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“A drawing which would entirely cover its background would cease to be a drawing.”
—Walter BenjaminFor philosopher Walter Benjamin, the notion of a drawing is entirely defined by the conspicuousness of the background – and Richard Serra’s Untitled, 1987, with its prudently placed margins, seems to abide by these guidelines. At five feet high and almost nine feet in width, Untitled is a behemoth to behold. The use of paintstick is notable; a combination of pigment, linseed oil, and melted wax molded into a large cylindrical stick, the compound medium becomes a draftsman’s tool in Serra’s hand. Oil from the handmade paintstick seeps out along the edges, framing the jet-black surfaces in a tawny border, and creating a transitional space between the heavily impastoed black passages and the small slivers of handmade paper. Originally in the renowned collection of New York-based patron and collector Raymond J. Learsy, this work comes to market just a couple of months after the beloved artist’s passing this March.
As a drawing by a sculptor, one may presume that the present work is intended to perform a task similar to that of one of his steel or lead monumental sculptures. However, Serra’s goal is quite the opposite. He seeks to posit the black shapes as weights in relation to a given architectural volume. For Serra, to cut is to draw a line; to make a distinction. “Which are the cuts that have to be made in order to destabilize the experience of the space?,” Serra asks himself when creating a drawing.i By thoughtfully adjusting factors such as the texture and composition, here seen in the asymmetrical high-low composition from left to right, Serra’s drawings take on an agency of their own.
“The drawings make the viewer aware of his body movement in a gallery or a museum space. They make him aware of the six-sidedness of a room.”
—Richard SerraWhile a student at Yale, Serra was asked to proof Josef Albers’ book, The Interaction of Color, which laid out the color principles Albers used to demonstrate the important axioms and rules of color, as well as its effects. Serra’s interest in abstraction and monochromatic art was likely influenced greatly by Albers’ teachings. As Serra once said, “In terms of weight, black is heavier, creates a larger volume, holds itself in a more compressed field.”ii For him, using solely the color black was a way to avoid metaphorical and other associative misreadings. Just like Albers, Serra was not interested in the “paint-allusion gesture.”iii“The drawing installations do not accept a static definition, do not give over easily to analyses and categorizations; they negate traditional definitions.”
—Richard SerraOne of the most significant artists of his generation, Serra has left behind a monumental legacy, both in terms of physicality and sheer volume. Now, Serra’s work is timelier and more resonant than ever. Untitled, a lyrical yet sober example of his seminal paintstick drawings, engulfs and eludes the viewer as his work never fails to do.
Josef Albers, Homage to the Square: Precinct, 1951, The Metropolitan Museum of Art, New York. Image: © The Metropolitan Museum of Art / Art Resource, NY, Artwork: © The Josef and Anni Albers Foundation/Artists Rights Society (ARS), New York i Hans Janssen, ed., Richard Serra: Drawings/Zeichnungen 1969-1990, Benteli, 1990, p. 8.
ii Hans Janssen, Richard Serra: Drawings/Zeichnungen 1969-1990, p. 11.
iii Ibid.
Condition Report
Description
View our Conditions of Sale.
Provenance
The Pace Gallery, New York
Raymond J. Learsy, New York
Christie's, New York, November 16, 1999, lot 36
Grant Selwyn Gallery, New York
Private Collection (acquired from the above)
Gifted by the above to the present ownerExhibited
New York, The Pace Gallery, Wall Props and Drawings, September 25–October 24, 1987
Barcelona, Fundació Joan Miró, I Triennal de Dibiux Joan Miró, June 15–September 10, 1989, no. 193, pp. 98, 122 (illustrated, p. 98)Literature
Hans Janssen, ed., Richard Serra Drawings, Zeichnungen, 1969–1990, Bern, 1991, no. 338, p. 252 (illustrated)
158
Untitled
paintstick on paper
60 3/4 x 107 in. (154.3 x 271.8 cm)
Executed in 1987.
