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In a seductive black-on-black, Issy Wood paints a vintage convertible with the tactile allure characteristic of her “intoxicating interplay of desire, luxury and degradation.”i Extracting her source material from online auction archives and catalogues, her grandmother’s heirlooms and her own photographs, the London-based artist transforms images of cars, leather jackets, armor and porcelain with an uncanny sensibility. In Actual car 2, 2019, Wood paints an aerial view of the 1950s Mercedes Benz 300 SL that differs from traditional catalogue photographs, presenting an all-encompassing aerial view of the car that accentuates its curves. Showcasing Wood’s signature technique of painting on velvet, the present work exemplifies the artist’s investigations on the relationships between consciousness and commodity, masculinity and femininity, and glamor and tragedy.
“So you can't climb Everest, you can't have Monroe, and you're not likely ever to ride a rocket to the moon. But you can, if you're properly heeled, achieve an experience that's in the same ultimate class—you can get yourself a Mercedes-Benz 300SL. And if you really respond to machinery, the effect is the same.”
—Griff Borgeson, Sports Cars Illustrated, April 1956In her car works, Wood weaves notions of gender and desire that permeate her work by playing with the slippery distinctions between object and objectification. While the artist’s paintings of leather jackets “represent a kind of woman," she explains that she "[thinks] of the cars as quite a masculine environment.” Wood continues, “the car is an escape for a man, it’s where one can experience a kind of freedom—or at least that’s how advertising sells a car...It’s fun to try that on for size, to see what it would be like to be a man for whom this is a desirable object.”ii By painting a car, Wood inevitably engages with its role as a status symbol and metaphor for a sort of conquering, with mastery over machine being comparable to athletic and romantic feats. Wood further addresses this notion of desire in her writings, where she quotes Roland Barthes’ statement in her observation of the hallowed and erotic aura that surrounds sports cars in modern culture. In Actual car 2, the convertible is presented like a divine object as the interplay of light and shadow sensually highlights its body.
“Cars today are almost the exact equivalent of the great Gothic cathedrals: I mean the supreme creation of an era, conceived with passion by unknown artists, and consumed in image if not in usage by a whole population which appropriates them as a purely magical object.”
—Roland BarthesActual car 2 rhymes with the 300 SL’s historical place as the first supercar and first sportscar to feature luxury refinements on par with its technical capabilities, highlighting the intentional appeal of the exterior. The 300 SL Coupé was uncoincidentally also depicted by Andy Warhol in 1986—a work that went on to win him a commission by the automaker that became his unfinished Cars series. The Cars works play up the glamour and commercial appeal of the machines in contrast to the cars featured in his earlier Saturday Disaster works. Wood’s work occupies an impressive middle ground; not simply highlighting the car’s commercial status or questioning the spectacle of automobile crashes, it lingers in the car’s in the sultry, oblique appeal.
Andy Warhol, Mercedes-Benz 300 SL Coupé (1954), 1986, Mercedes-Benz Art Collection. Artwork: © 2024 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York
In a 2019 interview, the artist revealed that works such as Actual car 2 mark a new development in her car series by making the color of her subject the same as that of the respective velvet support. By painting directly on velvet, Wood at once explores the visual and tactile through her painterly process, revealing the power of materiality to convey mood and meaning. Here, the rich black velvet and matched palette engenders the dark and eerie tenor pervading the composition, evoking the black-hole silence of the background and barren seats. In the Western art historical canon, velvet paintings originated as a sanctified medium reserved for portraying religious icons and, by the 20th century, became kitsch statements of anti-art eventually elevated into the realm of “high art” by artists such as Julian Schnabel. The present work thus situates itself within the charged history of the velvet medium as Max Hollein observed, while also alluding to a timeless fabric that—like modern luxury cars—symbolize power, desire, and wealth. In this way, Actual car 2 captures the striking dialogue between representation and materiality, past and present, with which Wood engages in expressing the “seductive artificiality” and “angst” of glamor.iiii Rosanna Mclaughlin, “Issy Wood,” Mixing it Up: Painting Today, exh. cat., Hayward Gallery, London, 2021, p. 1121
ii Issy Wood, quoted in “Issy Wood in Conversation with Sarah McCrory,” Luncheon, no. 8, 2019, p. 61
iii Philomena Epps and Issy Wood, quoted in “Issy Wood Talks Painting the Tragedy and Ambivalence Lurking in Luxury,” Garage, March 18, 2019, online
Condition Report
Description
View our Conditions of Sale.
