



Property from the Collection of Charles S. Moffett and Lucinda Herrick
166
Nan Goldin
Skyline from my window, NYC
- Estimate
- $15,000 - 25,000
$27,720
Lot Details
Dye destruction print.
1999
26 x 38 3/8 in. (66 x 97.5 cm)
Signed, titled, dated and numbered 8/15 in ink on a label affixed to the reverse of the flush-mount.
Specialist
Full-Cataloguing
Catalogue Essay
This photograph comes from the collection of Charles S. Moffett. Moffett, a pre-eminent scholar of Impressionism, enjoyed a singular career straddling institutional and commercial spheres of the art world. After prominent positions at the National Gallery of Art in Washington, D. C., the Metropolitan Museum of Art in New York, and the Fine Arts Museums of San Francisco, Charlie, as he was most-often known, became Director of the Phillips Collection in the 1990s. In 1998, he began a successful career at Sotheby’s where he oversaw sales of Impressionist and Modern Art for over 15 years. As a curator, Charlie transformed our understanding of Impressionism and its impact on the artists and public of its day. As an auction-house specialist he was directly responsible for bringing masterpieces to the market, and selling them for record-breaking prices. As a colleague, Charlie was always frank and reliably supportive. He possessed a great affection for photography, and amassed an impressive collection of his own, particularly with his wife Lucinda Herrick, in the later years of his life. It is an honor for Phillips to offer these lots from the collection of this art world luminary.
Provenance
Nan Goldin
American | 1953American artist Nan Goldin uses photography to expose the intimate and vulnerable nature of her personal life. Her photographs are raw, authentic, sexual and, at times, highly violent. Her most famous series, The Ballad of Sexual Dependency, chronicles Goldin's life during the late 1970s and '80s, following the artist through the gritty, abusive and often dangerous situations she put herself through.The material being half-autobiographical and half-universal, Goldin attempts to depict the complexities of city living by way of diaristic practices. Having shot New York during its golden years, she has created an expansive archive of the AIDS crisis, drug abuse in the 1980s, underground culture and urban development.
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