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In Pushing Back the Light, 2012, Titus Kaphar references Claude Monet’s Woman with a Parasol – Madame Monet and Her Son, 1875, a luminous example from the peak of the Impressionist’s career. Kaphar’s reinterpretation retains the original’s windswept figures but strips back it’s hillside setting, quite literally pushing aside the canvas to reveal a dramatic backdrop of black tar. Kaphar translates the bucolic scene into something more opaque and ambiguous in a commentary on the shortcomings of Impressionism, most notably its absence of Black figures and its outward disinterest in racial injustices of the time. His addition of tar blackens the work and adds weight, both metaphoric and physical, while the pushed back canvas evidences the artist’s labor, making clear his process of rejection and reworking.
Claude Monet, Woman with a Parasol – Madame Monet and Her Son, 1875, National
Gallery of Art, Washington, D.C. Image: © National Gallery of Art, Washington, D.C., Collection of Mr. and Mrs. Paul Mellon, 1983.1.29Pushing Back the Light was exhibited in the Phillips Collection’s 2020 exhibition Riffs and Relations, which highlighted Modern and Contemporary Black American artists who have engaged with, redefined, and interrogated European Modernism. The present example was exhibited alongside the works of Romare Bearden, Norman Lewis, Faith Ringgold and Hank Willis Thomas, amongst others, in addition to Monet’s original Woman with a Parasol itself. The context of the exhibition, particularly the unique opportunity to pair Pushing Back the Light with its reference, underscored Kaphar’s reverent but also critical approach to the Impressionist master.
“Kaphar’s interference in color, texture, and framing questions the idyllic projections of each scene as if to ask: What else was going on in the late nineteenth century that would tell another story?”
—Bridget R. CooksThe curator of Riffs and Relations, Adrienne L. Childs, notes “the erupting tar nearly engulfs the scene… suggesting a clash of cultures that are nonetheless organically intertwined.”i Kaphar’s work draws attention to the shortcomings of a European-focused art historical canon while also tacitly acknowledging the irrefutable lineage from the early-Modern art historical movement to the present day. Kaphar states, “I take historical paintings and address them in modernist ways [sic],” noting the historical precedence of re-working existing images, while also reflecting on the simultaneous socio-political events globally concurrent to Impressionism in the 1880s.ii On the present example Kaphar explains, “With Pushing Back the Light I wanted to do something that felt as though it was a gesture of peeling back this idea of “Impressionism as pretty picture” to reveal something else underneath, to reveal some of the kind of guttural nature of what was happening across the pond and other places as well.”iii
i Riffs and Relations: African American Artists and the European Modernist Tradition, exh. cat., The Phillips Collection, Washington, D.C., 2020, p. 14
ii Titus Kaphar in Riffs and Relations, p. 17
iii Ibid.
Condition Report
Description
View our Conditions of Sale.
Provenance
Maruani Mercier Gallery, Knokke
Acquired from the above by the present ownerExhibited
Knokke, Maruani Mercier, Titus Kaphar: Survey, August 3–September 7, 2019, n.p. (illustrated)
Washington, D.C., The Phillips Collection, Riffs and Relations: African American Artists and the European Modernist Tradition, February 29, 2020–January 3, 2021, pl. 2, pp. 14, 16–17, 197 (illustrated, p. 16)Literature
Philip Kennicott, “African American artists embraced modernism. But the art world didn’t embrace them.” The Washington Post, March 12, 2020, online (illustrated)
Caroline Goldstein, “An Eye-Opening Exhibition Looks at How Black Artists Have Dissected and Rearranged the History of European Modernism—See It Here,” Artnet News, March 24, 2020, online (illustrated)
Anna O. Marley, “Riffs and Relations: African American Artists and the European Modernist Tradition,” Panorama: Journal of the Association of Historians of American Art, vol. 6, no. 2, Fall 2020, online
Reginald Dwayne Betts and Titus Kaphar, Redaction, New York, 2023, pp. 91, 194 (illustrated, p. 91)Artist Biography
Titus Kaphar
Titus Kaphar’s work questions the nature of history and its representations in the past and today. By altering the materiality of his paintings, sculptures, and installations, Kaphar subverts conventional understandings of historical representations and exposes the uncomfortable and troubling realities of the racism in America’s past. Kaphar’s examinations of historical representations and the omissions of such representations encourage viewers to question their own relationships to history and understandings of the past. He strives to dislodge history from the past and to promote its relevance in the world today.
