“In her ‘inquisitive inhabiting of artistic practices of the past’ (Martin Herbert), Rebecca Warren atomizes matter, such that a particle of dust, a woolen pompom and the venerable metal, bronze, do not stand as opposites but rather as elements in the psychodynamically charged echo chamber of form. Her work is alight with memory-triggering flashes of art historical allusion that demand a radical “re-perception,” a prolonged second look…”
—Bice Curiger, No. Parkett 78, 2006
