James Rosenquist - Works from the James Rosenquist Estate New York Thursday, February 15, 2024 | Phillips

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  • “In Einstein’s study of the speed of light, apparently the speeding person looks out the window, and the view is altered because of the tremendous speed. And then the spectator, watching the speeding person—the look of that is also altered.”
    —James Rosenquist 
    Rosenquist’s Speed of Light print series reflects the artist’s lifelong fascination with space travel, an interest that stemmed from his childhood with parents who were both involved in aviation. Titles of the individual lithographs allude to team members of an intergalactic voyage: the navigator and pilot who lead the way, the transported passenger, the working sailor, and the hitchhiker whose travel is at the will of the others, an idea further visually explored in The Stowaway Peers Out at the Speed of Light (lot 246). Each print of Speed of Light offers a speculation upon the optical perceptions of journeying at light speed, the ultimate visual experience of air travel. 

     

    Rosenquist with one of his model airplanes, Minnesota, 1946. Courtesy of the Estate of James Rosenquist. 

    Dynamically charged and visually illusive, the forms of Speed of Light are constantly disintegrating and reassembling in Rosenquist’s interpretation of the physics of light. Waves bounce off reflected areas at wild angles, while others bounce around within them, resulting in explosive jewel-toned compositions that suggest the danger and drama of traversing the unknown cosmos. This visual cacophony creates the effect of looking out upon the galaxy as changed by the speed of light, an accelerated rendition of the overlapping montage of images experienced when looking out of a rocket ship. As Rosenquist described, “things are crammed together, and they’re foreshortened, It’s a pun, really. Like the difference between the artist and the critic, how different people see different things.”i Speed of Light ultimately investigates the multifaceted human experience of vision, pushing it to cosmic fields of perception. 

     

    James Rosenquist working on the Speed of Light print series at Universal Limited Art Editions, Inc., circa 1999. Courtesy of the Estate of James Rosenquist. 

     

     

    i James Rosenquist, Painting Below Zero: Notes on a Life in Art, 2009, p. 326. 

    • Literature

      Ars Publicata, James Rosenquist, 1991.01-1991.06

    • Catalogue Essay

      Including: Navigator—Speed of Light; Hitchhiker—Speed of Light; Passenger—Speed of Light; Pilot—Speed of Light; Rider—Speed of Light; and Sailor—Speed of Light

245

Speed of Light

1999
The complete set of six lithographs in colors, on Somerset paper, with full margins and the full sheets.
smallest S. 27 3/4 x 23 7/8 in. (70.5 x 60.6 cm)
largest S. 44 1/4 x 34 7/8 in. (112.4 x 88.6 cm)

All signed, dated and numbered variously in pencil, five additionally titled in pencil (there were also some artist's proofs), published by Universal Limited Art Editions, West Islip, New York (with their blindstamp), all unframed.

Full Cataloguing

Estimate
$15,000 - 25,000 

Sold for $39,370

Works from the James Rosenquist Estate

New York Auction 15 February 2024