Estimate
$400,000 - 700,000
Annie Dolan
NY Head of Auctions and Specialist, Head of Sale, Morning Session
212 940 1288
adolan@phillips.com
Modern & Contemporary Art Day Sale, Morning Session
New York Auction 15 May 2024
101
Emmi Whitehorse (Diné)
Canyon Lake I
Estimate $12,000 - 18,000
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102
Jaune Quick-to-See Smith (Confederated Salish and Kootenai)
Eagle Wing
Estimate $40,000 - 60,000
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103
Hedda Sterne
Untitled
Estimate $10,000 - 15,000
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104
Wolfgang Paalen
Phantoms I
Estimate $15,000 - 20,000
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105
René Magritte
La belle lurette
Estimate $80,000 - 120,000
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106
Chico da Silva
Untitled
Estimate $50,000 - 60,000
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107
Bill Traylor
Black Bear
Estimate $30,000 - 40,000
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108
Elaine de Kooning
Untitled (Bullfight Series)
Estimate $150,000 - 200,000
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109
Lois Dodd
Wild Geraniums
Estimate $60,000 - 80,000
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110
Willem de Kooning
Still Life
Estimate $150,000 - 250,000
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111
Milton Avery
The White Hen and Fantasy Creatures (double-sided)
Estimate $60,000 - 80,000
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112
Milton Avery
Dark Sea, Dark Sky
Estimate $25,000 - 35,000
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113
Wassily Kandinsky
Rapallo-Stürmischer Tag
Estimate $120,000 - 180,000
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114
Arshile Gorky
Portrait of the Artist's Wife
Estimate $25,000 - 35,000
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115
Guy Pène du Bois
Conversation - Paris Cafe (Yvonne Pène du Bois)
Estimate $12,000 - 18,000
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116
Raoul Dufy
La fenêtre aux vitres de couleurs
Estimate $100,000 - 150,000
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117
André Derain
Les remparts à Montreuil-sur-mer
Estimate $300,000 - 500,000
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118
Pierre-Auguste Renoir
Femme en buste
Estimate $150,000 - 250,000
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119
Pierre Bonnard
Jardin au bord de la Seine
Estimate $200,000 - 300,000
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120
Odilon Redon
Fleurs dans un vase
Estimate $250,000 - 350,000
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121
Henri Matisse
Nu assis ou femme au collier
Estimate $250,000 - 350,000
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122
Françoise Gilot
Flora
Estimate $50,000 - 70,000
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123
Pablo Picasso
Tasse et bananes
Estimate $200,000 - 300,000
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124
Fernand Léger
Composition à l'échequier
Estimate $250,000 - 350,000
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125
Willi Baumeister
Maschine und Mensch
Estimate $25,000 - 35,000
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126
Howard Hodgkin
Small Tree near Cairo
Estimate $150,000 - 200,000
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127
Philip Guston
Untitled
Estimate $350,000 - 500,000
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128
Lynne Drexler
Untitled
Estimate $50,000 - 70,000
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129
Michael Corinne West
Save the Tiger
Estimate $25,000 - 35,000
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130
Judith Rothschild
Figure in Space
Estimate $10,000 - 15,000
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131
Hans Hofmann
Magenta, Yellow and Black
Estimate $250,000 - 350,000
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132
Alice Baber
The Green Day of the Jaguar
Estimate $60,000 - 80,000
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133
Helen Frankenthaler
Spirits of Wine
Estimate $1,200,000 - 1,800,000
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134
Robert Motherwell
Hollow Men Series
Estimate $600,000 - 800,000
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135
Robert Motherwell
Zen IV
Estimate $120,000 - 180,000
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136
Vivian Springford
Untitled (VSF 347)
Estimate $70,000 - 100,000
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137
Helen Frankenthaler
Untitled
Estimate $40,000 - 60,000
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138
Joan Mitchell
Untitled
Estimate $350,000 - 550,000
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139
Norman Lewis
Untitled
Estimate $80,000 - 120,000
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140
Charles Alston
Black and White #7
Estimate $150,000 - 200,000
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141
Ernie Barnes
Human Celebration
Estimate $150,000 - 250,000
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142
Andy Warhol
Three works: (i-iii) Bobby Short
Estimate $600,000 - 800,000
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143
Peter Saul
Prune Head
Estimate $120,000 - 180,000
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144
Fritz Scholder (Luiseño)
Super Kachina
Estimate $150,000 - 200,000
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145
Andy Warhol
Skull
Estimate $60,000 - 80,000
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146
Jean-Michel Basquiat
Untitled
Estimate $180,000 - 250,000
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147
Keith Haring
Untitled
Estimate $150,000 - 200,000
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148
Yayoi Kusama
Butterfly
Estimate $200,000 - 300,000
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149
On Kawara
NOV. 8, 1977 (from Today Series, no. 23)
Estimate $150,000 - 200,000
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150
Ed Ruscha
Suddenly Spastic
Estimate $100,000 - 150,000
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151
Ed Ruscha
TREMBLING STALKS OF AQUATIC VEGETATION
Estimate $150,000 - 200,000
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152
Ed Ruscha
We're This and We're That Aren't We?
