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Nestled amongst dynamic brushstrokes of vibrant colors, a bull rendered in rich greens and blues sits firmly in the center of the composition. Depicting either the moment immediately before or right after a bullfight, when the bull is idle, Elaine de Kooning’s Untitled (Bullfight Series), 1961, captures the chaotic and short-tempered energy of the animal through quick, gestural brushstrokes. Bursting with action, the present work was created following the artist’s move from crowded New York City to the open expanses of New Mexico in 1957, the same year that she separated from fellow artist, Willem de Kooning. This move and period would greatly inspire de Kooning’s artistic production, allowing her to experiment with new imagery and colors. As noted by the artist on her time spent in the American Southwest, “I went to Juárez to see the bullfights, which immediately struck me as a heightened image of Southwestern landscape – the panorama of the arena, the heraldic colors…”i
Acquired directly from the artist circa 1961–1962 by collector I. David Orr, who was notably a close friend of artists like Franz Kline, the present example of de Kooning’s groundbreaking Bullfight paintings—which many call the most successful of her career—is entirely fresh to market, residing in the same private collection since its acquisition. The work has not been exhibited publicly since 1970, when it was included in the landmark exhibition Contemporary Women Artists hosted by Skidmore College, alongside icons such as Barbara Hepworth, Grace Hartigan, Lee Bontecou, Lee Krasner, and more. Other examples from de Kooning’s Bullfight series are housed in esteemed public collections like those of the Smithsonian American Art Museum, Washington, D.C., The Museum of Modern Art, New York, the Solomon R. Guggenheim Museum, New York, and the Denver Art Museum.
Sketch gifted by the artist to I. David Orr, circa 1961–1962, on the back of a book page. “I’ve made a great many pastels of bullfights and have begun to make paintings – terrific subject. The fights themselves I find tragic. I’ve met some bullfighters, very small, slight men who are fantastically brave – really, but I still love the bulls – glorious animals, very surprisingly delicate leges and ankles and I’ve never seen such an image of speed.”
—Elaine de Kooning in a letter to I. David Orr, dated 1958Taking a job as a visiting professor at the University of New Mexico in 1957 and living right along the Mexican border, de Kooning would take frequent trips to Ciudad Juárez, watching bullfights almost every weekend. These events would inspire a series of bulls rendered in a variety of media, which represent a turning point for the artist in her life and career. In her depictions of bulls, de Kooning allows the animal to take center stage, abstracting all other indicators of its surroundings in favor of vibrant gestures and colors, which clue the viewer to the momentum and energy of the moment in time. As Lawrence Campbell stated of de Kooning’s revelatory works of the late 1950s and early 1960s, “For others, the bull, the center of the conflict, would be the image of darkness overcome by the forces of light. For [de Kooning], the bull is the hero. And sometimes the bull does win and need never burst, with tiny-ankled feet, into the arena again."ii
Elaine de Kooning, June 1959, inscribed "to David with love, Elaine". Abandoning the muted hues which characterized her previous portraits, in the bull paintings, de Kooning was undoubtedly inspired by the Southwestern landscape to introduce a warm and fresh color palette. The present work adopts bright and vibrant shades of red, orange, and yellow mingled with deep blues and greens, illustrating both a departure and an elevation of her art from the decade prior. Urgent and confident in her use of line and color, de Kooning exudes an almost pent-up energy in her applied brushstrokes, mirroring the energy of the bulls and surrounding crowd during the fights. Exploring the interplays between action painting and figuration in Untitled (Bullfight Series), this time in the Southwest, was a preoccupation which persisted throughout her whole career. Proving the importance of the subject to de Kooning, the artist would later return to the bull motif in the last decade of her life following a visit to Lascaux, France.
Avid art collector, I. David Orr amassed a collection which combined the best of mid-century American art. Beginning to collect around 1929, Orr acquired examples by artists of the Hudson River School, native Impressionists, the Ashcan school, and a smaller group of contemporary artists, such as Franz Kline and Elaine de Kooning. Noting, “I like anything that’s beautiful and that was successfully rendered by the artist,” Orr concentrated more on quality than quantity, selecting works based on the beauty of the work itself rather than the notoriety of the artist who created it.iii Indeed, the present work demonstrates this collecting aim, presenting an example of one of de Kooning’s most successful series.
i Elaine de Kooning, quoted in Eleanor Munro, Originals: American Women Artists, New York, 1979, p. 255.
ii Lawrence Campbell, ”Elaine de Kooning Paints a Picture,” ARTnews, no. 59, vol. 8, December 1960, p. 40.
iii I. David Orr, quoted in Helen A. Harrison, “The Art of Collecting,” The New York Times, May 9, 1982, p. 1.
