa Museum of Art; Newark Museum, Romare Bearden: Southern Recollections, September 2, 2011–August 26, 2012, fig. 2, pl. 53, pp. 12, 65, 67, 136, 142 (detail illustrated, p. 12; illustrated, p. 67)
Durham, Nasher Museum of Art at Duke University; Louisville, The Speed Art Museum, Southern Accent: Seeking the American South in Contemporary Art, September 1, 2016–August 20, 2017, no. 14, pp. 202, 233, 260
Atlanta, High Museum of Art; Cincinnati Art Museum, “Something Over Something Else:” Romare Bearden’s Profile Series, September 14, 2019–May 24, 2020, no. 21, pp. 98, 130, 148 (illustrated, p. 98)Literature
Art in America, vol. 68, no. 8, October 1980, pp. 80–81 (illustrated, p. 80)
Beverly Fazio, Romare Bearden: His Life & Art, New York, 1990, p. 20 (illustrated)
Jean Toomer, Cane, New York, 1993 (illustrated on the back cover)
The Art of Romare Bearden, exh. cat., National Gallery of Art, Washington D.C., 2003, p. 107
Sally and Richard Price, Romare Bearden: The Caribbean Dimension, Philadelphia, 2006, p. 94Artist Biography
Romare Bearden
American • 1911 - 1988
A master of collage, Romare Bearden has become synonymous with his layered scenes of black life – past, present, and imagined. Born in North Carolina in 1911, Bearden was raised in New York in the heart of the Harlem Renaissance. In the 1930s, he studied at the Arts Student League with George Grosz and was involved with 306, a Harlem art school and workshop where his cousin by marriage, fellow artist Charles Alston, was a leading instructor. Though Bearden won major recognitions in his lifetime, Time art critic Robert Hugues proclaimed in 1991 that “Bearden got left out of the history books” – an oversight that has since been rectified with major retrospectives worldwide. In 2003 the National Gallery of Art held a retrospective of Bearden’s work, the first for an African-American artist in the museum’s history, with the exhibition firmly cementing his legacy as one of the great innovators of the 20th century.
Bearden started making two-dimensional collages in the early 1960s as "an attempt to redefine the image of man in terms of the Black experience”. Bearden’s collages seamlessly integrate painting, magazine clippings and old paper like a jigsaw puzzle into evocative images that fuse snippets of Harlem life with images of the American South, with references to art history, Classical myth, religion and popular culture. "When I conjure these memories, they are of the present to me," Bearden explained. "Because after all, the artist is a kind of enchanter in time." The way Bearden employed collage came out of his life and culture. In a 1977 interview with New Yorker writer Calvin Tomkins, Bearden described how as a young man, “I’d take a sheet of paper and just make lines while I listened to records, a kind of shorthand to pick up the rhythm and the intervals.” The improvisational nature of jazz music, Christian iconography, patchwork quilts, rooms wallpapered with old newspaper recalled from childhood summers in North Carolina, his lifelong study of both Western and African art art –all infused in Bearden’s collages.
Roberta Smith pointed out Bearden’s enduring relevance and unusual “of-the-moment” in her 2011 The New York Times review: “For one thing the improvisational cross-fertilizing of art mediums that Bearden helped pioneer via collage is more and more the norm; for another, paper has probably never been more popular as an art material, for work in both two and three dimensions. Most obviously the scaled-up version of collage that he favored and his propensity for pieced-together, abstraction-infused figures have many echoes in the work of contemporary artists, from Mark Bradford to Anya Kielar to Matthew Monahan.” His enduring legacy also continues to live on in The Studio Museum in Harlem, of which he was an active founding member in 1968.
Property from an Outstanding Private Collection
133
Sunset Limited from Profile/Part I, The Twenties: Mecklenburg County
signed “Romare Bearden” upper right; inscribed “the last time I saw Liza was down at the station when I left for Pittsburgh on the 5.13” on the reverse of the frame
collage and mixed media on board
15 1/2 x 20 1/2 in. (39.4 x 52.1 cm)
Executed in 1978.
