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“I believe study by means of drawing is most essential. If drawing is of the Spirit and color of the Sense, you must draw first, to cultivate the spirit and be able to lead color into spiritual paths... A colorist makes his presence known even in a simple line drawing.”
—Henri MatisseHenri Matisse’s Nu assis ou femme au collier, 1937, showcases a masterful command of line and form. Using the thin line to mirror the rhythm of the woman’s figure, nude except for a string of pearls around her neck, the artist uses the delicate contour against the starkness of the blank page to emphasize the intricate curves of his model, Lydia Delectorskaya. Part of an oeuvre spanning paintings, cutouts and sculpture, Matisse’s line drawings reflect an effortlessness that is a continuation of his profound experimentation with media.
[Left] Lydia Delectorskaya. Image: © Archives Henri Matisse
[Right] Henri Matisse, Large Reclining Nude, 1935, The Baltimore Museum of Art. Image: Baltimore Museum of Art / Bridgeman Images, Artwork: © 2024 Succession H. Matisse / Artists Rights Society (ARS), New YorkPart of a series of studio nudes of Delectorskaya in various poses, Matisse’s 1936 and 1937 drawings were largely concerned with the simplicity of the female figure. As noted by the artist “my models, human figures, are never just ‘extras’ in an interior. They are the principal theme in my work. I depend entirely on my model, whom I observe at liberty, and then I decide on the pose which best suits her nature. When I take a new model, I intuit the pose that will best suit her from her un-self-conscious attitudes of repose, and then I become the slave of that pose.”i Returning to the depiction of Lydia numerous times throughout his practice, Matisse infused each of his portraits with a unique engagement of both the aesthetic form of Delectorskaya’s figure and her personality—the combination of which cements him as one of the foremost portraitists of the 20th century.
“My line drawing is the purest and most direct translation of my emotion. The simplification of the medium allows that.”
—Henri MatisseBest known for his use of vibrant and imaginative color, Matisse sought to unite color and line throughout his practice, placing drawing and painting on the same level and noting that “a true colorist makes his presence known even in a simple charcoal drawing.”ii Rather than hiding behind color in the present work, Matisse relies on his confidence in the unshaded line, which stands out against the stark white page. It is the whiteness of the sheet which “determines forms and spatial relations,” emphasizing the emotion and individuality of the sitter.iii Hinting at depth with the figure’s playful positioning and subtle differences in the thickness of line, Nu assis ou femme au collier reflects an engagement with drawing that is unique to the artist’s practice.i Henri Matisse, quoted in Ernst Gerhard Guse, Henri Matisse, Drawings and Sculpture, Munich, 1991, p. 22.
ii Henri Matisse, in a letter to Henry Clifford, February 1948.
iii Raoul-Jean Moulin, Henri Matisse: Drawings and Paper Cut-outs, New York, 1969, p. 26.
Condition Report
Description
View our Conditions of Sale.
Provenance
Estate of the Artist
Galerie Beyeler, Basel
Schlumberger Collection (acquired from the above in April 1996)
Sotheby's, New York, November 4, 2014, lot 42
Jeremy Wiltshire Fine Art, London
Acquired from the above by the present owner in June 2016Artist Biography
Henri Matisse
French • 1869 - 1954
The leading figure of the Fauvist movement at the turn of the 20th century, Henri Matisse is widely regarded as the giant of modern art alongside friend and rival Pablo Picasso. Working as a painter, draughtsman, printmaker and sculptor for over five decades, he radically challenged traditional conventions in art by experimenting with vivid colors, flat shapes and distilled line. Rather than modeling or shading to lend volume to his pictures, the French artist employed contrasting areas of unmodulated color. Heavily influenced by the art and visual culture of non-Western cultures, his subjects ranged from nudes, dancers, odalisques, still lifes and interior scenes and later evolved into the graphic semi-abstractions of his cut-outs of his late career.
Property from an Important Private American Collection
121
Nu assis ou femme au collier
signed and dated "Henri Matisse 37" lower right
ink on paper
24 3/4 x 19 5/8 in. (62.8 x 49.9 cm)
Executed in 1937.
Georges Matisse has kindly confirmed the authenticity of this work.