Condition Report
Description
View our Conditions of Sale.
Provenance
I. David Orr (acquired directly from the artist circa 1961–1962)
Thence by descent to the present ownerExhibited
Saratoga Springs, Hathorn Gallery, Skidmore College; New York, National Arts Club, Contemporary Women Artists, January 6–29, 1970, no. 18
Property from the Collection of I. David Orr
108
Untitled (Bullfight Series)
signed with the artist's initials "E. de K." lower right
oil on Masonite
18 1/8 x 23 7/8 in. (46 x 60.6 cm)
Painted in 1961.
Estimate
$150,000 - 200,000
Annie Dolan
NY Head of Auctions and Specialist, Head of Sale, Morning Session
212 940 1288
adolan@phillips.com
Modern & Contemporary Art Day Sale, Morning Session
New York Auction 15 May 2024
101
Emmi Whitehorse (Diné)
Canyon Lake I
Estimate $12,000 - 18,000
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102
Jaune Quick-to-See Smith (Confederated Salish and Kootenai)
Eagle Wing
Estimate $40,000 - 60,000
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103
Hedda Sterne
Untitled
Estimate $10,000 - 15,000
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104
Wolfgang Paalen
Phantoms I
Estimate $15,000 - 20,000
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105
René Magritte
La belle lurette
Estimate $80,000 - 120,000
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106
Chico da Silva
Untitled
Estimate $50,000 - 60,000
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107
Bill Traylor
Black Bear
Estimate $30,000 - 40,000
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108
Elaine de Kooning
Untitled (Bullfight Series)
Estimate $150,000 - 200,000
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109
Lois Dodd
Wild Geraniums
Estimate $60,000 - 80,000
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110
Willem de Kooning
Still Life
Estimate $150,000 - 250,000
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111
Milton Avery
The White Hen and Fantasy Creatures (double-sided)
Estimate $60,000 - 80,000
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112
Milton Avery
Dark Sea, Dark Sky
Estimate $25,000 - 35,000
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113
Wassily Kandinsky
Rapallo-Stürmischer Tag
Estimate $120,000 - 180,000
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114
Arshile Gorky
Portrait of the Artist's Wife
Estimate $25,000 - 35,000
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115
Guy Pène du Bois
Conversation - Paris Cafe (Yvonne Pène du Bois)
Estimate $12,000 - 18,000
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116
Raoul Dufy
La fenêtre aux vitres de couleurs
Estimate $100,000 - 150,000
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117
André Derain
Les remparts à Montreuil-sur-mer
Estimate $300,000 - 500,000
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118
Pierre-Auguste Renoir
Jeune femme assise
Estimate $150,000 - 250,000
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119
Pierre Bonnard
Jardin au bord de la Seine
Estimate $200,000 - 300,000
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120
Odilon Redon
Fleurs dans un vase
Estimate $250,000 - 350,000
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121
Henri Matisse
Nu assis ou femme au collier
Estimate $250,000 - 350,000
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122
Françoise Gilot
Flora
Estimate $50,000 - 70,000
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123
Pablo Picasso
Tasse et bananes
Estimate $200,000 - 300,000
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124
Fernand Léger
Composition à l'échequier
Estimate $250,000 - 350,000
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125
Willi Baumeister
Maschine und Mensch
Estimate $25,000 - 35,000
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126
Howard Hodgkin
Small Tree near Cairo
Estimate $150,000 - 200,000
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127
Philip Guston
Untitled
Estimate $350,000 - 500,000
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128
Lynne Drexler
Untitled
Estimate $50,000 - 70,000
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129
Michael Corinne West
Save the Tiger
Estimate $25,000 - 35,000
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130
Judith Rothschild
Figure in Space
Estimate $10,000 - 15,000
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131
Hans Hofmann
Magenta, Yellow and Black
Estimate $250,000 - 350,000
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132
Alice Baber
The Green Day of the Jaguar
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133
Helen Frankenthaler
Spirits of Wine
Estimate $1,200,000 - 1,800,000
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134
Robert Motherwell
Hollow Men Series
Estimate $600,000 - 800,000
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135
Robert Motherwell
Zen IV
Estimate $120,000 - 180,000
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136
Vivian Springford
Untitled (VSF 347)
Estimate $70,000 - 100,000
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137
Helen Frankenthaler
Untitled
Estimate $40,000 - 60,000
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138
Joan Mitchell
Untitled
Estimate $350,000 - 550,000
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139
Norman Lewis
Untitled
Estimate $80,000 - 120,000
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140
Charles Alston
Black and White #7
Estimate $150,000 - 200,000