Estimate
$220,000 - 350,000
Specialist, Head of Sale, Morning Session
+1 212 940 1288
adolan@phillips.com
20th Century & Contemporary Art Day Sale, Morning Session
New York Auction 16 May 2023
101
Lois Dodd
Burning House with Clapboards
Estimate $60,000 - 80,000
Sold for $215,900
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102
Jaune Quick-to-See Smith (Confederated Salish and Kootenai)
I See Red: Redskin War Shirt
Estimate $25,000 - 35,000
Sold for $76,200
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103
Sylvia Snowden
Salvation
Estimate $60,000 - 80,000
Sold for $127,000
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104
Lynne Drexler
Matoaka Aflame
Estimate $60,000 - 80,000
Sold for $114,300
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105
Vivian Springford
Untitled (VS 20)
Estimate $60,000 - 80,000
Sold for $95,250
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106
Joan Mitchell
Untitled
Estimate $300,000 - 500,000
Sold for $825,500
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107
Sam Francis
Untitled SFF.771
Estimate $250,000 - 350,000
Sold for $571,500
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108
James Brooks
Noran
Estimate $30,000 - 40,000
Sold for $69,850
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109
Ed Clark
Untitled
Estimate $70,000 - 100,000
Sold for $152,400
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110
Vivian Springford
Untitled (Tanzania Series)
Estimate $80,000 - 120,000
Sold for $241,300
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111
This lot is no longer available.
112
Alex Katz
White Band (Katherine)
Estimate $400,000 - 600,000
Sold for $444,500
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113
Alex Katz
Danielle 3
Estimate $300,000 - 500,000
Sold for $304,800
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114
John Wesley
Phone
Estimate $80,000 - 120,000
Sold for $88,900
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115
Andy Warhol
O.J. Simpson
Estimate $300,000 - 500,000
Sold for $482,600
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116
Keith Haring
Untitled
Estimate $600,000 - 800,000
Sold for $952,500
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117
Roy Lichtenstein
Brushstroke Sculpture
Estimate $500,000 - 700,000
Sold for $1,016,000
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118
Joel Shapiro
Untitled
Estimate $300,000 - 500,000
Sold for $406,400
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119
John Chamberlain
TAOIST TOAST
Estimate $400,000 - 600,000
Sold for $444,500
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120
Tom Wesselmann
Cross Motion II
Estimate $150,000 - 250,000
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121
Sol LeWitt
Wall Drawing #1111 Circle with broken bands of color
Estimate $150,000 - 200,000
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122
Dan Flavin
untitled (for Ad Reinhardt) 1b
Estimate $150,000 - 200,000
Sold for $152,400
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123
Donald Judd
untitled (Menziken #91-175)
Estimate $500,000 - 700,000
Sold for $698,500
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124
Brice Marden
Untitled (#2A)
Estimate $450,000 - 650,000
Sold for $482,600
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125
Kenneth Noland
Pairs
Estimate $180,000 - 220,000
Sold for $241,300
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126
Mary Heilmann
Shaped Serape
Estimate $80,000 - 120,000
Sold for $152,400
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127
Sturtevant
Warhol Gold Marilyn
Estimate $200,000 - 300,000
Sold for $190,500
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128
Tom Wesselmann
Study for first face #4
Estimate $80,000 - 120,000
Sold for $114,300
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129
Tom Wesselmann
Mouth Fragment
Estimate $100,000 - 150,000
Sold for $101,600
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131
Wayne Thiebaud
Red Farm
Estimate $100,000 - 150,000
Sold for $127,000
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132
Philip Guston
Lemonade and Doughnuts
Estimate $100,000 - 150,000
Sold for $457,200
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133
Romare Bearden
Sunset Limited from Profile/Part I, The Twenties: Mecklenburg County
Estimate $220,000 - 350,000
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134
Ernie Barnes
Hustlers
Estimate $70,000 - 100,000
Sold for $254,000
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135
Gertrude Abercrombie
Shell
Estimate $20,000 - 30,000
Sold for $63,500
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136
Gertrude Abercrombie
Doors with Cat and Shell
Estimate $60,000 - 80,000
Sold for $209,550
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137
Max Ernst
Taya's Sun
Estimate $100,000 - 150,000
Sold for $304,800
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138
Lucio Fontana
Concetto spaziale
Estimate $200,000 - 300,000
Sold for $482,600
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139
Jean Dubuffet
La liquidité du monde
Estimate $300,000 - 500,000
Sold for $444,500
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140
Francis Picabia
Suzanne
Estimate $120,000 - 180,000
Sold for $203,200
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141
Barry Flanagan RA
Hare
Estimate $200,000 - 300,000
Sold for $330,200
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142
Jean Dubuffet
Le fantasque
Estimate $200,000 - 300,000
Sold for $508,000
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143
Andy Warhol
Nosepicker II
Estimate $200,000 - 300,000
Sold for $228,600
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144
Andy Warhol
Girl in Park (Phipps)
Estimate $70,000 - 100,000
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145
Andy Warhol
Boy and Tree
Estimate $70,000 - 100,000
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146
George Condo
Take Yourself Away
Estimate $400,000 - 600,000
Sold for $482,600
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147
Julian Schnabel
Mi vida es una cumbre de mentiras
Estimate $70,000 - 100,000
Sold for $139,700
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148
David Wojnarowicz
The Anatomy and Architecture of June 19, 1953 (for Julius and Ethel Rosenberg)
Estimate $150,000 - 200,000
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149
David Wojnarowicz
Untitled (Time/Money) from the Ant series
Estimate $30,000 - 50,000
Sold for $57,150
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150
Martin Wong
St. Joseph's
Estimate $150,000 - 200,000
Sold for $190,500
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151
Martin Wong
Mandala
Estimate $40,000 - 60,000
Sold for $63,500
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152
Hugh Steers
At the Armoire
Estimate $40,000 - 60,000
Sold for $133,350
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153
Futura 2000
Self-Portrait of Picasso 1969
Estimate $30,000 - 50,000
Sold for $114,300
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154
This lot is no longer available.
