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Created just two years before the artist’s death, Robert Motherwell’s large scale Hollow Men Series, 1989, is a testament to his painterly practice and deep connections to the tumultuous world around him. Inspired by a 1977 drawing and created in the last 8 years of his life, the approximately 33 works bearing the Hollow Men title represent an amalgamation of techniques, forms and colors that were developed throughout the artist’s life. Building upon his already iconic pictorial vocabulary, the present work takes the themes of life and death which pervaded Motherwell one step further.
“After a period of painting [the Elegies], I discovered Black as one of my subjects – and with black, the contrasting white, a sense of life and death which to me is quite Spanish. They are essentially the Spanish black of death contrasted with the dazzle of Matisse-like sunlight.”
—Robert MotherwellOriginally created as a response to the Spanish Civil War, Motherwell’s renowned Elegies serve as a precursor to the present work, icons of a deeply political investigation into the interrelation between life and death. The Elegies serve as memorials to the human loss and suffering that was felt throughout Europe in the 1940s and beyond. Rendered in starkly contrasting blacks and whites, the abstracted forms in these works allow Motherwell the freedom to relate them to any given moment each time they are repeated.
Robert Motherwell, Reconciliation Elegy, 1978, National Gallery of Art, Washington, D.C. Image: National Gallery of Art, Washington, D.C., Gift of the Collectors Committee, 1978.20.1, Artwork: © 2024 Dedalus Foundation, Inc. / Artists Rights Society (ARS), NY The title of the present work is a reference to the groundbreaking 1925 poem by T. S. Eliot, one which grapples with the ideas of hopelessness, religious conversion and redemption; themes that were ever present in post-World War I Europe. Following the journey of “violent souls,” the poem refers to men who are indeed hollow – broken and without a soul or sense of purpose. Relating the meaning of the poem almost immediately to his interpretations of the aftermath of war throughout the world in the twentieth century, Motherwell imbues a deeper literary meaning to the notions of grief and mourning in Hollow Men Series. Interpretting Eliot’s work as a true testament to the culture and feelings of post-war Europe, Motherwell returned to the poet’s words towards the end of his life, repeating Hollow Men in the titles of a number of works from his final decade.
“Those who have crossed
With direct eyes to death’s other Kingdom
Remember us – if at all – not as lost 15
Violent souls, but only
As the hollow men
The stuffed men.”
—The Hollow Men, T.S. Eliot (1925)Composed of three similar ovoid forms as in the Elegies, the present work substitutes a deep amber pigment for the central black forms. Asymmetrically framed by bands of a brighter, golden orange in the upper right and lower left margins, the three figures are almost connected to one another. In this way, Hollow Men Series “retains an echo of the Elegy format in its sweep of ovals. The skeletal forms of the painting are drawn in graphite and charcoal on a rich luminous ground of ochre.”i Further adding to the “hollow” feeling of the figures is their washy amber hue – allowing the viewer to practically see through them onto the lighter ground of the canvas.
A detail of the present work. One of the last great works to be created before Motherwell’s passing in 1991, Hollow Men Series represents, as noted by art historian David Anfam, “Motherwell’s foremost signature idiom, which was as original and archetypal in its own right as Mark Rothko’s tiered rectangles, Barnett Newman’s vertical “zips,” Franz Kline’s monochromatic dramas, or Pollock’s poured skeins of pigment.”ii These signature figures recall a Surrealist tendency that is at the heart of the artist’s practice, creating a dialogue between artistic styles that merge to embody a common feeling – grief.
[Left] Mark Rothko, No. 17, 1958, National Gallery of Art, Washington, D.C. Image: National Gallery of Art, Washington, D.C., Corcoran Collection (Museum Purchase, Gallery Fund), 2014.136.99, Artwork: © 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York
[Right] Barnett Newman, Eighth Station, 1964, National Gallery of Art, Washington, D.C. Image: National Gallery of Art, Washington, D.C, Robert and Jane Meyerhoff Collection, 1986.65.8, Artwork: © 2024 Barnett Newman Foundation/Artists Rights Society (ARS), New Yorki Tim Clifford, Robert Motherwell: 100 Years, Skira, 2015, p. 295.
ii David Anfam, Robert Motherwell: Elegy to the Spanish Republic, exh. cat., Dominique Lévy, New York, 2015, p. 15.
Condition Report
Description
View our Conditions of Sale.
