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Yayoi Kusama

Pumpkin (K. 41)

Estimate
$25,000 - 35,000
$44,450
Lot Details
Lithograph in colors, on Arches paper, with full margins.
1984
I. 12 1/4 x 16 in. (31.1 x 40.6 cm)
S. 17 x 22 1/2 in. (43.2 x 57.2 cm)
Signed, dated and numbered 25/30 in pencil (there were also 3 artist's proofs), framed.

Further Details

“I would confront the spirit of the pumpkin, forgetting everything else and concentrating my mind entirely upon the form before me. Just as Bodhidharma spent ten years facing a stone wall, I spent as much as a month facing a single pumpkin. I regretted even having to take time to sleep”

—Yayoi Kusama


It was during her childhood visit to a seed nursery near her home in Matsumoto, Japan, that Yayoi Kusama first encountered a pumpkin. Afflicted with visual and auditory hallucinations, Kusama vividly recalls the pumpkin speaking to her younger self from the vine. Drawn to its "humorous form" and "warm feeling," Kusama has since developed a lifelong fascination with the humble fruit.

After her first attempt at depicting this subject matter in the traditional Japanese Nihonga style in 1946, Kusama continued to paint pumpkins diligently during her four-year-study at the Kyoto Senior High School of Art. Despite a temporary hiatus from the pumpkin after her relocation to New York in 1958, Kusama revisited her beloved motif in the 1970s, reimagining it in various mediums and scales in the subsequent decades.







 Yayoi Kusama reading her poem “On Pumpkins”



Created in 1984, Pumpkin brings together three prominent motifs in Kusama’s oeuvre – the pumpkin, polka dot, and infinity net. Set against an expansive background of net-like patterns that directly evoke her Infinity Net series, the vivid yellow pumpkin is covered with polka dots of alternating sizes. In delineating its slightly elongated, curvaceous shape, Kusama elevates the object through her at once graceful and whimsical treatment.

In addition to these recurring motifs, Kusama further explores the central theme of repetition in Pumpkin through her chosen medium of screenprint. As she slowly builds up the form of the pumpkin through the accumulative use of polka dots, the near-meditative practice allows the artist to combat and transcend her hallucinatory mental illness. Simultaneously advancing and receding, the rhythmic dynamism of the dots imbues the pumpkin with an animated quality, creating a dazzling effect that transports the viewer into Kusama’s fantastical world.

Yayoi Kusama

Japanese

Named "the world's most popular artist" in 2015, it's not hard to see why Yayoi Kusama continues to dazzle contemporary art audiences globally. From her signature polka dots—"fabulous," she calls them—to her mirror-and-light Infinity Rooms, Kusama's multi-dimensional practice of making art elevates the experience of immersion. To neatly pin an artistic movement onto Kusama would be for naught: She melds and transcends the aesthetics and theories of many late twentieth century movements, including Pop Art and Minimalism, without ever taking a singular path.


As an nonagenarian who still lives in Tokyo and steadfastly paints in her studio every day, Kusama honed her punchy cosmic style in New York City in the 1960s. During this period, she staged avant-garde happenings, which eventually thrust her onto the international stage with a series of groundbreaking exhibitions at the Museum of Modern Art in the 1980s and the 45th Venice Biennale in 1993. She continues to churn out paintings and installations at inspiring speed, exhibiting internationally in nearly every corner of the globe, and maintains a commanding presence on the primary market and at auction.


 

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