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Rendered in varied shades of cerulean blue and phthalo green, Andy Warhol’s three canvases of cabaret singer Bobby Short from 1963 aptly capture the larger-than-life personality of the sitter. Energetic and animated, Short’s big smile jumps off the canvases, creating almost three-dimensional renderings of the figure, amplified by Warhol’s signature silkscreen technique. Using photobooth pictures as inspiration for the paintings, Warhol painted only nine canvases of Short – none of which were exhibited during the artist’s lifetime. Short himself only found out about the works following Warhol’s death in 1987, when the paintings were discovered in the artist’s studio. Today, four of the nine paintings as well as the original photobooth strip are held in the permanent collection of the Andy Warhol Museum, Pittsburgh. Created during the most important decade in Warhol’s career, the Bobby Short paintings provide a rare glimpse into Warhol’s early portraiture practice which would kickstart his illustrious and prolific career.
The 1960s represented a transitional period for Warhol, experimenting with the media which he used as a basis for his silkscreens. Transitioning away from the 35-mm still camera and found imagery that was used in the Elvis, Marilyn, and Death and Disaster series, Warhol began to experiment with his own source imagery. Using photobooth strips between 1963 to 1966, Warhol used this new media to take improvised pictures of his sitters, creating enigmatic, ephemeral portraits that capture the essence of the subject. His own photography would dominate his artistic production during the decade, leading ultimately to his use of the Polaroid camera in his later silkscreens.
Photobooth studies of Bobby Short with Andy Warhol, 1963. Image/Artwork: © 2024 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York A cabaret singer at the famous Café Carlyle in The Carlyle Hotel on Manhattan’s Upper East Side for nearly 50 years, Bobby Short (1924–2005) was a symbol of civilized New York culture at the dawn of the second half of the century. With an audience including royalty, movie stars, presidents, and socialites, Short and his glamorous Upper Manhattan social circle stood in stark contrast to Warhol’s downtown scene. Like Warhol, however, Short was also a closeted gay man and a fixture in New York’s queer social circles. Short has said that he remembers Warhol making a drawing of him with his feet propped up against a piano, and also the photobooth session which inspired the present works. In the photobooth strip, Warhol himself appears in the first shot. The informality of such “sessions” and the resulting portraits of the singer show Short in a different light than in his performative, uptown world.
Memorializing Short and his other portrait subjects in his signature silkscreens, Warhol interrogates the notion of celebrity. By transforming ephemeral images such as photobooth strips and Polaroids into portraits of famous figures, Warhol comments on the impermanence of fame. The discovery of the photobooth in particular was apt for Warhol, given that the images were produced by a coin-operated machine which anyone can access. Perhaps it was the mass-productive aspect of the photobooth which drew Warhol in, and yet, despite the machine-generated imagery, Warhol’s resulting portraits were each unique. The silkscreen process employed back in the studio, which Warhol only pioneered a year before in 1962, offered a contrast to the expressive painterly style of the historic portraiture tradition. With Warhol’s method, the hand of the artist is virtually eliminated. While it would seem that this process would render the image impersonal and unemotional, portraits like Bobby Short, which capture candid, casual moments, uniquely allow for the personality of the sitter to shine through, creating a livelier and more engaging portrait.
Rembrandt van Rijn, Self-Portrait, 1659, National Gallery of Art, Washington, D.C. Image: National Gallery of Art, Washington, D.C., Andrew W. Mellon Collection, 1937.1.72 Unposed, Short’s images are more approachable as compared to the traditional portraits of the Renaissance and Baroque periods. Here, Short is depicted with uninhibited emotion, raw and genuine. This is heightened by Warhol’s use of pure, vibrant color for the backgrounds, situating the works distinctly in the Pop era. In subverting the traditions of portraiture and presenting a more realistic interpretation of their subject, the present works mirror the depiction of personality for which artists such as Rembrandt are so well known. Indeed, Bobby Short reflects an almost reverent attention paid by Warhol to the sitter, offering an intimate glimpse into the relationship between artist and subject, which has cemented Warhol as the most important portrait painter of the 20th century.
Condition Report
Description
View our Conditions of Sale.
