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“Who speaks of art speaks of poetry. There is no art without a poetic aim. There is a species of emotion particular to painting. There is an effect that results from a certain arrangement of colors, of lights, of shadows, etc. It is this that one calls the music of painting.”
—Édouard VuillardIn the corner of her adorned home, a woman, submerged in the dark silhouette of her gown, sits at a piano, reading the notes to the song which she is about to play. The decorative objects surrounding her, painted in gestural brushstrokes with twirl like vines, seems to swirl around the room, mirroring the music that is about to permeate the space. Illustrating the wife of a wealthy Parisian industrialist and art patron, Édouard Vuillard’s Mme Arthur Fountaine au piano, 1904, illustrates an engaging view of interior domestic life of turn of the century France.
Edouard Vuillard, Madame Arthur Fontaine in a Pink Shawl, 1903, The Art Institute of Chicago. Image: The Art Institute of Chicago / Art Resource, NY Introduced to Arthur Fontaine, state counselor and minister of labor, by his fellow-Nabis painter Maurice Denis in 1897, Vuillard would go on to paint both him and his wife several times throughout his career. The Fontaines were part of a cohort of new collectors, alongside Jos and Lucie Hessel. Using loose brushstrokes to depict Mrs. Fontaine, the present work mimics the sound of the music through expressive, almost rhythmic swathes of paint, creating an interplay between the “delicate interweaving of color and line, the harmony and melody of painting.”i Vuillard, whose work during this time primarily focused on interior spaces, captures the sitter in the middle of a leisurely activity in the comfort of her own home. As noted by Claude Roger-Marx, “ravished by the enchantment of these scenes, where happiness seems to flourish, it is happiness he [Vuillard] attempts to portray. He is animated by manifest sympathy and even by a kind of tenderness for his subjects and the gilded peace he saw there.”ii The present work was exhibited in the Salon d’Automne held in the fall of the year it was painted, 1904. Describing Vuillard’s works debuted in this show, Roger-Marx said “we perceive continuity in the refinement of his vision and the enrichment of his technique.”iii
Utagawa Hiroshige II, True View of the Harbor at Yokohama near Kanagawa, 1860, The Philadelphia Museum of Art. Image: Philadelphia Museum of Art, Gift of Eli Kirk Price, 1950, 1950-70-1(28--30) The Nabis painters, which included other notable members Pierre Bonnard and Paul Sérusier, embraced alternatives to the French Academic painting style, opting for simple yet deeply symbolic settings. Through this subversion of the French tradition, Vuillard and the Nabis were similarly drawn to Japanese woodcut prints which were popular during the late 19th century. These prints, characterized by their flat shapes, sharp outlines and spatial effects, influenced Vuillard to incorporate similar perspectives into his own work. In this painting, the background in which Madame Fontaine is seated is compressed—a highly detailed yet relatively flat scene. Despite its shortened perspective, the wall behind the sitter appears to curve inward, as if the room itself were moving. As such, the scene is consumed by the inner world of the woman and piano that inhabit it. Vuillard’s illustrations of interior modern life illustrated “more what the room felt like than how they appeared.”iv Departing further from his Nabis contemporaries, the present work represents a darker, more dramatic color palette for Vuillard than his brightly colored paintings from the years prior. In doing so, the artist upends the traditional representation of domestic scenes, adding a fresh, distinctive twist to classic subject matter.
iElizabeth Wynne Easton, The Intimate Interiors of Edouard Vuillard, exh. cat., The Museum of Fine Arts, Houston, 1989, p. 2.
iiClaude Roger-Max, Vuillard, His Life and Work, London, 1946, pp. 67, 89.
iii Ibid, p. 66.
ivElizabeth Wynne Easton, The Intimate Interiors of Edouard Vuillard, exh. cat., The Museum of Fine Arts, Houston, 1989, p. 76.