Provenance
Carlos/Ishikawa, London
John Wolf Fine Art, Los Angeles (acquired from the above)
Private Collection (acquired from the above)
Phillips, New York, May 18, 2022, lot 20
Acquired at the above sale by the present owner
330
Actual car 2
signed and dated "Issy Wood 2019" on the stretcher
oil on velvet
60 7/8 x 43 3/8 in. (154.6 x 110.2 cm)
Executed in 2019.
Estimate
$150,000 - 200,000
Patrizia Koenig
Specialist, Head of Sale, Afternoon Session
+1 212 940 1279
pkoenig@phillips.com
Modern & Contemporary Art Day Sale, Afternoon Session
New York Auction 15 May 2024
301
Calida Rawles
Pillar
Estimate $20,000 - 30,000
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302
Jesse Mockrin
Weary from the chase
Estimate $40,000 - 60,000
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303
Ambera Wellmann
YTBT
Estimate $40,000 - 60,000
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304
Francesca Mollett
Sancreed
Estimate $40,000 - 60,000
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305
Alfie Caine
Hastings Old Town
Estimate $20,000 - 30,000
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306
Salvo
Al mattino
Estimate $100,000 - 150,000
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307
Kehinde Wiley
After Memling's Portrait of Jacob Obrecht
Estimate $80,000 - 120,000
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308
Henry Taylor
Untitled
Estimate $70,000 - 100,000
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309
Jeffrey Gibson (Choctaw/Cherokee)
MAKE ME FEEL IT
Estimate $40,000 - 60,000
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310
Raven Halfmoon
OKLA HOMMA OHOYO
Estimate $10,000 - 15,000
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311
Tammy Nguyen
Northeast Storm and the Young King
Estimate $15,000 - 20,000
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312
Basil Kincaid
Formulation of Worlds, Selves and Bodies
Estimate $25,000 - 35,000
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313
Jamea Richmond-Edwards
Blue feather and orb
Estimate $20,000 - 30,000
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314
Wynnie Mynerva
Story of Revenge 2
Estimate $20,000 - 30,000
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315
Alex Gardner
Be the Best Number Two
Estimate $40,000 - 60,000
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316
Jenna Gribbon
My place beside her in bed
Estimate $50,000 - 70,000
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317
Jenna Gribbon
Homework in the cafeteria wrestlers
Estimate $60,000 - 80,000
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318
Hernan Bas
Things Fly About
Estimate $60,000 - 90,000
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319
Louise Giovanelli
Billyo V
Estimate $20,000 - 30,000
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320
Julie Curtiss
D'après l'Origine du monde
Estimate $120,000 - 180,000
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321
Titus Kaphar
Pushing Back the Light
Estimate $120,000 - 180,000
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322
Caroline Walker
Washing Line, Early Morning, May
Estimate $150,000 - 200,000
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323
Henni Alftan
Still Water
Estimate $60,000 - 80,000
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324
Julien Nguyen
Point Break
Estimate $40,000 - 60,000
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325
Jill Mulleady
A thousand natural shocks
Estimate $70,000 - 100,000
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326
Marina Perez Simão
Untitled
Estimate $100,000 - 150,000
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327
Sonia Gomes
Raízes series #1
Estimate $140,000 - 180,000
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328
Shara Hughes
Magic Hour
Estimate $180,000 - 250,000
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329
Marina Perez Simão
Untitled
Estimate $18,000 - 22,000
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330
Issy Wood
Actual car 2
Estimate $150,000 - 200,000
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331
Issy Wood
Study for the Bada Bing
Estimate $120,000 - 150,000
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332
Hun Kyu Kim
Castle Breakers
Estimate $40,000 - 60,000
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333
Tomokazu Matsuyama
Uh oh, Together Again
Estimate $120,000 - 180,000
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334
Ilana Savdie
Under questionable jurisdiction
Estimate $20,000 - 30,000
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335
Marco Pariani
Devil Side
Estimate $35,000 - 45,000
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336
Lauren Halsey
banana split / the real deal
Estimate $25,000 - 35,000
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337
Ebecho Muslimova
Fatebe Heirloom
Estimate $60,000 - 80,000
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338
Vaughn Spann
Gambit
Estimate $80,000 - 120,000
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339
Gary Simmons
Study for Hollywood
Estimate $60,000 - 80,000
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340
Mark Bradford
Starin' Through My Rear View
Estimate $350,000 - 450,000
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341
Barbara Kruger
Untitled (Money Talks)
Estimate $250,000 - 350,000
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342
Wade Guyton
Untitled
Estimate $250,000 - 350,000
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343
Anish Kapoor
Random Triangle Mirror
Estimate $400,000 - 600,000
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344
Tony Cragg
Red Figure
Estimate $200,000 - 300,000
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345
George Condo
Untitled
