Private Collection, New York
J. Szarkowski, William Eggleston's Guide, Museum of Modern Art, 1976, p. 79
The Hasselblad Award 1998: William Eggleston, Hasselblad Center, 1999, n.p.
H. Liesbrock, T. Weski, eds., How you look at it: Photographs of the 20th Century, Thames & Hudson, 2000, p. 223
William Eggleston: Democratic Camera, Photographs and Video, 1961-2008, Whitney Museum of American Art/ Yale University Press, 2008, pl. 27, there dated circa 1969-71
American • 1939
William Eggleston's highly saturated, vivid images, predominantly capturing the American South, highlight the beauty and lush diversity in the unassuming everyday. Although influenced by legends of street photography Robert Frank and Henri Cartier-Bresson, Eggleston broke away from traditional black and white photography and started experimenting with color in the late 1960s.
At the time, color photography was widely associated with the commercial rather than fine art — something that Eggleston sought to change. His 1976 exhibition at the Museum of Modern Art, Color Photographs, fundamentally shifted how color photography was viewed within an art context, ushering in institutional acceptance and helping to ensure Eggleston's significant legacy in the history of photography.
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