Provenance
Dedalus Foundation (acquired in 1991)
Miles McEnery Gallery, New York
Acquired from the above by the present ownerExhibited
New York, Dominique Lévy, Robert Motherwell: Elegy to the Spanish Republic, November 4, 2015–January 9, 2016, pp. 16, 116 (illustrated, p. 16)
Literature
Jack Flam, Katy Rogers, and Tim Clifford, eds., Robert Motherwell: Paintings and Collages, A Catalogue Raisonné, 1941–1991, Volume Two, Paintings on Canvas and Panel, New Haven, 2012, no. P1167, p. 557 (illustrated)
Daniel Creahan, "New York - Robert Motherwell: "Elegy to the Spanish Republic" At Dominique Lévy Through January 9th, 2015," Art Observed, January 7, 2016, online (illustrated)Artist Biography
Robert Motherwell
American • 1915 - 1991
One of the youngest proponents of the Abstract Expressionist movement, Robert Motherwell rose to critical acclaim with his first solo exhibition at Peggy Guggenheim's Art of This Century gallery in 1944. Not only was Motherwell one of the major practicing Abstract Expressionist artists, he was, in fact, the main intellectual driving force within the movement—corralling fellow New York painters such as Jackson Pollock, Willem de Kooning, Hans Hoffman and William Baziotes into his circle. Motherwell later coined the term the "New York School", a designation synonymous to Abstract Expressionism that loosely refers to a wide variety of non-objective work produced in New York between 1940 and 1960.
During an over five-decade-long career, Motherwell created a large and powerful body of varied work that includes paintings, drawings, prints and collages. Motherwell's work is most generally characterized by simple shapes, broad color contrasts and a dynamic interplay between restrained and gestural brushstrokes. Above all, it demonstrates his approach to art-making as a response to the complexity of lived, and importantly felt, experience.
Property from a Distinguished European Collection
134
Hollow Men Series
incised with the artist's initials “RM” upper left; signed, titled and dated “R. Motherwell “Hollow Men Series” 1989” on the reverse
acrylic and charcoal on canvas
60 x 96 in. (152.4 x 243.8 cm)
Executed in 1989.
Estimate
$600,000 - 800,000
Annie Dolan
NY Head of Auctions and Specialist, Head of Sale, Morning Session
212 940 1288
adolan@phillips.com
Modern & Contemporary Art Day Sale, Morning Session
New York Auction 15 May 2024
101
Emmi Whitehorse (Diné)
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102
Jaune Quick-to-See Smith (Confederated Salish and Kootenai)
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103
Hedda Sterne
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104
Wolfgang Paalen
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105
René Magritte
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106
Chico da Silva
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107
Bill Traylor
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108
Elaine de Kooning
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109
Lois Dodd
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110
Willem de Kooning
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111
Milton Avery
The White Hen and Fantasy Creatures (double-sided)
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112
Milton Avery
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113
Wassily Kandinsky
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114
Arshile Gorky
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115
Guy Pène du Bois
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116
Raoul Dufy
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117
André Derain
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118
Pierre-Auguste Renoir
Femme en buste
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119
Pierre Bonnard
Jardin au bord de la Seine
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120
Odilon Redon
Fleurs dans un vase
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121
Henri Matisse
Nu assis ou femme au collier
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122
Françoise Gilot
Flora
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123
Pablo Picasso
Tasse et bananes
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124
Fernand Léger
Composition à l'échequier
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125
Willi Baumeister
Maschine und Mensch
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126
Howard Hodgkin
Small Tree near Cairo
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127
Philip Guston
Untitled
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128
Lynne Drexler
Untitled
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129
Michael Corinne West
Save the Tiger
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130
Judith Rothschild
Figure in Space
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131
Hans Hofmann
Magenta, Yellow and Black
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132
Alice Baber
The Green Day of the Jaguar
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133
Helen Frankenthaler
Spirits of Wine
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134
Robert Motherwell
Hollow Men Series
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135
Robert Motherwell
Zen IV
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136
Vivian Springford
Untitled (VSF 347)
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137
Helen Frankenthaler
Untitled
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138
Joan Mitchell
Untitled
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139
Norman Lewis
Untitled
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140
Charles Alston
Black and White #7
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141
Ernie Barnes
Human Celebration
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142
Andy Warhol
Three works: (i-iii) Bobby Short
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143
Peter Saul
Prune Head
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144
Fritz Scholder (Luiseño)
Super Kachina
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145
Andy Warhol
Skull
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146
Jean-Michel Basquiat
Untitled
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147
Keith Haring
Untitled
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148
Yayoi Kusama
Butterfly
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149
On Kawara
NOV. 8, 1977 (from Today Series, no. 23)
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150
Ed Ruscha
Suddenly Spastic
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151
Ed Ruscha
TREMBLING STALKS OF AQUATIC VEGETATION
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152
Ed Ruscha
We're This and We're That Aren't We?
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153
Josef Albers
Study for Homage to the Square: Oracle
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154
Donald Judd
Untitled
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155
Lynda Benglis
Untitled
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156
Louise Nevelson
Untitled
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157
Olga de Amaral
Untitled
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158
Richard Serra
Untitled
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159
Brice Marden
Honey's Drawing
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160
Agnes Martin
Untitled
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161
Ed Clark
Ife
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162
Gerhard Richter
Untitled 26.2.89
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163
Richard Serra
Untitled #21
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164
Lynn Chadwick, R.A.