Estimate $50,000 - 70,000
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346
Eric Fischl
Motel
Estimate $300,000 - 500,000
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347
Lisa Yuskavage
Three Girls
Estimate $60,000 - 80,000
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348
Cecily Brown
Untitled (#64)
Estimate $30,000 - 40,000
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349
Pat Steir
Small Waterfall
Estimate $200,000 - 300,000
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350
Loie Hollowell
Bag of waters, month six
Estimate $50,000 - 70,000
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351
George Condo
Circus Figure
Estimate $100,000 - 150,000
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352
Amoako Boafo
Untitled
Estimate $80,000 - 120,000
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353
Xinyi Cheng
Untitled
Estimate $12,000 - 18,000
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354
Henry Taylor
Daniella Stienfeld
Estimate $80,000 - 120,000
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355
Genesis Tramaine
Brother Abinadab
Estimate $80,000 - 120,000
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356
Henry Taylor
Portrait of Cassi Amanda Gibson (no relation to Bob,)
Estimate $80,000 - 120,000
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357
Jammie Holmes
My Grandmother was an Usher
Estimate $50,000 - 70,000
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358
Derek Fordjour
Untitled (No. 92)
Estimate $30,000 - 50,000
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359
Joy Labinjo
At the Circus
Estimate $40,000 - 60,000
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360
Jeff Sonhouse
Gifted the Enabler's Dexterity
Estimate $70,000 - 100,000
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361
Dominic Chambers
After Albers (LA Sunset)
Estimate $20,000 - 30,000
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362
Stanley Whitney
Untitled
Estimate $25,000 - 35,000
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363
Peter Halley
In the Game
Estimate $100,000 - 150,000
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364
Paul McCarthy
White Snow Dwarf (Bashful)
Estimate $180,000 - 220,000
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365
Dan Colen
Mother (Well)
Estimate $10,000 - 15,000
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366
Rashid Johnson
Ruffus
Estimate $120,000 - 150,000
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367
Austyn Weiner
The Bathers
Estimate $80,000 - 120,000
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368
Jenny Holzer
Living Series: There's the Sensation of a lot of Flesh...
Estimate $60,000 - 80,000
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369
Roni Horn
Key and Cue, no. 1182 REMEMBRANCE HAS A REAR AND FRONT
Estimate $60,000 - 90,000
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370
Cindy Sherman
Untitled Film Still #29
Estimate $50,000 - 70,000
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371
Toba Khedoori
Untitled (explosion)
Estimate $50,000 - 70,000
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372
Anna Park
Catching Feelings
Estimate $40,000 - 60,000
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373
Anna Park
Fortuneteller
Estimate $40,000 - 60,000
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374
Rashid Johnson
Support System
Estimate $60,000 - 80,000
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375
Rashid Johnson
Cosmic Slop
Estimate $40,000 - 60,000
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376
Thomas Houseago
Sitting Woman
Estimate $60,000 - 100,000
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377
Thomas Houseago
Bronze Portrait (Midnight Mask Original)
Estimate $25,000 - 35,000
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378
Jason Boyd Kinsella
Lars
Estimate $30,000 - 50,000
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379
Joel Mesler
Half Full Half Empty Aluminum
Estimate $30,000 - 50,000
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380
Robert Nava
The Tunnel
Estimate $100,000 - 150,000
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381
KAWS
UNTITLED
Estimate $70,000 - 100,000
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382
KAWS
BLACK SPOT, 10-21
Estimate $40,000 - 60,000
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383
Alejandro Cardenas
Sea Krait Gerwalk Mode
Estimate $20,000 - 30,000
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384
Tom Waring
Duell
Estimate $20,000 - 30,000
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385
Blair Whiteford
Harvest From Final Bloom
Estimate $25,000 - 35,000
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386
Haley Josephs
May You Bloom and Grow Forever (From A Slug I Saw in the Black Forest)
Estimate $30,000 - 50,000
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387
Brice Guilbert
Fournez
Estimate $20,000 - 30,000
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388
Friedrich Kunath
It’s Friedrich
Estimate $30,000 - 50,000
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389
Shannon Cartier Lucy
A Soft Rein
Estimate $30,000 - 50,000
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390
Vaughn Spann
Untitled
Estimate $40,000 - 60,000
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391
Sam McKinniss
Prince (Under the Cherry Moon)
Estimate $15,000 - 20,000
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392
Chloe Wise
Which Lake Do I Prefer
Estimate $50,000 - 70,000
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393
Ivy Haldeman
Full Figure, Finger to Eye, Hand on Opposite Thigh, Foot Behind Bottom
Estimate $50,000 - 70,000
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394
Lucy Bull
Untitled