Estimate $180,000 - 250,000
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153
Josef Albers
Study for Homage to the Square: Oracle
Estimate $250,000 - 350,000
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154
Donald Judd
Untitled
Estimate $80,000 - 120,000
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155
Lynda Benglis
Untitled
Estimate $100,000 - 150,000
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156
Louise Nevelson
Untitled
Estimate $80,000 - 120,000
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157
Olga de Amaral
Untitled
Estimate $100,000 - 150,000
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158
Richard Serra
Untitled
Estimate $400,000 - 700,000
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159
Brice Marden
Honey's Drawing
Estimate $30,000 - 40,000
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160
Agnes Martin
Untitled
Estimate $60,000 - 80,000
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161
Ed Clark
Ife
Estimate $50,000 - 70,000
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162
Gerhard Richter
Untitled 26.2.89
Estimate $100,000 - 150,000
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163
Richard Serra
Untitled #21
Estimate $250,000 - 350,000
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164
Lynn Chadwick, R.A.
Maquette, High Wind
Estimate $50,000 - 70,000
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165
Moissey Kogan
Mädchenkopf I (Head of a Girl I)
Estimate $8,000 - 12,000
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166
Gaston Lachaise
Garden Figure (second state) [LF 137]
Estimate $300,000 - 400,000
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167
Manolo Valdés
Reina Mariana
Estimate $300,000 - 500,000
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168
Aristide Maillol
La nymphe aux fleurs
Estimate $600,000 - 800,000
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169
Édouard Vuillard
Mme Arthur Fontaine au piano
Estimate $120,000 - 180,000
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170
André Derain
Nus dans un paysage
Estimate $80,000 - 120,000
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171
Louis Valtat
Les deux soeurs assises, Madame Zette et Madame Juin
Estimate $50,000 - 70,000
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172
Maurice de Vlaminck
Village et bord de rivière
Estimate $100,000 - 150,000
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173
André Derain
Nature morte avec bouteille
Estimate $300,000 - 500,000
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174
Jean Metzinger
Femme au perroquet (La fenêtre)
Estimate $80,000 - 120,000
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175
Alexander Calder
Untitled
Estimate $300,000 - 500,000
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176
Alexander Calder
Bow Tie
Estimate $100,000 - 150,000
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177
John Chamberlain
Tonk #8
Estimate $100,000 - 150,000
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178
Robert Indiana
Number 0
Estimate $60,000 - 80,000
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179
Robert Rauschenberg
Access
Estimate $40,000 - 60,000
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180
Ken Price
Lower
Estimate $150,000 - 200,000
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181
Lawrence Weiner
Stretched As Tightly As Is Possible (Satin) & (Petroleum Jelly)
Estimate $50,000 - 70,000
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182
Neil Jenney
Biosphere #3
Estimate $40,000 - 60,000
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183
Joseph Kosuth
'Word, Sentence, Paragraph (Z. & N.) #16'
Estimate $50,000 - 70,000
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184
Jack Goldstein
Untitled
Estimate $40,000 - 60,000
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185
James Rosenquist
The Serenade for the Doll after Claude Debussy, Gift Wrapped Doll #18
Estimate $100,000 - 150,000
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186
Richard Estes
Staten Island Ferry Docking
Estimate $60,000 - 80,000
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187
Richard Estes
Passages (Shopping Center)
Estimate $70,000 - 100,000
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188
Isamu Noguchi
Small Wonder
Estimate $40,000 - 60,000
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189
John McCracken
Vibe
Estimate $70,000 - 100,000
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190
John McLaughlin
Untitled
Estimate $70,000 - 100,000
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191
John McLaughlin
Untitled
Estimate $50,000 - 70,000
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192
Alfred Leslie
Hipped
Estimate $100,000 - 150,000