155
Kenny Scharf
Somnoplaya
Estimate $200,000 - 300,000
Sold for $292,100
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156
Peter Saul
Chinese Cubist
Estimate $80,000 - 120,000
Sold for $120,650
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157
Josef Albers
Study for Homage to the Square: Bright
Estimate $300,000 - 500,000
Sold for $844,550
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158
Tom Wesselmann
Little Still Life #20
Estimate $200,000 - 300,000
Sold for $190,500
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159
Claes Oldenburg
Flying Pizza (Original Drawing for New York Ten)
Estimate $40,000 - 60,000
Sold for $50,800
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160
Roy Lichtenstein
Prototype for Fish and Sky
Estimate $40,000 - 60,000
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161
Roy Lichtenstein
Collage for Seascape
Estimate $70,000 - 100,000
Sold for $101,600
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162
Robert Mangold
A Rectangle and a Circle Within a Square
Estimate $80,000 - 120,000
Sold for $88,900
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163
Robert Mangold
Four Color Frame Painting #3
Estimate $60,000 - 80,000
Sold for $196,850
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164
Sol LeWitt
Open Cube Structure
Estimate $40,000 - 60,000
Sold for $63,500
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165
Ilya Bolotowsky
Rectangle Within a Circle
Estimate $20,000 - 30,000
Sold for $107,950
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166
Frank Stella
Fortín de las flores (Original Drawing for Ten from Leo Castelli)
Estimate $100,000 - 150,000
Sold for $190,500
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167
Sol LeWitt
Three-Part Drawing Using Three Colors In Each Part
Estimate $60,000 - 80,000
Sold for $44,450
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168
Sol LeWitt
Vertical Brushstrokes
Estimate $80,000 - 120,000
Sold for $95,250
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169
Ad Reinhardt
Untitled (Study for New York International)
Estimate $70,000 - 100,000
Sold for $76,200
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170
Stuart Davis
Study for a Drawing #1
Estimate $40,000 - 60,000
Sold for $38,100
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171
Giacomo Balla
Sottobicchiere
Estimate $20,000 - 30,000
Sold for $33,020
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172
Sonia Delaunay
Rythme couleur
Estimate $30,000 - 40,000
Sold for $76,200
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173
Joan Miró
Femmes devant le soleil (Women in Front of the Sun)
Estimate $200,000 - 300,000
Sold for $381,000
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174
Fernand Léger
Composition américaine aux éléments mécaniques
Estimate $15,000 - 20,000
Sold for $40,640
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175
Hannah Höch
Komposition
Estimate $10,000 - 15,000
Sold for $21,590
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176
Ben Nicholson
Red to Black
Estimate $40,000 - 60,000
Sold for $88,900
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177
František Kupka
Quatre histoires de blanc et noir
Estimate $20,000 - 30,000
Sold for $22,860
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178
Paul Klee
Schatten Fürstin (Princess of the Shadows)
Estimate $20,000 - 30,000
Sold for $50,800
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179
Auguste Herbin
Composition cubiste
Estimate $15,000 - 20,000
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180
Adolf Wölfli
Untitled
Estimate $25,000 - 35,000
Sold for $63,500
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181
Jean Dubuffet
Personnage
Estimate $40,000 - 60,000
Sold for $60,960
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182
Lee Lozano
Untitled
Estimate $15,000 - 20,000
Sold for $38,100
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183
Gerhard Richter
Untitled
Estimate $30,000 - 40,000
Sold for $88,900
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184
Tom Sachs
118 Composition No. III; Composition with Red, Blue, Yellow, and Black (Mondrian)
Estimate $50,000 - 70,000
Sold for $158,750
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185
Tom Sachs
Gucci Vice on Pedestal
Estimate $15,000 - 20,000