Provenance
The Andy Warhol Foundation for the Visual Arts, Inc., New York
Lang Fine Art and Jane Holzer
Acquired from the above by the present ownerExhibited
New York, Tony Shafrazi Gallery, Andy Warhol, Portraits, May 12–October 1, 2005
Literature
Georg Frei and Neil Printz, eds., The Andy Warhol Catalogue Raisonné. Paintings and Sculpture 1961–1963, vol. 1, London, 2002, no. 482, pp. 423, 425 (illustrated, p. 423); no. 484, pp. 424–425 (illustrated, p. 424); no. 485, pp. 424–425 (illustrated, p. 424)
Steven Bluttal and Dave Hickey, Andy Warhol “Giant” Size, London, 2006, pp. 262, 615 (nos. PA 55.026 and PA 55.029 illustrated, p. 262)
Tony Shafrazi, ed., Andy Warhol Portraits, New York, 2007, pp. 38, 305 (illustrated, p. 38)Artist Biography
Andy Warhol
American • 1928 - 1987
Andy Warhol was the leading exponent of the Pop Art movement in the U.S. in the 1960s. Following an early career as a commercial illustrator, Warhol achieved fame with his revolutionary series of silkscreened prints and paintings of familiar objects, such as Campbell's soup tins, and celebrities, such as Marilyn Monroe. Obsessed with popular culture, celebrity and advertising, Warhol created his slick, seemingly mass-produced images of everyday subject matter from his famed Factory studio in New York City. His use of mechanical methods of reproduction, notably the commercial technique of silk screening, wholly revolutionized art-making.
Working as an artist, but also director and producer, Warhol produced a number of avant-garde films in addition to managing the experimental rock band The Velvet Underground and founding Interview magazine. A central figure in the New York art scene until his untimely death in 1987, Warhol was notably also a mentor to such artists as Keith Haring and Jean-Michel Basquiat.
Property from a Private European Collection
142
Three works: (i-iii) Bobby Short
each stamped twice by the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc., New York, initialed and numbered “VF [PA55.023, PA55.026, PA55.029]” on the overlap
silkscreen and acrylic on linen
each 20 1/8 x 15 7/8 in. (51.1 x 40.3 cm)
Executed in 1963.
Estimate
$600,000 - 800,000
Annie Dolan
NY Head of Auctions and Specialist, Head of Sale, Morning Session
212 940 1288
adolan@phillips.com
Modern & Contemporary Art Day Sale, Morning Session
New York Auction 15 May 2024
101
Emmi Whitehorse (Diné)
Canyon Lake I
Estimate $12,000 - 18,000
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102
Jaune Quick-to-See Smith (Confederated Salish and Kootenai)
Eagle Wing
Estimate $40,000 - 60,000
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103
Hedda Sterne
Untitled
Estimate $10,000 - 15,000
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104
Wolfgang Paalen
Phantoms I
Estimate $15,000 - 20,000
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105
René Magritte
La belle lurette
Estimate $80,000 - 120,000
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106
Chico da Silva
Untitled
Estimate $50,000 - 60,000
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107
Bill Traylor
Black Bear
Estimate $30,000 - 40,000
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108
Elaine de Kooning
Untitled (Bullfight Series)
Estimate $150,000 - 200,000
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109
Lois Dodd
Wild Geraniums
Estimate $60,000 - 80,000
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110
Willem de Kooning
Still Life
Estimate $150,000 - 250,000
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111
Milton Avery
The White Hen and Fantasy Creatures (double-sided)
Estimate $60,000 - 80,000
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112
Milton Avery
Dark Sea, Dark Sky
Estimate $25,000 - 35,000
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113
Wassily Kandinsky
Rapallo-Stürmischer Tag
Estimate $120,000 - 180,000
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114
Arshile Gorky
Portrait of the Artist's Wife
Estimate $25,000 - 35,000
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115
Guy Pène du Bois
Conversation - Paris Cafe (Yvonne Pène du Bois)
Estimate $12,000 - 18,000
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116
Raoul Dufy
La fenêtre aux vitres de couleurs
Estimate $100,000 - 150,000
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117
André Derain
Les remparts à Montreuil-sur-mer
Estimate $300,000 - 500,000
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118
Pierre-Auguste Renoir
Femme en buste
Estimate $150,000 - 250,000
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119
Pierre Bonnard
Jardin au bord de la Seine
Estimate $200,000 - 300,000
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120
Odilon Redon
Fleurs dans un vase
Estimate $250,000 - 350,000
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121
Henri Matisse
Nu assis ou femme au collier
Estimate $250,000 - 350,000
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122
Françoise Gilot
Flora
Estimate $50,000 - 70,000
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123
Pablo Picasso
Tasse et bananes
Estimate $200,000 - 300,000
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124
Fernand Léger
Composition à l'échequier
Estimate $250,000 - 350,000
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125
Willi Baumeister
Maschine und Mensch
Estimate $25,000 - 35,000
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126
Howard Hodgkin
Small Tree near Cairo
Estimate $150,000 - 200,000
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127
Philip Guston
Untitled
Estimate $350,000 - 500,000
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128
Lynne Drexler
Untitled
Estimate $50,000 - 70,000
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129
Michael Corinne West
Save the Tiger
Estimate $25,000 - 35,000
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130
Judith Rothschild
Figure in Space
Estimate $10,000 - 15,000
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131
Hans Hofmann
Magenta, Yellow and Black