Kaphar’s work has received considerable acclaim, and his paintings have graced two covers of Time magazine. He is the recipient of a 2018 MacArthur Fellowship and his work is represented in such institutions as the Brooklyn Museum, the Museum of Modern Art, New York, the Yale University Art Gallery, New Haven, and the Perez Art Museum Miami. He lives and works in New Haven, Connecticut.
321
Pushing Back the Light
signed and dated "Kaphar 12" lower right
oil and tar on canvas
107 x 77 x 6 1/2 in. (271.8 x 195.6 x 16.5 cm)
Executed in 2012.
Estimate
$120,000 - 180,000
Patrizia Koenig
Specialist, Head of Sale, Afternoon Session
+1 212 940 1279
pkoenig@phillips.com
Modern & Contemporary Art Day Sale, Afternoon Session
New York Auction 15 May 2024
301
Calida Rawles
Pillar
Estimate $20,000 - 30,000
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302
Jesse Mockrin
Weary from the chase
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303
Ambera Wellmann
YTBT
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304
Francesca Mollett
Sancreed
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305
Alfie Caine
Hastings Old Town
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306
Salvo
Al mattino
Estimate $100,000 - 150,000
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307
Kehinde Wiley
After Memling's Portrait of Jacob Obrecht
Estimate $80,000 - 120,000
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308
Henry Taylor
Untitled
Estimate $70,000 - 100,000
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309
Jeffrey Gibson (Choctaw/Cherokee)
MAKE ME FEEL IT
Estimate $40,000 - 60,000
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310
Raven Halfmoon
OKLA HOMMA OHOYO
Estimate $10,000 - 15,000
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311
Tammy Nguyen
Northeast Storm and the Young King
Estimate $15,000 - 20,000
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312
Basil Kincaid
Formulation of Worlds, Selves and Bodies
Estimate $25,000 - 35,000
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313
Jamea Richmond-Edwards
Blue feather and orb
Estimate $20,000 - 30,000
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314
Wynnie Mynerva
Story of Revenge 2
Estimate $20,000 - 30,000
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315
Alex Gardner
Be the Best Number Two
Estimate $40,000 - 60,000
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316
Jenna Gribbon
My place beside her in bed
Estimate $50,000 - 70,000
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317
Jenna Gribbon
Homework in the cafeteria wrestlers
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318
Hernan Bas
Things Fly About
Estimate $60,000 - 90,000
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319
Louise Giovanelli
Billyo V
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320
Julie Curtiss
D'après l'Origine du monde
Estimate $120,000 - 180,000
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321
Titus Kaphar
Pushing Back the Light
Estimate $120,000 - 180,000
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322
Caroline Walker
Washing Line, Early Morning, May
Estimate $150,000 - 200,000
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323
Henni Alftan
Still Water
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324
Julien Nguyen
Point Break
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325
Jill Mulleady
A thousand natural shocks
Estimate $70,000 - 100,000
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326
Marina Perez Simão
Untitled
Estimate $100,000 - 150,000
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327
Sonia Gomes
Raízes series #1
Estimate $140,000 - 180,000
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328
Shara Hughes
Magic Hour
Estimate $180,000 - 250,000
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329
Marina Perez Simão
Untitled
Estimate $18,000 - 22,000
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330
Issy Wood
Actual car 2
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331
Issy Wood
Study for the Bada Bing
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332
Hun Kyu Kim
Castle Breakers
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333
Tomokazu Matsuyama
Uh oh, Together Again
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334
Ilana Savdie
Under questionable jurisdiction
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335
Marco Pariani
Devil Side
Estimate $35,000 - 45,000
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336
Lauren Halsey
banana split / the real deal
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337
Ebecho Muslimova
Fatebe Heirloom
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338
Vaughn Spann
Gambit
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339
Gary Simmons
Study for Hollywood
Estimate $60,000 - 80,000
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340
Mark Bradford
Starin' Through My Rear View
Estimate $350,000 - 450,000
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341
Barbara Kruger
Untitled (Money Talks)
Estimate $250,000 - 350,000
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342
Wade Guyton
Untitled
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343
Anish Kapoor
Random Triangle Mirror
Estimate $400,000 - 600,000
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344
Tony Cragg
Red Figure
Estimate $200,000 - 300,000
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345
George Condo
Untitled
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346
Eric Fischl
Motel
Estimate $300,000 - 500,000
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347
