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William Eggleston

Memphis, Tennessee (Marcia Hare)

Estimate
$50,000 - 70,000
$203,200
Lot Details
Dye transfer print, printed 2010.
circa 1974
Image 17 5/8 x 26 5/8 in. (44.8 x 67.6 cm)
Sheet 20 1/4 x 29 3/4 in. (51.4 x 75.6 cm)
Signed in ink in the margin; Eggleston Artistic Trust copyright credit reproduction limitation stamp on the verso. Printers’ proof from an edition of 20 plus three lettered artist's proofs.

Further Details

“The first time I ever experienced that expression of ‘having your breath taken away’ was when I was standing in front of the print of that famous photo of the girl lying in the grass with the Brownie camera. I had seen the image so many times in books and magazines, but when you see it in person, the color and its beauty gives you a physical reaction.”

—Sofia Coppola


The photographs in this sale are master prints from Guy Stricherz and Irene Malli of Color Vision Imaging Laboratory. They are the perfected dye transfer prints by which subsequent prints in the edition were judged. Acknowledged masters of the exacting dye transfer process, Mr. Stricherz and Ms. Malli achieved a level of skill in their craft that has not been surpassed. Working in partnership with William Eggleston and other eminent photographers, they have played a crucial role in raising the standard for color photography. Founded in New York City in 1981, CVI Lab became a destination for photographers looking for the finest color prints possible. Mr. Stricherz and Ms. Malli have steadily pushed the dye transfer technique forward, fine tuning the process’s many variables into a highly expressive, visually arresting, and archivally stable medium. For more information on Guy Stricherz, Irene Malli, and CVI Lab, click here.

William Eggleston

American | 1939

William Eggleston's highly saturated, vivid images, predominantly capturing the American South, highlight the beauty and lush diversity in the unassuming everyday. Although influenced by legends of street photography Robert Frank and Henri Cartier-Bresson, Eggleston broke away from traditional black and white photography and started experimenting with color in the late 1960s.

At the time, color photography was widely associated with the commercial rather than fine art — something that Eggleston sought to change. His 1976 exhibition at the Museum of Modern Art, Color Photographs, fundamentally shifted how color photography was viewed within an art context, ushering in institutional acceptance and helping to ensure Eggleston's significant legacy in the history of photography.

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