Henri Cartier-Bresson - Photographs New York Thursday, October 8, 2015 | Phillips

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  • Provenance

    Andrew Smith Gallery, Santa Fe

  • Literature

    Bulfinch Press, Henri Cartier-Bresson: City and Landscapes, cover and p. 62
    Galassi, Henri Cartier-Bresson: The Modern Century, p. 146
    Montier, Henri Cartier-Bresson and the Artless Art, pl. 282
    High Museum of Art, Chorus of Light: Photographs from the Sir Elton John Collection, p. 146

  • Artist Biography

    Henri Cartier-Bresson

    French • 1908 - 2004

    Candidly capturing fleeting moments of beauty among the seemingly ordinary happenings of daily life, Henri Cartier-Bresson's work is intuitive and observational. Initially influenced by the Surrealists' "aimless walks of discovery," he began shooting on his Leica while traveling through Europe in 1932, revealing the hidden drama and idiosyncrasy in the everyday and mundane. The hand-held Leica allowed him ease of movement while attracting minimal notice as he wandered in foreign lands, taking images that matched his bohemian spontaneity with his painterly sense of composition.

    Cartier-Bresson did not plan or arrange his photographs. His practice was to release the shutter at the moment his instincts told him the scene before him was in perfect balance. This he later famously titled "the decisive moment" — a concept that would influence photographers throughout the twentieth century. 

    View More Works

165

Brie, France

1968
Gelatin silver print, printed later.
11 7/8 x 17 5/8 in. (30.2 x 44.8 cm)
Signed in ink and copyright credit blindstamp in the margin.

Estimate
$10,000 - 15,000 

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Vanessa Hallett
Worldwide Head, Photographs

Sarah Krueger
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Photographs

New York Auction 8 October 2015