Max Hetzler Gallery, Berlin
Acquired from the above by the present owner in 2002
New York, Marian Goodman Gallery, Thomas Struth, 30 April-15 June 2002 (another example exhibited)
Milan, Monica de Cardenas, Thomas Struth, 15 January-28 February 2003 (another example exhibited)
Athens, Museum of Cycladic Art, Thomas Struth, 16 June-14 September 2009 (another example exhibited)
Berlin, Hamburger Bahnhof, Thomas Struth - Pergamon Museum 1-6, 31 March-1 August 2004, n.p. (another example exhibited and illustrated)
Tobia Bezzola, Sandra Haldi, Dorothee Jansen, Anette Kruszynski and Lisa Marei Schmidt, eds., Thomas Struth: Photographs 1978-2010, exh. cat., Kunsthaus Zürich, Zürich; Kunstsammlung Nordrhein-Westfalen, Dusseldorf; Whitechapel Gallery, London; Museu de Arte Contemporânea de Serralves, Porto, 2010, p. 211 (another example illustrated)
Alias Domenica, 'Museo, raccontare storie per fare comunità', il manifesto, 29 April 2018, online (another example illustrated)
Silvia Hernando, 'El Museo como obra de arte', EL PAÍS, 18 May 2012, online (another example illustrated)
Thomas Struth is a German photographer best known for his large-scale, classically composed photos of museum, cityscapes, and family portraits. Struth is a prominent member of the Düsseldorf School of Photography, the group of artists who studied at the Kunstakademie Düsseldorf in the mid-1970s under influential photographers Bernd and Hilla Becher. Struth’s highly centralized, balanced photos incorporate cutting-edge photographic techniques and the tenets of classical composition to develop the documentarian aims of the Bechers.
Struth’s work has been widely celebrated by the international art community. He represented Germany at the 44th Venice Biennale in 1990 and has been the subject of major retrospectives including those at the Dallas Museum of Art, the Metropolitan Museum of Art, New York, and the Haus der Kunst, Munich. He lives and works in Berlin and New York.
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