Condition Report
Description
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Provenance
Bernheim-Jeune, Paris (acquired directly from the artist on June 14, 1904)
Étienne Moreau-Nélaton, Paris (acquired from the above on October 22, 1904)
Bernheim-Jeune, Paris (acquired on November 30, 1927)
Raphael Gérard, Paris (acquired on December 1, 1927)
Jos Hessel, Paris
Georges Renand, Paris (acquired by 1930)
Jean Walther, Paris (acquired by 1941)
Jacques Laroche, Paris
Paul Rosenberg & Co., New York (acquired by 1950)
William Rand, New York (acquired from the above in 1954)
His sale, Christie’s, New York, February 19, 1998, lot 11
Acquired at the above sale by the present ownerExhibited
Paris, Grand Palais, Salon d’Automne, 2eme Exposition, October–November, 1904, no. 1293, p. 1382
Paris, Musée des Arts Décoratifs, E. Vuillard, May–July, 1938, no. 115, p. 20 (titled Dame en noir au piano)
Paris, Alfred Daber, Oeuvres remarquables de Vuillard, April 25–May 14, 1947
New York, Rosenberg Galleries, 20th Century French Paintings, November 13–December 2, 1950, no. 18, n.p.
Cleveland Museum of Art; New York, The Museum of Modern Art, Work of Édouard Vuillard, January 27–June, 1954, p. 103 (titled Missia at the Piano)
Paris, Durand-Ruel, E. Vuillard, 1868–1940, May 26–September 29, 1961, no. 41, n.p.Literature
André Chastel, Vuillard 1868–1940, Paris, 1946, pp. 57, 116 (illustrated, p. 57)
Claude Roger-Marx, Vuillard et son temps, Paris, 1945, p. 109 (illustrated; titled Missia au piano; dated 1899)
Claude Roger-Marx, Vuillard, Paris, 1948, no. 31, pp. 25, 47 (illustrated, p. 47; dated 1899)
Curt Schweicher, Die Bildraumgestaltung das Dekorative und das Ornamentale im Weke von Édouard Vuillard, Zurich, 1949, pp. 24–25, 27, 47–49 (titled Missia au piano)
Georges Charnesol, Vuillard, Médecines et peintures, no. 76, Arcueil, 1955, pl. 9, p. 8 (illustrated; titled Missia au piano)
Curt Schweicher, Vuillard, Bern, 1955, pl. 23, pp. 31, 77–78 (illustrated, p. 78; titled Misia am flügel; dated 1899)
Toulouse-Latrec, exh. cat., Hayward Gallery and Galeries nationales du Grand Palais, London and Paris, 1991–1992, fig. 182, p. 150 (illustrated; titled Intérieur)
Antoine Salomon and Guy Cogeval, Vuillard: The Inexhaustible Glance, Critical Catalogue of Paintings and Pastels, vol. II, Milan, 2003, no. VII-315, p. 696 (illustrated)
Property from an Important Private American Collection
169
Mme Arthur Fontaine au piano
signed and dated "E Vuillard 04" lower left
oil on board mounted on cradled panel
21 1/2 x 24 1/2 in. (54.6 x 62.2 cm)
Painted in 1904.