Lisa Yuskavage
Three Girls
Estimate $60,000 - 80,000
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348
Cecily Brown
Untitled (#64)
Estimate $30,000 - 40,000
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349
Pat Steir
Small Waterfall
Estimate $200,000 - 300,000
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350
Loie Hollowell
Bag of waters, month six
Estimate $50,000 - 70,000
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351
George Condo
Circus Figure
Estimate $100,000 - 150,000
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352
Amoako Boafo
Untitled
Estimate $80,000 - 120,000
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353
Xinyi Cheng
Untitled
Estimate $12,000 - 18,000
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354
Henry Taylor
Daniella Stienfeld
Estimate $80,000 - 120,000
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355
Genesis Tramaine
Brother Abinadab
Estimate $80,000 - 120,000
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356
Henry Taylor
Portrait of Cassi Amanda Gibson (no relation to Bob,)
Estimate $80,000 - 120,000
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357
Jammie Holmes
My Grandmother was an Usher
Estimate $50,000 - 70,000
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358
Derek Fordjour
Untitled (No. 92)
Estimate $30,000 - 50,000
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359
Joy Labinjo
At the Circus
Estimate $40,000 - 60,000
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360
Jeff Sonhouse
Gifted the Enabler's Dexterity
Estimate $70,000 - 100,000
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361
Dominic Chambers
After Albers (LA Sunset)
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362
Stanley Whitney
Untitled
Estimate $25,000 - 35,000
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363
Peter Halley
In the Game
Estimate $100,000 - 150,000
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364
Paul McCarthy
White Snow Dwarf (Bashful)
Estimate $180,000 - 220,000
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365
Dan Colen
Mother (Well)
Estimate $10,000 - 15,000
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366
Rashid Johnson
Ruffus
Estimate $120,000 - 150,000
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367
Austyn Weiner
The Bathers
Estimate $80,000 - 120,000
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368
Jenny Holzer
Living Series: There's the Sensation of a lot of Flesh...
Estimate $60,000 - 80,000
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369
Roni Horn
Key and Cue, no. 1182 REMEMBRANCE HAS A REAR AND FRONT
Estimate $60,000 - 90,000
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370
Cindy Sherman
Untitled Film Still #29
Estimate $50,000 - 70,000
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371
Toba Khedoori
Untitled (explosion)
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372
Anna Park
Catching Feelings
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373
Anna Park
Fortuneteller
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374
Rashid Johnson
Support System
Estimate $60,000 - 80,000
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375
Rashid Johnson
Cosmic Slop
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376
Thomas Houseago
Sitting Woman
Estimate $60,000 - 100,000
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377
Thomas Houseago
Bronze Portrait (Midnight Mask Original)
Estimate $25,000 - 35,000
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378
Jason Boyd Kinsella
Lars
Estimate $30,000 - 50,000
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379
Joel Mesler
Half Full Half Empty Aluminum
Estimate $30,000 - 50,000
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380
Robert Nava
The Tunnel
Estimate $100,000 - 150,000
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381
KAWS
UNTITLED
Estimate $70,000 - 100,000
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382
KAWS
BLACK SPOT, 10-21
Estimate $40,000 - 60,000
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383
Alejandro Cardenas
Sea Krait Gerwalk Mode
Estimate $20,000 - 30,000
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384
Tom Waring
Duell
Estimate $20,000 - 30,000
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385
Blair Whiteford
Harvest From Final Bloom
Estimate $25,000 - 35,000
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386
Haley Josephs
May You Bloom and Grow Forever (From A Slug I Saw in the Black Forest)
Estimate $30,000 - 50,000
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387
Brice Guilbert
Fournez
Estimate $20,000 - 30,000
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388
Friedrich Kunath
It’s Friedrich
Estimate $30,000 - 50,000
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389
Shannon Cartier Lucy
A Soft Rein
Estimate $30,000 - 50,000
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390
Vaughn Spann
Untitled
Estimate $40,000 - 60,000
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391
Sam McKinniss
Prince (Under the Cherry Moon)
Estimate $15,000 - 20,000
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392
Chloe Wise
Which Lake Do I Prefer
Estimate $50,000 - 70,000
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393
Ivy Haldeman
Full Figure, Finger to Eye, Hand on Opposite Thigh, Foot Behind Bottom
Estimate $50,000 - 70,000
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394
Lucy Bull
Untitled
Estimate $30,000 - 40,000
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395
Lauren Quin
Hook for Helianthus
Estimate $50,000 - 70,000