Estimate $250,000 - 350,000
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132
Alice Baber
The Green Day of the Jaguar
Estimate $60,000 - 80,000
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133
Helen Frankenthaler
Spirits of Wine
Estimate $1,200,000 - 1,800,000
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134
Robert Motherwell
Hollow Men Series
Estimate $600,000 - 800,000
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135
Robert Motherwell
Zen IV
Estimate $120,000 - 180,000
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136
Vivian Springford
Untitled (VSF 347)
Estimate $70,000 - 100,000
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137
Helen Frankenthaler
Untitled
Estimate $40,000 - 60,000
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138
Joan Mitchell
Untitled
Estimate $350,000 - 550,000
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139
Norman Lewis
Untitled
Estimate $80,000 - 120,000
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140
Charles Alston
Black and White #7
Estimate $150,000 - 200,000
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141
Ernie Barnes
Human Celebration
Estimate $150,000 - 250,000
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142
Andy Warhol
Three works: (i-iii) Bobby Short
Estimate $600,000 - 800,000
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143
Peter Saul
Prune Head
Estimate $120,000 - 180,000
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144
Fritz Scholder (Luiseño)
Super Kachina
Estimate $150,000 - 200,000
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145
Andy Warhol
Skull
Estimate $60,000 - 80,000
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146
Jean-Michel Basquiat
Untitled
Estimate $180,000 - 250,000
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147
Keith Haring
Untitled
Estimate $150,000 - 200,000
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148
Yayoi Kusama
Butterfly
Estimate $200,000 - 300,000
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149
On Kawara
NOV. 8, 1977 (from Today Series, no. 23)
Estimate $150,000 - 200,000
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150
Ed Ruscha
Suddenly Spastic
Estimate $100,000 - 150,000
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151
Ed Ruscha
TREMBLING STALKS OF AQUATIC VEGETATION
Estimate $150,000 - 200,000
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152
Ed Ruscha
We're This and We're That Aren't We?
Estimate $180,000 - 250,000
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153
Josef Albers
Study for Homage to the Square: Oracle
Estimate $250,000 - 350,000
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154
Donald Judd
Untitled
Estimate $80,000 - 120,000
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155
Lynda Benglis
Untitled
Estimate $100,000 - 150,000
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156
Louise Nevelson
Untitled
Estimate $80,000 - 120,000
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157
Olga de Amaral
Untitled
Estimate $100,000 - 150,000
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158
Richard Serra
Untitled
Estimate $400,000 - 700,000
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159
Brice Marden
Honey's Drawing
Estimate $30,000 - 40,000
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160
Agnes Martin
Untitled
Estimate $60,000 - 80,000
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161
Ed Clark
Ife
Estimate $50,000 - 70,000
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162
Gerhard Richter
Untitled 26.2.89
Estimate $100,000 - 150,000
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163
Richard Serra
Untitled #21
Estimate $250,000 - 350,000
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164
Lynn Chadwick, R.A.
Maquette, High Wind
Estimate $50,000 - 70,000
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165
Moissey Kogan
Mädchenkopf I (Head of a Girl I)
Estimate $8,000 - 12,000
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166
Gaston Lachaise
Garden Figure (second state) [LF 137]
Estimate $300,000 - 400,000
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167
Manolo Valdés
Reina Mariana
Estimate $300,000 - 500,000
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168
Aristide Maillol
La nymphe aux fleurs
Estimate $600,000 - 800,000
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169
Édouard Vuillard
Mme Arthur Fontaine au piano
Estimate $120,000 - 180,000
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170
André Derain
Nus dans un paysage
Estimate $80,000 - 120,000
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171
Louis Valtat
Les deux soeurs assises, Madame Zette et Madame Juin
Estimate $50,000 - 70,000
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172
Maurice de Vlaminck
Village et bord de rivière
Estimate $100,000 - 150,000
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173
André Derain
Nature morte avec bouteille
Estimate $300,000 - 500,000
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174
Jean Metzinger
Femme au perroquet (La fenêtre)
Estimate $80,000 - 120,000
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175
Alexander Calder
Untitled
Estimate $300,000 - 500,000
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176
Alexander Calder
Bow Tie
Estimate $100,000 - 150,000
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177
John Chamberlain
Tonk #8
Estimate $100,000 - 150,000
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178
Robert Indiana
Number 0
Estimate $60,000 - 80,000
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179
Robert Rauschenberg
Access
Estimate $40,000 - 60,000
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180
Ken Price
Lower
Estimate $150,000 - 200,000
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181
Lawrence Weiner
Stretched As Tightly As Is Possible (Satin) & (Petroleum Jelly)
Estimate $50,000 - 70,000
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182
Neil Jenney
Biosphere #3