Estimate
$250,000 - 350,000
Annie Dolan
NY Head of Auctions and Specialist, Head of Sale, Morning Session
212 940 1288
adolan@phillips.com
Modern & Contemporary Art Day Sale, Morning Session
New York Auction 15 May 2024
101
Emmi Whitehorse (Diné)
Canyon Lake I
Estimate $12,000 - 18,000
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102
Jaune Quick-to-See Smith (Confederated Salish and Kootenai)
Eagle Wing
Estimate $40,000 - 60,000
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103
Hedda Sterne
Untitled
Estimate $10,000 - 15,000
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104
Wolfgang Paalen
Phantoms I
Estimate $15,000 - 20,000
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105
René Magritte
La belle lurette
Estimate $80,000 - 120,000
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106
Chico da Silva
Untitled
Estimate $50,000 - 60,000
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107
Bill Traylor
Black Bear
Estimate $30,000 - 40,000
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108
Elaine de Kooning
Untitled (Bullfight Series)
Estimate $150,000 - 200,000
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109
Lois Dodd
Wild Geraniums
Estimate $60,000 - 80,000
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110
Willem de Kooning
Still Life
Estimate $150,000 - 250,000
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111
Milton Avery
The White Hen and Fantasy Creatures (double-sided)
Estimate $60,000 - 80,000
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112
Milton Avery
Dark Sea, Dark Sky
Estimate $25,000 - 35,000
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113
Wassily Kandinsky
Rapallo-Stürmischer Tag
Estimate $120,000 - 180,000
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114
Arshile Gorky
Portrait of the Artist's Wife
Estimate $25,000 - 35,000
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115
Guy Pène du Bois
Conversation - Paris Cafe (Yvonne Pène du Bois)
Estimate $12,000 - 18,000
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116
Raoul Dufy
La fenêtre aux vitres de couleurs
Estimate $100,000 - 150,000
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117
André Derain
Les remparts à Montreuil-sur-mer
Estimate $300,000 - 500,000
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118
Pierre-Auguste Renoir
Jeune femme assise
Estimate $150,000 - 250,000
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119
Pierre Bonnard
Jardin au bord de la Seine
Estimate $200,000 - 300,000
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120
Odilon Redon
Fleurs dans un vase
Estimate $250,000 - 350,000
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121
Henri Matisse
Nu assis ou femme au collier
Estimate $250,000 - 350,000
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122
Françoise Gilot
Flora
Estimate $50,000 - 70,000
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123
Pablo Picasso
Tasse et bananes
Estimate $200,000 - 300,000
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124
Fernand Léger
Composition à l'échequier
Estimate $250,000 - 350,000
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125
Willi Baumeister
Maschine und Mensch
Estimate $25,000 - 35,000
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126
Howard Hodgkin
Small Tree near Cairo
Estimate $150,000 - 200,000
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127
Philip Guston
Untitled
Estimate $350,000 - 500,000
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128
Lynne Drexler
Untitled
Estimate $50,000 - 70,000
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129
Michael Corinne West
Save the Tiger
Estimate $25,000 - 35,000
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130
Judith Rothschild
Figure in Space
Estimate $10,000 - 15,000
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131
Hans Hofmann
Magenta, Yellow and Black
Estimate $250,000 - 350,000
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132
Alice Baber
The Green Day of the Jaguar
Estimate $60,000 - 80,000
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133
Helen Frankenthaler
Spirits of Wine
Estimate $1,200,000 - 1,800,000
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134
Robert Motherwell
Hollow Men Series
Estimate $600,000 - 800,000
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135
Robert Motherwell
Zen IV
Estimate $120,000 - 180,000
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136
Vivian Springford
Untitled (VSF 347)
Estimate $70,000 - 100,000
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137
Helen Frankenthaler
Untitled
Estimate $40,000 - 60,000
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138
Joan Mitchell
Untitled
Estimate $350,000 - 550,000
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139
Norman Lewis
Untitled
Estimate $80,000 - 120,000
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140
Charles Alston
Black and White #7
Estimate $150,000 - 200,000
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141
Ernie Barnes
Human Celebration
Estimate $150,000 - 250,000
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142
Andy Warhol
Three works: (i-iii) Bobby Short
Estimate $600,000 - 800,000
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143
Peter Saul
Prune Head
Estimate $120,000 - 180,000
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144
Fritz Scholder (Luiseño)
Super Kachina
Estimate $150,000 - 200,000
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145
Andy Warhol
Skull
Estimate $60,000 - 80,000
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146
Jean-Michel Basquiat
Untitled
Estimate $180,000 - 250,000
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147
Keith Haring
Untitled
Estimate $150,000 - 200,000
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148
Yayoi Kusama
Butterfly
Estimate $200,000 - 300,000
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149
On Kawara
NOV. 8, 1977 (from Today Series, no. 23)
Estimate $150,000 - 200,000
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150
Ed Ruscha
Suddenly Spastic
Estimate $100,000 - 150,000
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151
Ed Ruscha
TREMBLING STALKS OF AQUATIC VEGETATION
Estimate $150,000 - 200,000
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152
Ed Ruscha
We're This and We're That Aren't We?