Maquette, High Wind
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165
Moissey Kogan
Mädchenkopf I (Head of a Girl I)
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166
Gaston Lachaise
Garden Figure (second state) [LF 137]
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167
Manolo Valdés
Reina Mariana
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168
Aristide Maillol
La nymphe aux fleurs
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169
Édouard Vuillard
Mme Arthur Fontaine au piano
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170
André Derain
Nus dans un paysage
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171
Louis Valtat
Les deux soeurs assises, Madame Zette et Madame Juin
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172
Maurice de Vlaminck
Village et bord de rivière
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173
André Derain
Nature morte avec bouteille
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174
Jean Metzinger
Femme au perroquet (La fenêtre)
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175
Alexander Calder
Untitled
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176
Alexander Calder
Bow Tie
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177
John Chamberlain
Tonk #8
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178
Robert Indiana
Number 0
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179
Robert Rauschenberg
Access
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180
Ken Price
Lower
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181
Lawrence Weiner
Stretched As Tightly As Is Possible (Satin) & (Petroleum Jelly)
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182
Neil Jenney
Biosphere #3
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183
Joseph Kosuth
'Word, Sentence, Paragraph (Z. & N.) #16'
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184
Jack Goldstein
Untitled
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185
James Rosenquist
The Serenade for the Doll after Claude Debussy, Gift Wrapped Doll #18
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186
Richard Estes
Staten Island Ferry Docking
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187
Richard Estes
Passages (Shopping Center)
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188
Isamu Noguchi
Small Wonder
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189
John McCracken
Vibe
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190
John McLaughlin
Untitled
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191
John McLaughlin
Untitled
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192
Alfred Leslie
Hipped
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193
Alfred Leslie
Lake Front Property
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194
Leon Polk Smith
Great Hall
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195
Lorser Feitelson
Magical Space Forms
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196
Jean-Paul Riopelle
Cold Climate
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197
Michael Goldberg
Untitled
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198
James Brooks
Blow
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199
Friedel Dzubas
Night Shuttle
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200
Ilya Bolotowsky
Ellipse with Yellows
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201
Ed Clark
Love Birds
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202
Alex Katz
Jessica (Study for New Pink)
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203
Andy Warhol
Karen Lerner
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204
Richard Pettibone
Andy Warhol 'Lavender Disaster', 1964
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205
Richard Pettibone
Andy Warhol 'Liz' 1962
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206
Kenny Scharf
BEYOND
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207
Peter Saul
He Forgot Something
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208
Karel Appel
Bride
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209
Karl Wirsum
Ahh! Macy's Grazed
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210
Cundo Bermúdez
Arlequines
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211
Gustav Klimt
Frontal stehend, linke Hand an die Hüfte gelegt (Standing Woman with Hand on Hip)
Estimate $25,000 - 35,000
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212
Armand Guillaumin
Gelée blanche à Crozant
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213
Maurice Brazil Prendergast
The Beach and Along the Sea with Boat and People (double-sided)
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214
Maurice Brazil Prendergast
Study St. Malo
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215
Milton Avery
Young Mother and Child
Estimate $40,000 - 60,000
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216
Reginald Marsh
Coney Island (double-sided)
Estimate $18,000 - 25,000
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217
Willem de Kooning
Reclining Woman
Estimate $40,000 - 60,000
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218
Willem de Kooning
Reclining Women
Estimate $40,000 - 60,000
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219
Martín Ramírez
Untitled (Arches)
Estimate $10,000 - 15,000
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220
Jean Dubuffet
Réchaud-four à Gaz
Estimate $15,000 - 20,000
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221
Jean Dubuffet
Personnage
Estimate $40,000 - 60,000
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222
Hans Hartung
P10-1976-H20
Estimate $25,000 - 35,000
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223
Peter Saul
Study for Prune Head
Estimate $10,000 - 15,000
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224
Jean-Michel Basquiat
Free comb with Pagoda
Estimate $80,000 - 120,000
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225
Andy Warhol
Dollar Sign
Estimate $40,000 - 60,000
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226
Andy Warhol
Ladies and Gentlemen
Estimate $20,000 - 30,000
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227
Alexander Calder
Rose des sables
Estimate $40,000 - 60,000
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228
Alexander Calder
Grass
Estimate $40,000 - 60,000
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229
Alexander Calder
Untitled
Estimate $40,000 - 60,000
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230
Alighiero Boetti
Pisciarsi in bocca
Estimate $60,000 - 80,000
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231
Nuvolo (Giorgio Ascani)
Primavera Inoltrata
Estimate $15,000 - 20,000
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232
Daniel Spoerri
Tavola toscana (Post-Sevillane, Tableau piège)
Estimate $15,000 - 20,000
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