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Rendered in thick brushstrokes applied in dabs straight from the tube and onto the canvas, André Derain’s Les remparts à Montreuil-sur mer, 1909, reflects a fusion of the two movements which defined this key moment in the artist’s career—Fauvism and Cubism. In depicting the walls of the Northern French city of Montreuil-sur-mer, Derain uses Cubist blocks of color, rejecting the depiction of three-dimensional space. Characterized by a more mature color palette as compared to the works created at the height of Fauvism just a few years prior, the present work illustrates the evolution of Derain’s landscapes, specifically reflecting an interest in Paul Cézanne’s Post-Impressionist vistas. Belonging to the same family collection for nearly 85 years, the present work provides a fresh to market look into an important transitional time within the artist’s oeuvre.
City walls of Montreuil-sur-mer, France. Image: David Bagnall / Alamy Stock Photo Nestled among groves of thick trees rendered in rich browns, blues and blacks, city walls and homes reminiscent of the French countryside emerge from the verdant ground. While the buildings are rendered in thick, singular blocks of color, the field below is composed of quick, spontaneous brushstrokes. Having founded Fauvism with Henri Matisse in 1905, Derain was concerned with upending French academic painting and challenging the Impressionists, who were in contrast more fixed on a dutiful representation of nature. In the early 1900s, this meant that Derain’s landscapes were painted in brilliant, oftentimes pure, colors that had no relation to reality. Created at the turn of the decade in 1909, just before Fauvism officially came to an end in 1910, the present work incorporates more earth tones than Derain’s more colorful renderings of the French countryside. As such, the present work reflects a shift from the height of the colorist movement, when Derain began opting for more subdued, while still imaginary, hues.
“Fauvism was our ordeal by fire. No matter how far we moved away from things, in order to observe them and transpose them at our leisure, it was never far enough. Colors became charges of dynamite. They were expected to discharge light. It was a fine idea, in its freshness, that everything could be raised above the real. It was serious too. With our flat tones, we even preserved a concern for mass, giving for example to a spot of sand a heaviness it did not possess, in order to bring out the fluidity of the water, the lightness of the sky... The great merit of this method was to free the picture from all imitative and conventional contact.”
—André DerainIn addition to its tonality, Les remparts à Montreuil-sur-mer is unique in its incorporation of Cubist tendencies, particularly the ordering and structuring of nature according to Paul Cézanne. Derain’s thick brushstrokes and box-like houses are directly influenced by Cézanne’s fragmented landscapes. Here, Derain is embracing the abstract potential of nature, while not afraid of bending it in a way which suits his own painterly needs. Though the colors are more earthy than his earlier, more vibrant compositions, Derain feels no need to adhere to Montreuil-sur-mer's natural color palette, positioning bright orange tones next to greens to represent the grass below the city wall. As such, the present work offers a glimpse into this pivotal moment in Derain’s career when he was grappling with different ways to use color and form. By the 1920s, Derain would embrace a much darker palette to depict more Neoclassical subjects. A transition from one phase of the artist’s career to the next, Les remparts à Montreuil-sur-merrepresents a distinct moment within Derain’s practice, bridging the gap between his brilliantly colored Fauvist paintings and moodier, Cubist scenes.
Paul Cézanne, Château Noir, 1900/1904, National Gallery of Art, Washington, D.C. Image: © National Gallery of Art, Washington, D.C., Gift of Eugene and Agnes E. Meyer, 1958.10.1 Condition Report
Description
View our Conditions of Sale.
Provenance
Galerie Kahnweiler, Paris
Alphonse Bellier, Paris, December 2, 1938, lot 265 (possibly)
Private Collection, Paris and New York (acquired at the above sale)
Thence by descent to the present ownerLiterature
Michel Kellermann, André Derain: Catalogue raisonné de l’oeuvre peint, Tome I, 1895–1914, Paris, 1992, no. 161, p. 101 (illustrated)
117
Les remparts à Montreuil-sur-mer
signed "Derain" lower right
oil on canvas
18 1/8 x 21 1/8 in. (46 x 53.7 cm)
Painted in 1909.