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186
Jacques Villeglé
Rue de Beaune
Estimate $10,000 - 15,000
Sold for $8,890
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187
Alfred Jensen
Magic in Egypt II
Estimate $7,000 - 10,000
Sold for $16,510
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188
Adolf Richard Fleischmann
Untitled
Estimate $10,000 - 15,000
Sold for $12,065
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189
Arman
The Seven Muses / Galaxiale
Estimate $30,000 - 40,000
Sold for $24,130
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190
Arman
Poubelle organique
Estimate $8,000 - 12,000
Sold for $16,510
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191
Christo
Valley Curtain (Project for Colorado) Grand Hogback, 7 Miles North from Rifle
Estimate $60,000 - 80,000
Sold for $107,950
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192
Christo
Otterlo Mastaba (Project for Rijksmuseum Kröller-Müller)
Estimate $12,000 - 18,000
Sold for $19,050
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193
George Rickey
Sedge with Trapezoids
Estimate $20,000 - 30,000
Sold for $40,640
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194
Mark di Suvero
Untitled
Estimate $20,000 - 30,000
Sold for $66,040
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195
Tom Wesselmann
Study for Nude (Study for 7 Objects in a Box)
Estimate $40,000 - 60,000
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196
Tom Wesselmann
Open Ended Nude (Drawing Edition)
Estimate $25,000 - 35,000
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197
Keith Haring
Untitled (Elvis Presley)
Estimate $150,000 - 200,000
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198
Keith Haring
Untitled
Estimate $180,000 - 220,000
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199No Reserve
Francesco Clemente
Tale
Estimate $10,000 - 15,000 •
Sold for $41,910
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200
John Wesley
Good Night Mary
Estimate $30,000 - 50,000
Sold for $38,100
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201
Andy Warhol
Dollar Sign
Estimate $50,000 - 70,000
Sold for $95,250
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202
Andy Warhol
Ladies and Gentlemen
Estimate $30,000 - 40,000
Sold for $27,940
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203
Jean-Michel Basquiat
Untitled (Insect Order)
Estimate $40,000 - 60,000
Sold for $35,560
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204
Robert Rauschenberg
Sherbet Tree (Slide)
Estimate $40,000 - 60,000
Sold for $48,260
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205
Sam Francis
Untitled
Estimate $80,000 - 120,000
Sold for $139,700
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206
Grace Hartigan
Chapeau de Castella
Estimate $50,000 - 70,000
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207
Helen Frankenthaler
Coyote Dawn
Estimate $150,000 - 250,000
Sold for $304,800
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208
Sol LeWitt
Horizontal Lines in Color (More Or Less)
Estimate $80,000 - 120,000
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209
Sam Gilliam
Focus II
Estimate $50,000 - 70,000
Sold for $88,900
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210
Beauford Delaney
Untitled
Estimate $30,000 - 50,000
Sold for $57,150
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211
Adolph Gottlieb
The Hunter
Estimate $30,000 - 50,000
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212
Arshile Gorky
Study for Nighttime, Enigma and Nostalgia
Estimate $40,000 - 60,000
Sold for $66,040
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213
Adolph Gottlieb
Liberation
Estimate $40,000 - 60,000
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214
Fernand Léger
Jeune fille à la branche
Estimate $200,000 - 300,000
Sold for $228,600
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215
Moïse Kisling
Nu allongé
Estimate $70,000 - 100,000
Sold for $82,550
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216
Françoise Gilot
Nude on the Beach by the Sea
Estimate $6,000 - 8,000
Sold for $22,860
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217
Milton Avery
Young Mother and Child
Estimate $70,000 - 100,000
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218
This lot is no longer available.