Estimate $180,000 - 250,000
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153
Josef Albers
Study for Homage to the Square: Oracle
Estimate $250,000 - 350,000
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154
Donald Judd
Untitled
Estimate $80,000 - 120,000
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155
Lynda Benglis
Untitled
Estimate $100,000 - 150,000
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156
Louise Nevelson
Untitled
Estimate $80,000 - 120,000
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157
Olga de Amaral
Untitled
Estimate $100,000 - 150,000
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158
Richard Serra
Untitled
Estimate $400,000 - 700,000
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159
Brice Marden
Honey's Drawing
Estimate $30,000 - 40,000
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160
Agnes Martin
Untitled
Estimate $60,000 - 80,000
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161
Ed Clark
Ife
Estimate $50,000 - 70,000
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162
Gerhard Richter
Untitled 26.2.89
Estimate $100,000 - 150,000
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163
Richard Serra
Untitled #21
Estimate $250,000 - 350,000
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164
Lynn Chadwick, R.A.
Maquette, High Wind
Estimate $50,000 - 70,000
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165
Moissey Kogan
Mädchenkopf I (Head of a Girl I)
Estimate $8,000 - 12,000
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166
Gaston Lachaise
Garden Figure (second state) [LF 137]
Estimate $300,000 - 400,000
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167
Manolo Valdés
Reina Mariana
Estimate $300,000 - 500,000
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168
Aristide Maillol
La nymphe aux fleurs
Estimate $600,000 - 800,000
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169
Édouard Vuillard
Mme Arthur Fontaine au piano
Estimate $120,000 - 180,000
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170
André Derain
Nus dans un paysage
Estimate $80,000 - 120,000
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171
Louis Valtat
Les deux soeurs assises, Madame Zette et Madame Juin
Estimate $50,000 - 70,000
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172
Maurice de Vlaminck
Village et bord de rivière
Estimate $100,000 - 150,000
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173
André Derain
Nature morte avec bouteille
Estimate $300,000 - 500,000
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174
Jean Metzinger
Femme au perroquet (La fenêtre)
Estimate $80,000 - 120,000
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175
Alexander Calder
Untitled
Estimate $300,000 - 500,000
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176
Alexander Calder
Bow Tie
Estimate $100,000 - 150,000
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177
John Chamberlain
Tonk #8
Estimate $100,000 - 150,000
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178
Robert Indiana
Number 0
Estimate $60,000 - 80,000
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179
Robert Rauschenberg
Access
Estimate $40,000 - 60,000
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180
Ken Price
Lower
Estimate $150,000 - 200,000
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181
Lawrence Weiner
Stretched As Tightly As Is Possible (Satin) & (Petroleum Jelly)
Estimate $50,000 - 70,000
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182
Neil Jenney
Biosphere #3
Estimate $40,000 - 60,000
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183
Joseph Kosuth
'Word, Sentence, Paragraph (Z. & N.) #16'
Estimate $50,000 - 70,000
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184
Jack Goldstein
Untitled
Estimate $40,000 - 60,000
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185
James Rosenquist
The Serenade for the Doll after Claude Debussy, Gift Wrapped Doll #18
Estimate $100,000 - 150,000
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186
Richard Estes
Staten Island Ferry Docking
Estimate $60,000 - 80,000
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187
Richard Estes
Passages (Shopping Center)
Estimate $70,000 - 100,000
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188
Isamu Noguchi
Small Wonder
Estimate $40,000 - 60,000
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189
John McCracken
Vibe
Estimate $70,000 - 100,000
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190
John McLaughlin
Untitled
Estimate $70,000 - 100,000
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191
John McLaughlin
Untitled
Estimate $50,000 - 70,000
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192
Alfred Leslie
Hipped
Estimate $100,000 - 150,000