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396
Oscar Murillo
Fish Taco
Estimate $70,000 - 100,000
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397
Korakrit Arunanondchai
Untitled (History Painting)
Estimate $30,000 - 50,000
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398
Eddie Martinez
Inside Thought
Estimate $60,000 - 80,000
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399
Jiang Cheng
U-49
Estimate $30,000 - 40,000
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400
Claire Tabouret
In the Frosty Morning
Estimate $60,000 - 80,000
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401
Karen Kilimnik
Two Dancers on a Stage, Paris
Estimate $20,000 - 30,000
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402
Nicole Eisenman
Drunk Driver
Estimate $18,000 - 25,000
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403
Adrian Ghenie
The Philanthropist
Estimate $40,000 - 60,000
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404
Doron Langberg
Avi
Estimate $20,000 - 30,000
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405
Jonathan Lyndon Chase
Play him a song
Estimate $8,000 - 12,000
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406
Anthony Cudahy
Dress
Estimate $6,000 - 8,000
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407
Karyn Lyons
The Summer Intern
Estimate $12,000 - 18,000
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408
Jonas Wood
Bullets (mini)
Estimate $50,000 - 70,000
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409
Nicolas Party
Still Life
Estimate $25,000 - 35,000
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410
Rirkrit Tiravanija
Untitled (Demonstration No. 12)
Estimate $7,000 - 10,000
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411
Kara Walker
Cover of My Negro Novella
Estimate $70,000 - 100,000
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412
Christina Quarles
Untitled (Dissonant Bodies)
Estimate $30,000 - 40,000
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413
Marlene Dumas
Little Red Riding Hood
Estimate $25,000 - 35,000
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414
Marlene Dumas
Little Red Riding Hood
Estimate $15,000 - 20,000
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415
Marlene Dumas
Little Red Riding Hood
Estimate $10,000 - 15,000
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416
Marlene Dumas
Little Red Riding Hood (double-sided)
Estimate $5,000 - 7,000
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417
Elizabeth Peyton
Untitled (Elizabeth)
Estimate $12,000 - 18,000
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418
George Condo
Figure with Pearls
Estimate $30,000 - 50,000
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419
Raymond Pettibon
No Title (Never letting us...)
Estimate $12,000 - 18,000
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420
Shara Hughes
Little Dances
Estimate $12,000 - 18,000
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421
Gabriel Orozco
Untitled
Estimate $20,000 - 30,000
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422
Julia Chiang
Shimmy In And Slide
Estimate $25,000 - 35,000
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423
Jules de Balincourt
Healing to Die You
Estimate $20,000 - 30,000
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424
Katherine Bernhardt
The Gallery Inn
Estimate $40,000 - 60,000
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425
Guy Yanai
Young Plant Balcony
Estimate $12,000 - 18,000
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426
Danielle Orchard
Cake With Thong
Estimate $25,000 - 35,000
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427
Emma Stern
Heather
Estimate $10,000 - 15,000
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428
Michael Williams
Deserted Medieval Village
Estimate $20,000 - 30,000
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429
Urs Fischer
aceofpigs
Estimate $40,000 - 60,000
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430
Sarah Crowner
Untitled
Estimate $30,000 - 50,000
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431
Andres Valencia
Arnold
Estimate $50,000 - 70,000
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432
Cyprien Gaillard
Untitled
Estimate $20,000 - 30,000
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433
Calvin Marcus
Blue Devil
Estimate $25,000 - 35,000
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434
Michael Ray Charles
(Forever Free) Big Mama's Hot Link Heaven
Estimate $30,000 - 50,000
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435
Jenny Holzer
Selection from The Living Series
Estimate $10,000 - 15,000
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436
Lisa Milroy
Dresses
Estimate $8,000 - 12,000
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437
Haim Steinbach
Untitled (black sneakers)
Estimate $10,000 - 15,000
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438
Cory Arcangel
On Compression / Lakes
Estimate $30,000 - 40,000
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439
Nigel Cooke
I Am Time
Estimate $30,000 - 40,000
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440
Thilo Heinzmann
O.T.
Estimate $15,000 - 20,000
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441
Kelley Walker
Black Star Press
Estimate $40,000 - 60,000
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442
Matthew Day Jackson
LIFE, January 12, 1962 (rust)
Estimate $10,000 - 15,000
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443
Andrew Kuo
Once, A Long Time Ago (11/17/13)
Estimate $5,000 - 7,000
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