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  • Artist Biography

    Richard Prince

    American • 1947

    For more than three decades, Prince's universally celebrated practice has pursued the subversive strategy of appropriating commonplace imagery and themes – such as photographs of quintessential Western cowboys and "biker chicks," the front covers of nurse romance novellas, and jokes and cartoons – to deconstruct singular notions of authorship, authenticity and identity.

    Starting his career as a member of the Pictures Generation in the 1970s alongside such contemporaries as Cindy Sherman, Robert Longo and Sherrie Levine, Prince is widely acknowledged as having expanded the accepted parameters of art-making with his so-called "re-photography" technique – a revolutionary appropriation strategy of photographing pre-existing images from magazine ads and presenting them as his own. Prince's practice of appropriating familiar subject matter exposes the inner mechanics of desire and power pervading the media and our cultural consciousness at large, particularly as they relate to identity and gender constructs.

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326

Untitled (Girlfriend); and Lynn Valley

2006
C-print, on doubleweight semi-gloss photo paper, with wide margins, accompanied by book of photos in color,
I. 5 1/4 x 7 3/4 in (13.3 x 19.7 cm);
S. 23 3/4 x 18 1/2 in (60.3 x 47 cm)
Booklet. 10 1/2 x 7 3/4 in (26.7 x 19.7 cm)

the photograph signed, dated ‘2006’ and annotated ‘Z’ on the reverse in ink (the edition was lettered A to Z), the book signed in ink on front cover, both are in excellent condition, the print unframed.

Estimate
$6,000 - 8,000 

Contact Specialist
Kelly Troester
Modern Editions
[email protected]
+ 1 212 940 1221

Cary Leibowitz
Contemporary Editions
[email protected]
+ 1 212 940 1222

Evening & Day Editions

New York 29 April 2013 10am & 6pm