219
Reginald Marsh
Coney Island
Estimate $30,000 - 50,000
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220
Milton Avery
Pilgrim Tower
Estimate $40,000 - 60,000
Sold for $40,640
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221
Milton Avery
Still Life
Estimate $18,000 - 25,000
Sold for $20,320
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222
Leonora Carrington
Four works: (i) Study for Snake-Bite Floripondio; (ii) Study for Mural El Mundo Magico de Los Mayas; (iii) Untitled; (iv) Untitled
Estimate $30,000 - 40,000
Sold for $25,400
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223
Francisco Toledo
Pez con toro
Estimate $70,000 - 90,000
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224
Pedro Coronel
Danza mágica
Estimate $100,000 - 150,000
Sold for $120,650
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225
Mario Carreño
La lavandera (The Laundress)
Estimate $100,000 - 150,000
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226
Fernando Botero
The Gardener
Estimate $70,000 - 100,000
Sold for $139,700
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227
Fernando Botero
Reclining Woman (Donna sdraiata)
Estimate $200,000 - 300,000
Sold for $279,400
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228
Alfredo Ramos Martínez
La India de las tunas (Indian Woman with Prickly Pears)
Estimate $25,000 - 35,000
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229
Aldo Bonadei
Landscape
Estimate $15,000 - 20,000
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230
Sergio Camargo
Sem título
Estimate $250,000 - 350,000
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231
León Ferrari
Untitled
Estimate $30,000 - 40,000
Sold for $31,750
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232
Sergio Camargo
Sem título (#425-A)
Estimate $18,000 - 25,000
Sold for $35,560
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233
Louise Nevelson
Model for the Torah Ark Doors of Temple Beth El
Estimate $30,000 - 50,000
Sold for $30,480
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234
Louise Nevelson
Volcanic Magic XXIV
Estimate $15,000 - 20,000
Sold for $30,480
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235
Magdalena Abakanowicz
Untitled
Estimate $40,000 - 60,000
Sold for $50,800
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236
Bruce Nauman
Untitled (Cross Beams)
Estimate $30,000 - 40,000
Sold for $27,940
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237
Bernar Venet
9 Acute Unequal Angles
Estimate $60,000 - 80,000
Sold for $69,850
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238
Victor Vasarely
Hazay-a
Estimate $60,000 - 80,000
Sold for $69,850
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239
Kenneth Noland
Reborn
Estimate $80,000 - 120,000
Sold for $114,300
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240
Deborah Remington
Cambay
Estimate $30,000 - 50,000
Sold for $76,200
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241
Thomas Downing
Untitled
Estimate $30,000 - 40,000
Sold for $44,450
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242
Ralph Humphrey
October Light
Estimate $18,000 - 25,000
Sold for $24,130
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243
Thomas Nozkowski
Untitled (8-64)
Estimate $10,000 - 15,000
Sold for $48,260
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244
Maurice Sievan
Zoogarluk
Estimate $15,000 - 20,000
Sold for $279,400
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245
Shusaku Arakawa
Sculpting
Estimate $18,000 - 25,000
Sold for $69,850
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246
George Condo
Untitled (Impressions)
Estimate $30,000 - 40,000
Sold for $127,000
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247
Alex Katz
Ada (Orange)
Estimate $60,000 - 80,000
Sold for $101,600
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248
Alex Katz
Study for Bird
Estimate $25,000 - 35,000
Sold for $40,640
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249
Robert Indiana
Spring Gold
Estimate $30,000 - 50,000
Sold for $53,340
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250
Richard Estes
Venice-imbarcadero a palazzo ducale
Estimate $35,000 - 45,000
Sold for $88,900
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251
George L. K. Morris
St. Étienne-du-Mont, No. 2
Estimate $10,000 - 15,000
Sold for $10,160
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252
Max Weber
The Refugees
Estimate $6,000 - 8,000
Sold for $7,620
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253
Sir Jacob Epstein
Sir Winston Churchill
Estimate $30,000 - 50,000
Sold for $95,250
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254
Pablo Picasso
Head of a Boy
Estimate $60,000 - 90,000
Sold for $107,950
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255
Alexander Calder
Flyball Governor
Estimate $40,000 - 60,000
Sold for $76,200
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256
Alexander Calder
Untitled (Cartoon for Centre Square, Philadelphia Banner)
Estimate $30,000 - 40,000
Sold for $69,850
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257
Hermann Nitsch
Wiener Sezession
Estimate $15,000 - 20,000
Sold for $21,590
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258
Sam Gilliam
Untitled
Estimate $20,000 - 30,000
Sold for $40,640
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259
Sol LeWitt
Wavy Vertical Brushstrokes
Estimate $16,000 - 20,000
Sold for $21,590
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260
Sol LeWitt
Tangled Bands
Estimate $12,000 - 18,000
Sold for $12,700
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