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193
Alfred Leslie
Lake Front Property
Estimate $120,000 - 180,000
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194
Leon Polk Smith
Great Hall
Estimate $60,000 - 80,000
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195
Lorser Feitelson
Magical Space Forms
Estimate $30,000 - 40,000
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196
Jean-Paul Riopelle
Cold Climate
Estimate $70,000 - 100,000
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197
Michael Goldberg
Untitled
Estimate $20,000 - 30,000
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198
James Brooks
Blow
Estimate $30,000 - 40,000
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199
Friedel Dzubas
Night Shuttle
Estimate $60,000 - 80,000
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200
Ilya Bolotowsky
Ellipse with Yellows
Estimate $25,000 - 35,000
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201
Ed Clark
Love Birds
Estimate $50,000 - 70,000
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202
Alex Katz
Jessica (Study for New Pink)
Estimate $40,000 - 60,000
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203
Andy Warhol
Karen Lerner
Estimate $70,000 - 100,000
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204
Richard Pettibone
Andy Warhol 'Lavender Disaster', 1964
Estimate $25,000 - 35,000
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205
Richard Pettibone
Andy Warhol 'Liz' 1962
Estimate $30,000 - 50,000
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206
Kenny Scharf
BEYOND
Estimate $150,000 - 200,000
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207
Peter Saul
He Forgot Something
Estimate $80,000 - 120,000
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208
Karel Appel
Bride
Estimate $50,000 - 70,000
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209
Karl Wirsum
Ahh! Macy's Grazed
Estimate $20,000 - 30,000
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210
Cundo Bermúdez
Arlequines
Estimate $40,000 - 60,000
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211
Gustav Klimt
Frontal stehend, linke Hand an die Hüfte gelegt (Standing Woman with Hand on Hip)
Estimate $25,000 - 35,000
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212
Armand Guillaumin
Gelée blanche à Crozant
Estimate $30,000 - 50,000
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213
Maurice Brazil Prendergast
The Beach and Along the Sea with Boat and People (double-sided)
Estimate $20,000 - 30,000
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214
Maurice Brazil Prendergast
Study St. Malo
Estimate $40,000 - 60,000
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215
Milton Avery
Young Mother and Child
Estimate $40,000 - 60,000
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216
Reginald Marsh
Coney Island (double-sided)
Estimate $18,000 - 25,000
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217
Willem de Kooning
Reclining Woman
Estimate $40,000 - 60,000
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218
Willem de Kooning
Reclining Women
Estimate $40,000 - 60,000
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219
Martín Ramírez
Untitled (Arches)
Estimate $10,000 - 15,000
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220
Jean Dubuffet
Réchaud-four à Gaz
Estimate $15,000 - 20,000
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221
Jean Dubuffet
Personnage
Estimate $40,000 - 60,000
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222
Hans Hartung
P10-1976-H20
Estimate $25,000 - 35,000
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223
Peter Saul
Study for Prune Head
Estimate $10,000 - 15,000
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224
Jean-Michel Basquiat
Free comb with Pagoda
Estimate $80,000 - 120,000
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225
Andy Warhol
Dollar Sign
Estimate $40,000 - 60,000
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226
Andy Warhol
Ladies and Gentlemen
Estimate $20,000 - 30,000
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227
Alexander Calder
Rose des sables
Estimate $40,000 - 60,000
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228
Alexander Calder
Grass
Estimate $40,000 - 60,000
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229
Alexander Calder
Untitled
Estimate $40,000 - 60,000
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230
Alighiero Boetti
Pisciarsi in bocca
Estimate $60,000 - 80,000
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231
Nuvolo (Giorgio Ascani)
Primavera Inoltrata
Estimate $15,000 - 20,000
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232
Daniel Spoerri
Tavola toscana (Post-Sevillane, Tableau piège)
Estimate $15,000 - 20,000
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