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193
Alfred Leslie
Lake Front Property
Estimate $120,000 - 180,000
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194
Leon Polk Smith
Great Hall
Estimate $60,000 - 80,000
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195
Lorser Feitelson
Magical Space Forms
Estimate $30,000 - 40,000
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196
Jean-Paul Riopelle
Cold Climate
Estimate $70,000 - 100,000
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197
Michael Goldberg
Untitled
Estimate $20,000 - 30,000
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198
James Brooks
Blow
Estimate $30,000 - 40,000
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199
Friedel Dzubas
Night Shuttle
Estimate $60,000 - 80,000
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200
Ilya Bolotowsky
Ellipse with Yellows
Estimate $25,000 - 35,000
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201
Ed Clark
Love Birds
Estimate $50,000 - 70,000
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202
Alex Katz
Jessica (Study for New Pink)
Estimate $40,000 - 60,000
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203
Andy Warhol
Karen Lerner
Estimate $70,000 - 100,000
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204
Richard Pettibone
Andy Warhol 'Lavender Disaster', 1964
Estimate $25,000 - 35,000
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205
Richard Pettibone
Andy Warhol 'Liz' 1962
Estimate $30,000 - 50,000
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206
Kenny Scharf
BEYOND
Estimate $150,000 - 200,000
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207
Peter Saul
He Forgot Something
Estimate $80,000 - 120,000
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208
Karel Appel
Bride
Estimate $50,000 - 70,000
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209
Karl Wirsum
Ahh! Macy's Grazed
Estimate $20,000 - 30,000
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210
Cundo Bermúdez
Arlequines
Estimate $40,000 - 60,000
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211
Gustav Klimt
Frontal stehend, linke Hand an die Hüfte gelegt (Standing Woman with Hand on Hip)
Estimate $25,000 - 35,000
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212
Armand Guillaumin
Gelée blanche à Crozant
Estimate $30,000 - 50,000
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213
Maurice Brazil Prendergast
The Beach and Along the Sea with Boat and People (double-sided)
Estimate $20,000 - 30,000
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214
Maurice Brazil Prendergast
Study St. Malo
Estimate $40,000 - 60,000
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215
Milton Avery
Young Mother and Child
Estimate $40,000 - 60,000
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216
Reginald Marsh
Coney Island (double-sided)
Estimate $18,000 - 25,000
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217
Willem de Kooning
Reclining Woman
Estimate $40,000 - 60,000
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218
Willem de Kooning
Reclining Women
Estimate $40,000 - 60,000
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219
Martín Ramírez
Untitled (Arches)
Estimate $10,000 - 15,000
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220
Jean Dubuffet
Réchaud-four à Gaz
Estimate $15,000 - 20,000
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221
Jean Dubuffet
Personnage
Estimate $40,000 - 60,000
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222
Hans Hartung
P10-1976-H20
Estimate $25,000 - 35,000
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223
Peter Saul
Study for Prune Head
Estimate $10,000 - 15,000
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224
Jean-Michel Basquiat
Free comb with Pagoda
Estimate $80,000 - 120,000
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225
Andy Warhol
Dollar Sign
Estimate $40,000 - 60,000
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226
Andy Warhol
Ladies and Gentlemen
Estimate $20,000 - 30,000
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227
Alexander Calder
Rose des sables
Estimate $40,000 - 60,000
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228
Alexander Calder
Grass
Estimate $40,000 - 60,000
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229
Alexander Calder
Untitled
Estimate $40,000 - 60,000
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230
Alighiero Boetti
Pisciarsi in bocca
Estimate $60,000 - 80,000
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231
Nuvolo (Giorgio Ascani)
Primavera Inoltrata
Estimate $15,000 - 20,000
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232
Daniel Spoerri
Tavola toscana (Post-Sevillane, Tableau piège)
Estimate $15,000 - 20,000
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