Sarah Morris - Edition Schellmann: Fifty Are Better Than One London Thursday, June 6, 2019 | Phillips

Edition Schellmann: Fifty Are Better Than One

London Auction 6 June 2019

  • Literature

    Jörg Schellmann, ed., Forty Are Better Than One, Munich/New York, 2009, p. 247 and p. 408

  • Catalogue Essay

    "Between 1964 and 1966 Willem de Kooning painted a series of female figures on hollow-core wood doors, which were later exhibited at the Whitney Museum of American Art, March 14 through May 26, 1996. The doors which de Kooning used as painting surfaces had previously been installed in his studio, however the artist was dissatisfied with them and had them replaced with sturdier doors. After the hollow-core doors had been stored in his studio for years, de Kooning decided to paint on them. The resulting works were called the Door Cycle.

    Using a door – an object charged with metaphoric values – as a painting surface seemed particularly appropriate as its measurements correspond with the human size; at the same time its appearance and dimensions represent a painter's canvas. Thinking about these formal and poetic qualities of a door, Before The Law by Franz Kafka came to mind, also works by Marcel Duchamp (door of Etant donnes, 1948-50) and Joseph Beuys (Door, 1854/56).

    With its flat, empty surface, light weight and painting-size, the mass-produced door panel seemed to be an appropriate contemporary product to make work in editions with. After two years of consideration, Edition Schellmann invited a group of artists to create works of art on prefabricated hollow-core doors. The 16 works that resulted – painting, object, silkscreen, sculpture, relief, and other techniques, on wood, glass, steel and even paper – were produced in editions of 15."

    - Jörg Schellmann ed., Forty Are Better Than One, Munich/New York, 2009, p. 406

132

Sarah Morris

Endeavor (Los Angeles), from Door Cycle

2006
Screenprint in colours on industrial steel door panel.
211 x 90.8 x 4.5 cm (83 1/8 x 35 3/4 x 1 3/4 in.)
Signed and numbered 'III/III AP' in black ink on the accompanying certificate (one of 3 artist's proofs aside from the edition of 15), published by Edition Schellmann, Munich and New York.

Estimate
£8,000 - 12,000 ♠

Sold for £15,000

Contact Specialist

Anne Schneider-Wilson

Head of Sale, Senior Specialist 
London
+44 207 4042

Edition Schellmann: Fifty Are Better Than One

London Auction 6 June 2019