Estimate
$300,000 - 500,000
Annie Dolan
NY Head of Auctions and Specialist, Head of Sale, Morning Session
212 940 1288
adolan@phillips.com
Modern & Contemporary Art Day Sale, Morning Session
New York Auction 15 May 2024
101
Emmi Whitehorse (Diné)
Canyon Lake I
Estimate $12,000 - 18,000
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102
Jaune Quick-to-See Smith (Confederated Salish and Kootenai)
Eagle Wing
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103
Hedda Sterne
Untitled
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104
Wolfgang Paalen
Phantoms I
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105
René Magritte
La belle lurette
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106
Chico da Silva
Untitled
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107
Bill Traylor
Black Bear
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108
Elaine de Kooning
Untitled (Bullfight Series)
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109
Lois Dodd
Wild Geraniums
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110
Willem de Kooning
Still Life
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111
Milton Avery
The White Hen and Fantasy Creatures (double-sided)
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112
Milton Avery
Dark Sea, Dark Sky
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113
Wassily Kandinsky
Rapallo-Stürmischer Tag
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114
Arshile Gorky
Portrait of the Artist's Wife
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115
Guy Pène du Bois
Conversation - Paris Cafe (Yvonne Pène du Bois)
Estimate $12,000 - 18,000
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116
Raoul Dufy
La fenêtre aux vitres de couleurs
Estimate $100,000 - 150,000
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117
André Derain
Les remparts à Montreuil-sur-mer
Estimate $300,000 - 500,000
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118
Pierre-Auguste Renoir
Jeune femme assise
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119
Pierre Bonnard
Jardin au bord de la Seine
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120
Odilon Redon
Fleurs dans un vase
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121
Henri Matisse
Nu assis ou femme au collier
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122
Françoise Gilot
Flora
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123
Pablo Picasso
Tasse et bananes
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124
Fernand Léger
Composition à l'échequier
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125
Willi Baumeister
Maschine und Mensch
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126
Howard Hodgkin
Small Tree near Cairo
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127
Philip Guston
Untitled
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128
Lynne Drexler
Untitled
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129
Michael Corinne West
Save the Tiger
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130
Judith Rothschild
Figure in Space
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131
Hans Hofmann
Magenta, Yellow and Black
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132
Alice Baber
The Green Day of the Jaguar
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133
Helen Frankenthaler
Spirits of Wine
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134
Robert Motherwell
Hollow Men Series
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135
Robert Motherwell
Zen IV
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136
Vivian Springford
Untitled (VSF 347)
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137
Helen Frankenthaler
Untitled
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138
Joan Mitchell
Untitled
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139
Norman Lewis
Untitled
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140
Charles Alston
Black and White #7
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141
Ernie Barnes
Human Celebration
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142
Andy Warhol
Three works: (i-iii) Bobby Short
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143
Peter Saul
Prune Head
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144
Fritz Scholder (Luiseño)
Super Kachina
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145
Andy Warhol
Skull
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146
Jean-Michel Basquiat
Untitled
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147
Keith Haring
Untitled
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148
Yayoi Kusama
Butterfly
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149
On Kawara
NOV. 8, 1977 (from Today Series, no. 23)
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150
Ed Ruscha
Suddenly Spastic
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151
Ed Ruscha
TREMBLING STALKS OF AQUATIC VEGETATION
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152
Ed Ruscha
We're This and We're That Aren't We?
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153
Josef Albers
Study for Homage to the Square: Oracle
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154
Donald Judd
Untitled
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155
Lynda Benglis
Untitled
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156
Louise Nevelson
Untitled
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157
Olga de Amaral
Untitled
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158
Richard Serra
Untitled
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159
Brice Marden
Honey's Drawing
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160
Agnes Martin
Untitled
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161
Ed Clark
Ife
Estimate $50,000 - 70,000
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162
Gerhard Richter
Untitled 26.2.89
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163
Richard Serra
Untitled #21
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164
Lynn Chadwick, R.A.