Estimate $40,000 - 60,000
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183
Joseph Kosuth
'Word, Sentence, Paragraph (Z. & N.) #16'
Estimate $50,000 - 70,000
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184
Jack Goldstein
Untitled
Estimate $40,000 - 60,000
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185
James Rosenquist
The Serenade for the Doll after Claude Debussy, Gift Wrapped Doll #18
Estimate $100,000 - 150,000
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186
Richard Estes
Staten Island Ferry Docking
Estimate $60,000 - 80,000
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187
Richard Estes
Passages (Shopping Center)
Estimate $70,000 - 100,000
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188
Isamu Noguchi
Small Wonder
Estimate $40,000 - 60,000
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189
John McCracken
Vibe
Estimate $70,000 - 100,000
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190
John McLaughlin
Untitled
Estimate $70,000 - 100,000
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191
John McLaughlin
Untitled
Estimate $50,000 - 70,000
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192
Alfred Leslie
Hipped
Estimate $100,000 - 150,000
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193
Alfred Leslie
Lake Front Property
Estimate $120,000 - 180,000
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194
Leon Polk Smith
Great Hall
Estimate $60,000 - 80,000
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195
Lorser Feitelson
Magical Space Forms
Estimate $30,000 - 40,000
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196
Jean-Paul Riopelle
Cold Climate
Estimate $70,000 - 100,000
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197
Michael Goldberg
Untitled
Estimate $20,000 - 30,000
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198
James Brooks
Blow
Estimate $30,000 - 40,000
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199
Friedel Dzubas
Night Shuttle
Estimate $60,000 - 80,000
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200
Ilya Bolotowsky
Ellipse with Yellows
Estimate $25,000 - 35,000
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201
Ed Clark
Love Birds
Estimate $50,000 - 70,000
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202
Alex Katz
Jessica (Study for New Pink)
Estimate $40,000 - 60,000
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203
Andy Warhol
Karen Lerner
Estimate $70,000 - 100,000
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204
Richard Pettibone
Andy Warhol 'Lavender Disaster', 1964
Estimate $25,000 - 35,000
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205
Richard Pettibone
Andy Warhol 'Liz' 1962
Estimate $30,000 - 50,000
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206
Kenny Scharf
BEYOND
Estimate $150,000 - 200,000
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207
Peter Saul
He Forgot Something
Estimate $80,000 - 120,000
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208
Karel Appel
Bride
Estimate $50,000 - 70,000
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209
Karl Wirsum
Ahh! Macy's Grazed
Estimate $20,000 - 30,000
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210
Cundo Bermúdez
Arlequines
Estimate $40,000 - 60,000
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211
Gustav Klimt
Frontal stehend, linke Hand an die Hüfte gelegt (Standing Woman with Hand on Hip)
Estimate $25,000 - 35,000
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212
Armand Guillaumin
Gelée blanche à Crozant
Estimate $30,000 - 50,000
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213
Maurice Brazil Prendergast
The Beach and Along the Sea with Boat and People (double-sided)
Estimate $20,000 - 30,000
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214
Maurice Brazil Prendergast
Study St. Malo
Estimate $40,000 - 60,000
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215
Milton Avery
Young Mother and Child
Estimate $40,000 - 60,000
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216
Reginald Marsh
Coney Island (double-sided)
Estimate $18,000 - 25,000
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217
Willem de Kooning
Reclining Woman
Estimate $40,000 - 60,000
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218
Willem de Kooning
Reclining Women
Estimate $40,000 - 60,000
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219
Martín Ramírez
Untitled (Arches)
Estimate $10,000 - 15,000
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220
Jean Dubuffet
Réchaud-four à Gaz
Estimate $15,000 - 20,000
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221
Jean Dubuffet
Personnage
Estimate $40,000 - 60,000
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222
Hans Hartung
P10-1976-H20
Estimate $25,000 - 35,000
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223
Peter Saul
Study for Prune Head
Estimate $10,000 - 15,000
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224
Jean-Michel Basquiat
Free comb with Pagoda
Estimate $80,000 - 120,000
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225
Andy Warhol
Dollar Sign
Estimate $40,000 - 60,000
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226
Andy Warhol
Ladies and Gentlemen
Estimate $20,000 - 30,000
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227
Alexander Calder
Rose des sables
Estimate $40,000 - 60,000
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228
Alexander Calder
Grass
Estimate $40,000 - 60,000
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229
Alexander Calder
Untitled
Estimate $40,000 - 60,000
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230
Alighiero Boetti
Pisciarsi in bocca
Estimate $60,000 - 80,000
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231
Nuvolo (Giorgio Ascani)
Primavera Inoltrata
Estimate $15,000 - 20,000
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232
Daniel Spoerri
Tavola toscana (Post-Sevillane, Tableau piège)
Estimate $15,000 - 20,000
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