Estimate
$120,000 - 180,000
Annie Dolan
NY Head of Auctions and Specialist, Head of Sale, Morning Session
212 940 1288
adolan@phillips.com
Modern & Contemporary Art Day Sale, Morning Session
New York Auction 15 May 2024
101
Emmi Whitehorse (Diné)
Canyon Lake I
Estimate $12,000 - 18,000
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102
Jaune Quick-to-See Smith (Confederated Salish and Kootenai)
Eagle Wing
Estimate $40,000 - 60,000
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103
Hedda Sterne
Untitled
Estimate $10,000 - 15,000
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104
Wolfgang Paalen
Phantoms I
Estimate $15,000 - 20,000
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105
René Magritte
La belle lurette
Estimate $80,000 - 120,000
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106
Chico da Silva
Untitled
Estimate $50,000 - 60,000
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107
Bill Traylor
Black Bear
Estimate $30,000 - 40,000
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108
Elaine de Kooning
Untitled (Bullfight Series)
Estimate $150,000 - 200,000
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109
Lois Dodd
Wild Geraniums
Estimate $60,000 - 80,000
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110
Willem de Kooning
Still Life
Estimate $150,000 - 250,000
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111
Milton Avery
The White Hen and Fantasy Creatures (double-sided)
Estimate $60,000 - 80,000
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112
Milton Avery
Dark Sea, Dark Sky
Estimate $25,000 - 35,000
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113
Wassily Kandinsky
Rapallo-Stürmischer Tag
Estimate $120,000 - 180,000
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114
Arshile Gorky
Portrait of the Artist's Wife
Estimate $25,000 - 35,000
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115
Guy Pène du Bois
Conversation - Paris Cafe (Yvonne Pène du Bois)
Estimate $12,000 - 18,000
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116
Raoul Dufy
La fenêtre aux vitres de couleurs
Estimate $100,000 - 150,000
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117
André Derain
Les remparts à Montreuil-sur-mer
Estimate $300,000 - 500,000
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118
Pierre-Auguste Renoir
Jeune femme assise
Estimate $150,000 - 250,000
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119
Pierre Bonnard
Jardin au bord de la Seine
Estimate $200,000 - 300,000
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120
Odilon Redon
Fleurs dans un vase
Estimate $250,000 - 350,000
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121
Henri Matisse
Nu assis ou femme au collier
Estimate $250,000 - 350,000
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122
Françoise Gilot
Flora
Estimate $50,000 - 70,000
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123
Pablo Picasso
Tasse et bananes
Estimate $200,000 - 300,000
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124
Fernand Léger
Composition à l'échequier
Estimate $250,000 - 350,000
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125
Willi Baumeister
Maschine und Mensch
Estimate $25,000 - 35,000
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126
Howard Hodgkin
Small Tree near Cairo
Estimate $150,000 - 200,000
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127
Philip Guston
Untitled
Estimate $350,000 - 500,000
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128
Lynne Drexler
Untitled
Estimate $50,000 - 70,000
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129
Michael Corinne West
Save the Tiger
Estimate $25,000 - 35,000
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130
Judith Rothschild
Figure in Space
Estimate $10,000 - 15,000
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131
Hans Hofmann
Magenta, Yellow and Black
Estimate $250,000 - 350,000
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132
Alice Baber
The Green Day of the Jaguar
Estimate $60,000 - 80,000
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133
Helen Frankenthaler
Spirits of Wine
Estimate $1,200,000 - 1,800,000
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134
Robert Motherwell
Hollow Men Series
Estimate $600,000 - 800,000
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135
Robert Motherwell
Zen IV
Estimate $120,000 - 180,000
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136
Vivian Springford
Untitled (VSF 347)
Estimate $70,000 - 100,000
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137
Helen Frankenthaler
Untitled
Estimate $40,000 - 60,000
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138
Joan Mitchell
Untitled
Estimate $350,000 - 550,000
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139
Norman Lewis
Untitled
Estimate $80,000 - 120,000
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140
Charles Alston
Black and White #7
Estimate $150,000 - 200,000
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141
Ernie Barnes
Human Celebration
Estimate $150,000 - 250,000
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142
Andy Warhol
Three works: (i-iii) Bobby Short
Estimate $600,000 - 800,000
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143
Peter Saul
Prune Head
Estimate $120,000 - 180,000
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144
Fritz Scholder (Luiseño)
Super Kachina
Estimate $150,000 - 200,000
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145
Andy Warhol
Skull
Estimate $60,000 - 80,000
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146
Jean-Michel Basquiat
Untitled
Estimate $180,000 - 250,000
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147
Keith Haring
Untitled
Estimate $150,000 - 200,000
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148
Yayoi Kusama
Butterfly
Estimate $200,000 - 300,000
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149
On Kawara
NOV. 8, 1977 (from Today Series, no. 23)
Estimate $150,000 - 200,000
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150
Ed Ruscha
Suddenly Spastic
Estimate $100,000 - 150,000
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151
Ed Ruscha
TREMBLING STALKS OF AQUATIC VEGETATION
Estimate $150,000 - 200,000
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152
Ed Ruscha
We're This and We're That Aren't We?
