Shiro Kuramata - Design London Tuesday, September 20, 2016 | Phillips

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  • Provenance

    Lucchino Bar, Tokyo

  • Literature

    Riichi Miyake, Meiko Kuramata, 'Kuramata a Tokio', Domus, no. 779, February 1996, p. 104
    Deyan Sudjic, Shiro Kuramata: Catalogue of Works, London, 2013, p. 350, fig. 490

  • Artist Biography

    Shiro Kuramata

    Japanese • 1934 - 1991

    Shiro Kuramata is widely admired for his ability to free his designs from gravity and use materials in ways that defied convention. After a restless childhood, his ideas of being an illustrator having been discouraged, Kuramata discovered design during his time at the Teikoku Kizai Furniture Factory in Arakawa-ku in 1954. The next year he started formal training at the Department of Interior Design at the Kuwasawa Design Institute. His early work centered on commercial interiors and window displays. In 1965, at the age of 31, he opened his own firm: Kuramata Design Office.

    Throughout his career he found inspiration in many places, including the work of Italian designers (particularly those embodying the Memphis style) and American conceptual artists like Donald Judd, and combined such inspirations with his own ingenuity and creativity. His dynamic use of materials, particularly those that were transparent, combination of surfaces and awareness of the potential of light in design led him to create objects that stretched structural boundaries and were also visually captivating. These qualities are embodied in his famous Glass Chair (1976).

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Lot offered with No Reserve

Bar stool, model no. R301, designed for the Lucchino Bar, Tokyo

Chromium-plated tubular steel, painted tubular aluminium, leather, vinyl.
90.8 x 48.5 x 44.5 cm (35 3/4 x 19 1/8 x 17 1/2 in.)

£3,000 - 5,000 Ω•

Sold for £400

Contact Specialist
Madalena Horta e Costa
Head of Sale
+44 20 7318 4019


London Auction 21 September 2016