Private collection, acquired directly from the artist, 1980
Sotheby’s, London, “Made in Britain II,” September 13, 2017, lot 131
Acquired from the above by the present owner
Serene Beauty: Lucie Rie Retrospective 100th Anniversary of her Birth, The Shigaraki Ceramic Cultural Park / The Museum of Contemporary Ceramic Art, Shigaraki, 2002, p. 25 for a similar example
Lucie Rie: A Retrospective, exh. cat., The National Museum of Modern Art, Tokyo, 2010, pp. 240-41 for similar examples
Mienke Simon Thomas, ed., The essential potness; Lucie Rie and Hans Coper in Museum Boijmans van Beuningen, exh. cat., Museum Boijmans van Beuningen, Rotterdam, 2014, p. 133 for a similar example
Austrian • 1902 - 1995
Dame Lucie Rie studied under Michael Powolny at the Kunstgewerbeschule in Vienna before immigrating to London in 1938. In London she started out making buttons for the fashion industry before producing austere, sparsely decorated tableware that caught the attention of modernist interior decorators. Eventually she hit her stride with the pitch-perfect footed bowls and flared vases for which she is best-known today. She worked in porcelain and stoneware, applying glaze directly to the unfired body and firing only once. She limited decoration to incised lines, subtle spirals and golden manganese lips, allowing the beauty of her thin-walled vessels to shine through. In contrast with the rustic pots of English ceramicist Bernard Leach, who is considered an heir to the Arts and Crafts movement, collectors and scholars revere Rie for creating pottery that was in dialogue with the design and architecture of European Modernism.
View More Works