Estimate $180,000 - 250,000
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153
Josef Albers
Study for Homage to the Square: Oracle
Estimate $250,000 - 350,000
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154
Donald Judd
Untitled
Estimate $80,000 - 120,000
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155
Lynda Benglis
Untitled
Estimate $100,000 - 150,000
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156
Louise Nevelson
Untitled
Estimate $80,000 - 120,000
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157
Olga de Amaral
Untitled
Estimate $100,000 - 150,000
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158
Richard Serra
Untitled
Estimate $400,000 - 700,000
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159
Brice Marden
Honey's Drawing
Estimate $30,000 - 40,000
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160
Agnes Martin
Untitled
Estimate $60,000 - 80,000
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161
Ed Clark
Ife
Estimate $50,000 - 70,000
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162
Gerhard Richter
Untitled 26.2.89
Estimate $100,000 - 150,000
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163
Richard Serra
Untitled #21
Estimate $250,000 - 350,000
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164
Lynn Chadwick, R.A.
Maquette, High Wind
Estimate $50,000 - 70,000
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165
Moissey Kogan
Mädchenkopf I (Head of a Girl I)
Estimate $8,000 - 12,000
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166
Gaston Lachaise
Garden Figure (second state) [LF 137]
Estimate $300,000 - 400,000
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167
Manolo Valdés
Reina Mariana
Estimate $300,000 - 500,000
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168
Aristide Maillol
La nymphe aux fleurs
Estimate $600,000 - 800,000
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169
Édouard Vuillard
Mme Arthur Fontaine au piano
Estimate $120,000 - 180,000
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170
André Derain
Nus dans un paysage
Estimate $80,000 - 120,000
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171
Louis Valtat
Les deux soeurs assises, Madame Zette et Madame Juin
Estimate $50,000 - 70,000
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172
Maurice de Vlaminck
Village et bord de rivière
Estimate $100,000 - 150,000
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173
André Derain
Nature morte avec bouteille
Estimate $300,000 - 500,000
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174
Jean Metzinger
Femme au perroquet (La fenêtre)
Estimate $80,000 - 120,000
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175
Alexander Calder
Untitled
Estimate $300,000 - 500,000
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176
Alexander Calder
Bow Tie
Estimate $100,000 - 150,000
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177
John Chamberlain
Tonk #8
Estimate $100,000 - 150,000
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178
Robert Indiana
Number 0
Estimate $60,000 - 80,000
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179
Robert Rauschenberg
Access
Estimate $40,000 - 60,000
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180
Ken Price
Lower
Estimate $150,000 - 200,000
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181
Lawrence Weiner
Stretched As Tightly As Is Possible (Satin) & (Petroleum Jelly)
Estimate $50,000 - 70,000
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182
Neil Jenney
Biosphere #3
Estimate $40,000 - 60,000
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183
Joseph Kosuth
'Word, Sentence, Paragraph (Z. & N.) #16'
Estimate $50,000 - 70,000
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184
Jack Goldstein
Untitled
Estimate $40,000 - 60,000
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185
James Rosenquist
The Serenade for the Doll after Claude Debussy, Gift Wrapped Doll #18
Estimate $100,000 - 150,000
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186
Richard Estes
Staten Island Ferry Docking
Estimate $60,000 - 80,000
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187
Richard Estes
Passages (Shopping Center)
Estimate $70,000 - 100,000
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188
Isamu Noguchi
Small Wonder
Estimate $40,000 - 60,000
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189
John McCracken
Vibe
Estimate $70,000 - 100,000
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190
John McLaughlin
Untitled
Estimate $70,000 - 100,000
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191
John McLaughlin
Untitled
Estimate $50,000 - 70,000
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192
Alfred Leslie
Hipped
Estimate $100,000 - 150,000
