Natalie Obadia Gallery, Brussels Acquired from the above by the present owner
Exhibited
Brussels, Galerie Nathalie Obadia, Xu Zhen by MadeIn Company, 21 November 2013 - 4 January 2014 Paris, Galerie Nathalie Obadia, Sleeping Life Away, 17 March - 16 May 2012
Catalogue Essay
Chinese Iconographies: A Selection of Works by Chinese Artists from an Esteemed European Collection.
The ensuing group of works by Chinese artists explore the importance of identifying with and reflecting on their cultural heritage through physical objects, motifs and references whilst addressing current socio-political circumstances within China and around the world.
A leading figure among the young generation of Chinese artists, Xu Zhen lives and works in Shanghai. Xu Zhen’s output through MadeIn Company, the artist’s brand since 2009, largely consists of sculptures, paintings and installations, predominantly representing incompatible contradictions between iconographies which refer to distant cultures, civilisations and time periods, alluding to the various power struggles of human history. This makes a clear criticism of Imperial China’s persecution of Tibet. In the present work, Buddha’s Warrior Attendant, the Kepi – a symbol of the oppressor, is ironically far too small for the head on which it sits, powerfully condemning the illegitimacy of dictatorial controls over religious and cultural minorities. Following the contradictions and theme of contrasts throughout Xu’s work, the commanding primitive stature of the Buddha’s Warrior Attendant is contradicted by the lightness and fragility of the polyurethane foam – symbolic of the existing political and social systems. Xu Zhen's progressive oeuvre has been exhibited internationally; most recently the artist held a solo show, The Glorious, at Perrotin, Hong Kong, which finished in May 2019, and his works have also been celebrated at the Venice Biennale, 2001 and 2005, and Museum of Modern Art, New York in 2004.