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141
Ernie Barnes
Human Celebration
Estimate $150,000 - 250,000
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142
Andy Warhol
Three works: (i-iii) Bobby Short
Estimate $600,000 - 800,000
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143
Peter Saul
Prune Head
Estimate $120,000 - 180,000
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144
Fritz Scholder (Luiseño)
Super Kachina
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145
Andy Warhol
Skull
Estimate $60,000 - 80,000
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146
Jean-Michel Basquiat
Untitled
Estimate $180,000 - 250,000
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147
Keith Haring
Untitled
Estimate $150,000 - 200,000
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148
Yayoi Kusama
Butterfly
Estimate $200,000 - 300,000
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149
On Kawara
NOV. 8, 1977 (from Today Series, no. 23)
Estimate $150,000 - 200,000
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150
Ed Ruscha
Suddenly Spastic
Estimate $100,000 - 150,000
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151
Ed Ruscha
TREMBLING STALKS OF AQUATIC VEGETATION
Estimate $150,000 - 200,000
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152
Ed Ruscha
We're This and We're That Aren't We?
Estimate $180,000 - 250,000
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153
Josef Albers
Study for Homage to the Square: Oracle
Estimate $250,000 - 350,000
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154
Donald Judd
Untitled
Estimate $80,000 - 120,000
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155
Lynda Benglis
Untitled
Estimate $100,000 - 150,000
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156
Louise Nevelson
Untitled
Estimate $80,000 - 120,000
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157
Olga de Amaral
Untitled
Estimate $100,000 - 150,000
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158
Richard Serra
Untitled
Estimate $400,000 - 700,000
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159
Brice Marden
Honey's Drawing
Estimate $30,000 - 40,000
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160
Agnes Martin
Untitled
Estimate $60,000 - 80,000
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161
Ed Clark
Ife
Estimate $50,000 - 70,000
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162
Gerhard Richter
Untitled 26.2.89
Estimate $100,000 - 150,000
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163
Richard Serra
Untitled #21
Estimate $250,000 - 350,000
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164
Lynn Chadwick, R.A.
Maquette, High Wind
Estimate $50,000 - 70,000
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165
Moissey Kogan
Mädchenkopf I (Head of a Girl I)
Estimate $8,000 - 12,000
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166
Gaston Lachaise
Garden Figure (second state) [LF 137]
Estimate $300,000 - 400,000
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167
Manolo Valdés
Reina Mariana
Estimate $300,000 - 500,000
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168
Aristide Maillol
La nymphe aux fleurs
Estimate $600,000 - 800,000
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169
Édouard Vuillard
Mme Arthur Fontaine au piano
Estimate $120,000 - 180,000
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170
André Derain
Nus dans un paysage
Estimate $80,000 - 120,000
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171
Louis Valtat
Les deux soeurs assises, Madame Zette et Madame Juin
Estimate $50,000 - 70,000
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172
Maurice de Vlaminck
Village et bord de rivière
Estimate $100,000 - 150,000
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173
André Derain
Nature morte avec bouteille
Estimate $300,000 - 500,000
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174
Jean Metzinger
Femme au perroquet (La fenêtre)
Estimate $80,000 - 120,000
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175
Alexander Calder
Untitled
Estimate $300,000 - 500,000
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176
Alexander Calder
Bow Tie
Estimate $100,000 - 150,000
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177
John Chamberlain
Tonk #8
Estimate $100,000 - 150,000
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178
Robert Indiana
Number 0
Estimate $60,000 - 80,000
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179
Robert Rauschenberg
Access
Estimate $40,000 - 60,000
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180
Ken Price
Lower
Estimate $150,000 - 200,000
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181
Lawrence Weiner
Stretched As Tightly As Is Possible (Satin) & (Petroleum Jelly)
Estimate $50,000 - 70,000
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182
Neil Jenney
Biosphere #3
Estimate $40,000 - 60,000
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183
Joseph Kosuth
'Word, Sentence, Paragraph (Z. & N.) #16'
Estimate $50,000 - 70,000
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184
Jack Goldstein
Untitled
Estimate $40,000 - 60,000
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185
James Rosenquist
The Serenade for the Doll after Claude Debussy, Gift Wrapped Doll #18
Estimate $100,000 - 150,000
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186
Richard Estes
Staten Island Ferry Docking
Estimate $60,000 - 80,000