Maquette, High Wind
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165
Moissey Kogan
Mädchenkopf I (Head of a Girl I)
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166
Gaston Lachaise
Garden Figure (second state) [LF 137]
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167
Manolo Valdés
Reina Mariana
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168
Aristide Maillol
La nymphe aux fleurs
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169
Édouard Vuillard
Mme Arthur Fontaine au piano
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170
André Derain
Nus dans un paysage
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171
Louis Valtat
Les deux soeurs assises, Madame Zette et Madame Juin
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172
Maurice de Vlaminck
Village et bord de rivière
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173
André Derain
Nature morte avec bouteille
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174
Jean Metzinger
Femme au perroquet (La fenêtre)
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175
Alexander Calder
Untitled
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176
Alexander Calder
Bow Tie
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177
John Chamberlain
Tonk #8
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178
Robert Indiana
Number 0
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179
Robert Rauschenberg
Access
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180
Ken Price
Lower
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181
Lawrence Weiner
Stretched As Tightly As Is Possible (Satin) & (Petroleum Jelly)
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182
Neil Jenney
Biosphere #3
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183
Joseph Kosuth
'Word, Sentence, Paragraph (Z. & N.) #16'
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184
Jack Goldstein
Untitled
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185
James Rosenquist
The Serenade for the Doll after Claude Debussy, Gift Wrapped Doll #18
Estimate $100,000 - 150,000
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186
Richard Estes
Staten Island Ferry Docking
Estimate $60,000 - 80,000
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187
Richard Estes
Passages (Shopping Center)
Estimate $70,000 - 100,000
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188
Isamu Noguchi
Small Wonder
Estimate $40,000 - 60,000
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189
John McCracken
Vibe
Estimate $70,000 - 100,000
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190
John McLaughlin
Untitled
Estimate $70,000 - 100,000
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191
John McLaughlin
Untitled
Estimate $50,000 - 70,000
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192
Alfred Leslie
Hipped
Estimate $100,000 - 150,000
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193
Alfred Leslie
Lake Front Property
Estimate $120,000 - 180,000
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194
Leon Polk Smith
Great Hall
Estimate $60,000 - 80,000
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195
Lorser Feitelson
Magical Space Forms
Estimate $30,000 - 40,000
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196
Jean-Paul Riopelle
Cold Climate
Estimate $70,000 - 100,000
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197
Michael Goldberg
Untitled
Estimate $20,000 - 30,000
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198
James Brooks
Blow
Estimate $30,000 - 40,000
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199
Friedel Dzubas
Night Shuttle
Estimate $60,000 - 80,000
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200
Ilya Bolotowsky
Ellipse with Yellows
Estimate $25,000 - 35,000
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201
Ed Clark
Love Birds
Estimate $50,000 - 70,000
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202
Alex Katz
Jessica (Study for New Pink)
Estimate $40,000 - 60,000
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203
Andy Warhol
Karen Lerner
Estimate $70,000 - 100,000
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204
Richard Pettibone
Andy Warhol 'Lavender Disaster', 1964
Estimate $25,000 - 35,000
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205
Richard Pettibone
Andy Warhol 'Liz' 1962
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206
Kenny Scharf
BEYOND
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207
Peter Saul
He Forgot Something
Estimate $80,000 - 120,000
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208
Karel Appel
Bride
Estimate $50,000 - 70,000
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209
Karl Wirsum
Ahh! Macy's Grazed
Estimate $20,000 - 30,000
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210
Cundo Bermúdez
Arlequines
Estimate $40,000 - 60,000
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211
Gustav Klimt
Frontal stehend, linke Hand an die Hüfte gelegt (Standing Woman with Hand on Hip)
Estimate $25,000 - 35,000
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212
Armand Guillaumin
Gelée blanche à Crozant
Estimate $30,000 - 50,000
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213
Maurice Brazil Prendergast
The Beach and Along the Sea with Boat and People (double-sided)
Estimate $20,000 - 30,000
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214
Maurice Brazil Prendergast
Study St. Malo
Estimate $40,000 - 60,000
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215
Milton Avery
Young Mother and Child
Estimate $40,000 - 60,000
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216
Reginald Marsh
Coney Island (double-sided)
Estimate $18,000 - 25,000
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217
Willem de Kooning
Reclining Woman
Estimate $40,000 - 60,000
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218
Willem de Kooning
Reclining Women
Estimate $40,000 - 60,000
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219
Martín Ramírez
Untitled (Arches)
Estimate $10,000 - 15,000
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220
Jean Dubuffet
Réchaud-four à Gaz
Estimate $15,000 - 20,000
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221
Jean Dubuffet
Personnage
Estimate $40,000 - 60,000
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222
Hans Hartung
P10-1976-H20
Estimate $25,000 - 35,000
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223
Peter Saul
Study for Prune Head
Estimate $10,000 - 15,000
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224
Jean-Michel Basquiat
Free comb with Pagoda
Estimate $80,000 - 120,000
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225
Andy Warhol
Dollar Sign
Estimate $40,000 - 60,000
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226
Andy Warhol
Ladies and Gentlemen
Estimate $20,000 - 30,000
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227
Alexander Calder
Rose des sables
Estimate $40,000 - 60,000
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228
Alexander Calder
Grass
Estimate $40,000 - 60,000
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229
Alexander Calder
Untitled
Estimate $40,000 - 60,000
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230
Alighiero Boetti
Pisciarsi in bocca
Estimate $60,000 - 80,000
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231
Nuvolo (Giorgio Ascani)
Primavera Inoltrata
Estimate $15,000 - 20,000
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232
Daniel Spoerri
Tavola toscana (Post-Sevillane, Tableau piège)
Estimate $15,000 - 20,000
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