Hans Coper - Lucie Rie and Hans Coper, Exceptional Ceramics: Selections from the Estate of Jane Coper and the former Collection of Cyril Frankel London Wednesday, November 1, 2023 | Phillips

Create your first list.

Select an existing list or create a new list to share and manage lots you follow.

  • The present Large early vase seen on a shelf in Lucie Rie’s studio, Albion Mews, circa 1960 © Estate of the Artist / Estate of Lucie Rie. From the Crafts Study Centre, University for the Creative Arts, RIE/20/1/4/1.

     

    • Provenance

      Lucie Rie
      Jane Coper, circa 1995

    • Exhibited

      ‘Hans Coper Retrospective: Innovation in 20th-Century Ceramics’, The Museum of Ceramic Art, Hyogo, 12 September–29 November 2009; The Museum of Contemporary Ceramic Art, The Shigaraki Ceramic Cultural Park, 13 March–17 June; Panasonic Electric Works, Shiodome Museum, Tokyo, 26 June–5 September; Museum of Modern Ceramic Art, Gifu, 18 September–23 November 2010; Iwate Museum of Art, Iwate, 4 December 2010–13 February 2011; Shizuoka City Museum of Art, Shizuoka, 9 April–26 June 2011, item 5

    • Literature

      Hans Coper Retrospective: Innovation in 20th Century Ceramics, exh. cat., The Museum of Ceramic Art, Hyogo, 2009, illustrated pp. 50, 174
      Emmanuel Cooper, Lucie Rie: Modernist Potter, New Haven and London, 2012, illustrated plate 49

    • Artist Biography

      Hans Coper

      German • 1920 - 1981

      Hans Coper learned his craft in the London studio of Lucie Rie, having emigrated from Germany as a young Jewish engineering student in 1939. He initially assisted Rie in the studio with the ceramic buttons she made for the fashion industry, as well as ceramic tableware, but soon Coper was producing his own work. By 1951 he had received considerable recognition exhibiting his pots in the "Festival of Britain." 

       

      Coper favored compound shapes that, while simple in appearance, were in fact complex in construction. Similar to the making of Joseon Dynasty Moon Jars (Rie in fact displayed a Moon Jar in the studio), he would build his vessels by bringing several thrown forms together, for example joining bowls rim to rim. Coper eschewed glazes and preferred the textured surfaces achieved through the application of white and black slips, evoking the abraded texture of excavated vessels. This interest in ancient objects was very much in step with other modernists of his time—Coper admired Constantin Brancusi and Alberto Giacometti and his textured markings have been compared to sculptors such as William Turnbull.

       

      In the last phase of his career, Coper reduced the scale of his work creating small "Cycladic" pots that stood on pedestals or drums, recalling the clay figures of Bronze Age Greece. 

      View More Works

Property from the Estate of Jane Coper

319

Large early vase

circa 1956
Stoneware, layered porcelain slips and engobes over a textured and incised body, the lip and interior with a manganese glaze.
36 cm (14 1/8 in.) high, 21 cm (8 1/4 in.) diameter
Impressed with artist’s seal.

Full Cataloguing

Estimate
£40,000 - 60,000 

Sold for £95,250

Contact Specialist

Antonia King
Head of Sale, Design
+44 20 7901 7944
Antonia.King@phillips.com
 

Lucie Rie and Hans Coper, Exceptional Ceramics: Selections from the Estate of Jane Coper and the former Collection of Cyril Frankel

London Auction 1 November 2023