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193
Alfred Leslie
Lake Front Property
Estimate $120,000 - 180,000
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194
Leon Polk Smith
Great Hall
Estimate $60,000 - 80,000
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195
Lorser Feitelson
Magical Space Forms
Estimate $30,000 - 40,000
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196
Jean-Paul Riopelle
Cold Climate
Estimate $70,000 - 100,000
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197
Michael Goldberg
Untitled
Estimate $20,000 - 30,000
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198
James Brooks
Blow
Estimate $30,000 - 40,000
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199
Friedel Dzubas
Night Shuttle
Estimate $60,000 - 80,000
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200
Ilya Bolotowsky
Ellipse with Yellows
Estimate $25,000 - 35,000
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201
Ed Clark
Love Birds
Estimate $50,000 - 70,000
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202
Alex Katz
Jessica (Study for New Pink)
Estimate $40,000 - 60,000
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203
Andy Warhol
Karen Lerner
Estimate $70,000 - 100,000
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204
Richard Pettibone
Andy Warhol 'Lavender Disaster', 1964
Estimate $25,000 - 35,000
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205
Richard Pettibone
Andy Warhol 'Liz' 1962
Estimate $30,000 - 50,000
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206
Kenny Scharf
BEYOND
Estimate $150,000 - 200,000
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207
Peter Saul
He Forgot Something
Estimate $80,000 - 120,000
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208
Karel Appel
Bride
Estimate $50,000 - 70,000
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209
Karl Wirsum
Ahh! Macy's Grazed
Estimate $20,000 - 30,000
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210
Cundo Bermúdez
Arlequines
Estimate $40,000 - 60,000
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211
Gustav Klimt
Frontal stehend, linke Hand an die Hüfte gelegt (Standing Woman with Hand on Hip)
Estimate $25,000 - 35,000
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212
Armand Guillaumin
Gelée blanche à Crozant
Estimate $30,000 - 50,000
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213
Maurice Brazil Prendergast
The Beach and Along the Sea with Boat and People (double-sided)
Estimate $20,000 - 30,000
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214
Maurice Brazil Prendergast
Study St. Malo
Estimate $40,000 - 60,000
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215
Milton Avery
Young Mother and Child
Estimate $40,000 - 60,000
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216
Reginald Marsh
Coney Island (double-sided)
Estimate $18,000 - 25,000
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217
Willem de Kooning
Reclining Woman
Estimate $40,000 - 60,000
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218
Willem de Kooning
Reclining Women
Estimate $40,000 - 60,000
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219
Martín Ramírez
Untitled (Arches)
Estimate $10,000 - 15,000
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220
Jean Dubuffet
Réchaud-four à Gaz
Estimate $15,000 - 20,000
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221
Jean Dubuffet
Personnage
Estimate $40,000 - 60,000
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222
Hans Hartung
P10-1976-H20
Estimate $25,000 - 35,000
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223
Peter Saul
Study for Prune Head
Estimate $10,000 - 15,000
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224
Jean-Michel Basquiat
Free comb with Pagoda
Estimate $80,000 - 120,000
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225
Andy Warhol
Dollar Sign
Estimate $40,000 - 60,000
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226
Andy Warhol
Ladies and Gentlemen
Estimate $20,000 - 30,000
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227
Alexander Calder
Rose des sables
Estimate $40,000 - 60,000
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228
Alexander Calder
Grass
Estimate $40,000 - 60,000
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229
Alexander Calder
Untitled
Estimate $40,000 - 60,000
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230
Alighiero Boetti
Pisciarsi in bocca
Estimate $60,000 - 80,000
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231
Nuvolo (Giorgio Ascani)
Primavera Inoltrata
Estimate $15,000 - 20,000
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232
Daniel Spoerri
Tavola toscana (Post-Sevillane, Tableau piège)
Estimate $15,000 - 20,000
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