Paul Ranson, Paris (gifted by the artist in 1890)
Paul Ranson Estate Sale, Drouot, Paris, June 7, 1909, lot 72
Galerie Eugène Druet, Paris (acquired at the above sale)
Marczell de Nemès, Paris
Marczell de Nemès Collection, Drouot, Paris, November 21, 1918, lot 39
Private Collection (acquired at the above sale)
Drouot, Paris, December 7, 1953, lot 43
Galerie Saint-Honoré, Paris (acquired at the above sale)
Drouot, Paris, December 10, 1987, lot 60
Alain Lesieutre, Paris (acquired at the above sale)
Private Collection, Paris
Galerie Hopkins-Custot, Paris (acquired from the above in 1999)
Acquired from the above by the present owner in 1999
Budapest, Müvészház, Nemzetközi Impresszionista Kiállítás, 1910, no. 11, p. 51 (titled Allegoria)
Paris, Musée National d’Art Moderne, Bonnard, Vuillard et les Nabis (1888–1903), June 8–October 2, 1955, no. 103, p. 55 (titled C’est la fête du blé)
Paris, Galerie Huguette Berès, Maurice Denis 1870-1943, 1992, no. 7, n.p. (illustrated)
Japan, Gifu, The Museum of Fine Arts; Gunma, The Museum of Modern Art, Tournant de la peinture entre la seconde moitié des années 1880 et les années 1890. Théories artistique et peinture française, February 4–May 16, 1993, no. 126, pp. 83, 172 (illustrated, p. 83)
Lyon, Musée des Beaux-Arts; Cologne, Wallraf- Richartz Museum; Liverpool, Walker Art Gallery; Amsterdam, Van Gogh Museum, Maurice Denis 1870-1943, September 29, 1994–September 17, 1995, no. 11, p. 130 (illustrated)
Madrid, Museo Nacional Thyssen-Bornemisza, Gauguin y los orígenes del simbolismo, September 28, 2004–January 9, 2005, no. 99, pp. 223, 320 (illustrated, p. 223)
Amsterdam, Van Gogh Museum, Around Gauguin: Post-Impressionist works from the Triton Foundation, April 8–June 12, 2005
Edinburgh, The National Galleries of Scotland, Gauguin’s Vision, July 6–October 2, 2005, pl. 103, pp. 84, 126 (illustrated, p. 84)
Paris, Musée d’Orsay; Montreal Museum of Fine Arts; Museo di arte moderna e contemporanea di Trento e Rovereto, Maurice Denis: Earthly Paradise (1870-1943), October 31, 2006–September 23, 2007, no. 6, pp. 119-120 (illustrated, p. 119)
The Hague, Gemeentemuseum, Klaroenstoot voor de moderne kunst: De Nabis in de collectie van de Triton Foundation, April 29–November 30, 2008, pp. 22-23 (illustrated, p. 23; titled Mysticism and occultism)
Taipei Fine Arts Museum, Elsewhere: Gauguin, November 27, 2010–February 20, 2011, pp. 286-287, 361 (illustrated, pp. 287, 361)
Rotterdam, Kunsthal, Avant gardes: 1870 to the present, The Collection of the Triton Foundation, October 7, 2012–January 20, 2013, pp. 158-159, 543 (illustrated, p. 159)
Amsterdam, Van Gogh Museum (on long-term loan, November 2019–November 2022)
Caroline Boyle-Turner, Les Nabis, Lausanne, 1993, pp. 20-21 (illustrated, p. 21)
Édouard Vuillard, exh. cat., The Montreal Museum of Fine Arts and National Gallery of Art, Washington, D.C., 2003, fig. 1, p. 115 (illustrated)
Antoine Salomon and Guy Cogeval, Vuillard: The Inexhaustible Glance, Critical Catalogue of Paintings and Pastels, Milan, 2003, vol.I, pp. 185-186 (illustrated, p. 185)