Robert Mapplethorpe - Photographs London Thursday, November 21, 2024 | Phillips
  • “…My whole point is to transcend the subject...Go beyond the subject somehow, so that the composition, the lighting, all around, reaches a certain point of perfection. That’s what I’m doing.”
    —Robert Mapplethorpe
    In 1985, Robert Mapplethorpe (1946-1989) created a series of still lifes featuring fruits and vegetables, of which Eggplant, offered here, is an exquisite example. His signature use of symbolism of the natural world to explore the erotic potential of his imagery is on full display as the solitary eggplant takes centre stage. Although the composition is simple, the dramatic lighting and the casting of angular shadows add intensity to the resulting photograph. The high contrast between light and shadow further emphasises the element of shape and form found in the composition – the rounded curve of the eggplant is beautifully balanced against the bold lines from the shadows.

    The platinum-palladium print of Eggplant showcases not only Mapplethorpe’s distinctive visual language but also his preoccupation with the physicality of his photographs. A master printmaker, he chose the more tactile platinum process in this case to explore the medium’s rich tonal range and sensuous textures. The J. Paul Getty Museum, Los Angeles; the Princeton University Art Museum, New Jersey; and the Minneapolis Institute of Art hold gelatin silver prints of this image. Appearing at auction for the first time, Eggplant, 1985, encapsulates Mapplethorpe's daring reinvention of the traditional genre of the still life.

    • Provenance

      Texas Gallery, Houston
      Private Collection, Japan, circa 1990

    • Literature

      Random House, Mapplethorpe, pl. 259
      TeNeues, Mapplethorpe, p. 259
      Kardon, Robert Mapplethorpe: The Perfect Moment, p. 107
      Coleman Danto and Mapplethorpe, Mapplethorpe, p. 298

    • Artist Biography

      Robert Mapplethorpe

      American • 1946 - 1989

      After studying drawing, painting and sculpture at the Pratt Institute in the 1960s, Robert Mapplethorpe began experimenting with photography while living in the notorious Chelsea Hotel with Patti Smith. Beginning with Polaroids, he soon moved on to a Hasselblad medium-format camera, which he used to explore aspects of life often only seen behind closed doors.

      By the 1980s Mapplethorpe's focus was predominantly in the studio, shooting portraits, flowers and nudes. His depiction of the human form in formal compositions reflects his love of classical sculpture and his groundbreaking marriage of those aesthetics with often challenging subject matter. Mapplethorpe's style is present regardless of subject matter — from erotic nudes to self-portraits and flowers — as he ceaselessly strove for what he called "perfection of form."

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ULTIMATE

39

Eggplant

1985
Platinum-palladium print.
49 x 49.5 cm (19 1/4 x 19 1/2 in.)
Signed, dated, and numbered 2/3 in pencil in the margin; signed, dated in pencil and copyright credit reproduction limitation stamp on the verso.

Appearing at auction for the first time, this work is number 2 from the edition of 3 + 2 APs. As of this writing, the other prints from the edition are held in various collections, including one at the Solomon R. Guggenheim Museum, New York.

PROPERTY FROM A PRIVATE COLLECTION, JAPAN

Full Cataloguing

Estimate
£30,000 - 50,000 

Sold for £38,100

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Photographs

London Auction 21 November 2024