Estimate $30,000 - 40,000
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395
Lauren Quin
Hook for Helianthus
Estimate $50,000 - 70,000
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396
Oscar Murillo
Fish Taco
Estimate $70,000 - 100,000
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397
Korakrit Arunanondchai
Untitled (History Painting)
Estimate $30,000 - 50,000
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398
Eddie Martinez
Inside Thought
Estimate $60,000 - 80,000
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399
Jiang Cheng
U-49
Estimate $30,000 - 40,000
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400
Claire Tabouret
In the Frosty Morning
Estimate $60,000 - 80,000
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401
Karen Kilimnik
Two Dancers on a Stage, Paris
Estimate $20,000 - 30,000
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402
Nicole Eisenman
Drunk Driver
Estimate $18,000 - 25,000
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403
Adrian Ghenie
The Philanthropist
Estimate $40,000 - 60,000
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404
Doron Langberg
Avi
Estimate $20,000 - 30,000
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405
Jonathan Lyndon Chase
Play him a song
Estimate $8,000 - 12,000
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406
Anthony Cudahy
Dress
Estimate $6,000 - 8,000
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407
Karyn Lyons
The Summer Intern
Estimate $12,000 - 18,000
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408
Jonas Wood
Bullets (mini)
Estimate $50,000 - 70,000
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409
Nicolas Party
Still Life
Estimate $25,000 - 35,000
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410
Rirkrit Tiravanija
Untitled (Demonstration No. 12)
Estimate $7,000 - 10,000
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411
Kara Walker
Cover of My Negro Novella
Estimate $70,000 - 100,000
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412
Christina Quarles
Untitled (Dissonant Bodies)
Estimate $30,000 - 40,000
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413
Marlene Dumas
Little Red Riding Hood
Estimate $25,000 - 35,000
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414
Marlene Dumas
Little Red Riding Hood
Estimate $15,000 - 20,000
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415
Marlene Dumas
Little Red Riding Hood
Estimate $10,000 - 15,000
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416
Marlene Dumas
Little Red Riding Hood (double-sided)
Estimate $5,000 - 7,000
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417
Elizabeth Peyton
Untitled (Elizabeth)
Estimate $12,000 - 18,000
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418
George Condo
Figure with Pearls
Estimate $30,000 - 50,000
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419
Raymond Pettibon
No Title (Never letting us...)
Estimate $12,000 - 18,000
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420
Shara Hughes
Little Dances
Estimate $12,000 - 18,000
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421
Gabriel Orozco
Untitled
Estimate $20,000 - 30,000
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422
Julia Chiang
Shimmy In And Slide
Estimate $25,000 - 35,000
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423
Jules de Balincourt
Healing to Die You
Estimate $20,000 - 30,000
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424
Katherine Bernhardt
The Gallery Inn
Estimate $40,000 - 60,000
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425
Guy Yanai
Young Plant Balcony
Estimate $12,000 - 18,000
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426
Danielle Orchard
Cake With Thong
Estimate $25,000 - 35,000
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427
Emma Stern
Heather
Estimate $10,000 - 15,000
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428
Michael Williams
Deserted Medieval Village
Estimate $20,000 - 30,000
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429
Urs Fischer
aceofpigs
Estimate $40,000 - 60,000
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430
Sarah Crowner
Untitled
Estimate $30,000 - 50,000
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431
Andres Valencia
Arnold
Estimate $50,000 - 70,000
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432
Cyprien Gaillard
Untitled
Estimate $20,000 - 30,000
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433
Calvin Marcus
Blue Devil
Estimate $25,000 - 35,000
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434
Michael Ray Charles
(Forever Free) Big Mama's Hot Link Heaven
Estimate $30,000 - 50,000
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435
Jenny Holzer
Selection from The Living Series
Estimate $10,000 - 15,000
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436
Lisa Milroy
Dresses
Estimate $8,000 - 12,000
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437
Haim Steinbach
Untitled (black sneakers)
Estimate $10,000 - 15,000
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438
Cory Arcangel
On Compression / Lakes
Estimate $30,000 - 40,000
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439
Nigel Cooke
I Am Time
Estimate $30,000 - 40,000
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440
Thilo Heinzmann
O.T.
Estimate $15,000 - 20,000
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441
Kelley Walker
Black Star Press
Estimate $40,000 - 60,000
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442
Matthew Day Jackson
LIFE, January 12, 1962 (rust)
Estimate $10,000 - 15,000
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443
Andrew Kuo
Once, A Long Time Ago (11/17/13)
Estimate $5,000 - 7,000
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