Henri Cartier-Bresson - Photographs New York Wednesday, April 6, 2022 | Phillips
  • Provenance

    Peter Fetterman Gallery, Los Angeles

  • Literature

    Cartier-Bresson, The Decisive Moment, pl. 3
    Galassi, Henri Cartier-Bresson: The Early Work, p. 42
    Galassi, Henri Cartier-Bresson: The Man, the Image and the World, pp. 72-73, pl. 69
    Galassi, Henri Cartier-Bresson: The Modern Century, back cover, p. 150, Juvisy, France
    Montier, Henri Cartier-Bresson and the Artless Art, pl. 111

  • Artist Biography

    Henri Cartier-Bresson

    French • 1908 - 2004

    Candidly capturing fleeting moments of beauty among the seemingly ordinary happenings of daily life, Henri Cartier-Bresson's work is intuitive and observational. Initially influenced by the Surrealists' "aimless walks of discovery," he began shooting on his Leica while traveling through Europe in 1932, revealing the hidden drama and idiosyncrasy in the everyday and mundane. The hand-held Leica allowed him ease of movement while attracting minimal notice as he wandered in foreign lands, taking images that matched his bohemian spontaneity with his painterly sense of composition.

    Cartier-Bresson did not plan or arrange his photographs. His practice was to release the shutter at the moment his instincts told him the scene before him was in perfect balance. This he later famously titled "the decisive moment" — a concept that would influence photographers throughout the twentieth century. 

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162

Sunday on the Banks of the Marne

1938
Gelatin silver print, printed later.
11 3/4 x 17 1/2 in. (29.8 x 44.5 cm)
Signed in ink and copyright credit blindstamp in the margin.

Estimate
$7,000 - 9,000 

Sold for $9,450

Contact Specialist

Sarah Krueger
Head of Department, Photographs
skrueger@phillips.com


Vanessa Hallett
Worldwide Head of Photographs and Chairwoman, Americas
vhallett@phillips.com

Photographs

New York Auction 6 April 2022