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187
Richard Estes
Passages (Shopping Center)
Estimate $70,000 - 100,000
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188
Isamu Noguchi
Small Wonder
Estimate $40,000 - 60,000
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189
John McCracken
Vibe
Estimate $70,000 - 100,000
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190
John McLaughlin
Untitled
Estimate $70,000 - 100,000
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191
John McLaughlin
Untitled
Estimate $50,000 - 70,000
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192
Alfred Leslie
Hipped
Estimate $100,000 - 150,000
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193
Alfred Leslie
Lake Front Property
Estimate $120,000 - 180,000
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194
Leon Polk Smith
Great Hall
Estimate $60,000 - 80,000
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195
Lorser Feitelson
Magical Space Forms
Estimate $30,000 - 40,000
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196
Jean-Paul Riopelle
Cold Climate
Estimate $70,000 - 100,000
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197
Michael Goldberg
Untitled
Estimate $20,000 - 30,000
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198
James Brooks
Blow
Estimate $30,000 - 40,000
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199
Friedel Dzubas
Night Shuttle
Estimate $60,000 - 80,000
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200
Ilya Bolotowsky
Ellipse with Yellows
Estimate $25,000 - 35,000
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201
Ed Clark
Love Birds
Estimate $50,000 - 70,000
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202
Alex Katz
Jessica (Study for New Pink)
Estimate $40,000 - 60,000
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203
Andy Warhol
Karen Lerner
Estimate $70,000 - 100,000
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204
Richard Pettibone
Andy Warhol 'Lavender Disaster', 1964
Estimate $25,000 - 35,000
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205
Richard Pettibone
Andy Warhol 'Liz' 1962
Estimate $30,000 - 50,000
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206
Kenny Scharf
BEYOND
Estimate $150,000 - 200,000
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207
Peter Saul
He Forgot Something
Estimate $80,000 - 120,000
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208
Karel Appel
Bride
Estimate $50,000 - 70,000
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209
Karl Wirsum
Ahh! Macy's Grazed
Estimate $20,000 - 30,000
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210
Cundo Bermúdez
Arlequines
Estimate $40,000 - 60,000
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211
Gustav Klimt
Frontal stehend, linke Hand an die Hüfte gelegt (Standing Woman with Hand on Hip)
Estimate $25,000 - 35,000
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212
Armand Guillaumin
Gelée blanche à Crozant
Estimate $30,000 - 50,000
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213
Maurice Brazil Prendergast
The Beach and Along the Sea with Boat and People (double-sided)
Estimate $20,000 - 30,000
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214
Maurice Brazil Prendergast
Study St. Malo
Estimate $40,000 - 60,000
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215
Milton Avery
Young Mother and Child
Estimate $40,000 - 60,000
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216
Reginald Marsh
Coney Island (double-sided)
Estimate $18,000 - 25,000
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217
Willem de Kooning
Reclining Woman
Estimate $40,000 - 60,000
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218
Willem de Kooning
Reclining Women
Estimate $40,000 - 60,000
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219
Martín Ramírez
Untitled (Arches)
Estimate $10,000 - 15,000
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220
Jean Dubuffet
Réchaud-four à Gaz
Estimate $15,000 - 20,000
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221
Jean Dubuffet
Personnage
Estimate $40,000 - 60,000
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222
Hans Hartung
P10-1976-H20
Estimate $25,000 - 35,000
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223
Peter Saul
Study for Prune Head
Estimate $10,000 - 15,000
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224
Jean-Michel Basquiat
Free comb with Pagoda
Estimate $80,000 - 120,000
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225
Andy Warhol
Dollar Sign
Estimate $40,000 - 60,000
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226
Andy Warhol
Ladies and Gentlemen
Estimate $20,000 - 30,000
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227
Alexander Calder
Rose des sables
Estimate $40,000 - 60,000
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228
Alexander Calder
Grass
Estimate $40,000 - 60,000
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229
Alexander Calder
Untitled
Estimate $40,000 - 60,000
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230
Alighiero Boetti
Pisciarsi in bocca
Estimate $60,000 - 80,000
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231
Nuvolo (Giorgio Ascani)
Primavera Inoltrata
Estimate $15,000 - 20,000
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232
Daniel Spoerri
Tavola toscana (Post-Sevillane, Tableau piège)
Estimate $15,000 - 20,000
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