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Born at the beginning of the Great Depression, Günther Uecker is an artist who has endured hardship- living through war and dictatorship. The artist grew up on the Wustrow peninsula before leaving East Germany in 1953 to pursue his studies in art at the Kunstakademie Düsseldorf. The inner turmoil of being split between east and west Germany ‘definitely help me to understand my artistic work in a cross-border context, as I have always been in a state of inner conflict. I am, still, conflictedly, a product of my origins, and this shows in my work: not to create harmonies, but to drive this failure in my art to the point where it reveals itself as a reality, the integrity of a life lived, and where the complexity of cultural contradictions I have experienced within myself is expressed visually and creatively.’i
In 1961, Uecker joined his contemporaries Otto Piene and Heinz Mack in their recently formed ‘Zero’ artists group. The trio were united by their shared experience of witnessing the disastrous destruction of Germany during the Second World War. They developed a new visual language, no longer believing that painting was the best agent to depict the modern age, they expressed themselves on the foundations of science and poetic existential philosophy. Many of the works that were produced used light, colour and movement to highlight the potential of science whilst also drawing on Cold War concerns.
Heinz Mack, White Light Dynamo, 1964, Private Collection. Image: Albright Knox Art Gallery/Art Resource, NY/ Scala, Florence, Artwork: © DACS 2022 Uecker began creating his signature nail pictures from in 1956-57. Nails are used by Uecker as a deeply personal form of expression. The nail is driven into the heart of the object, from pianos, chairs, tables, television sets and sewing machines, Uecker visually attacks the status symbols of a consumerist society. Throughout his practace, Uecker returns to the nail as a medium, persistently exploring its potential for loaded meaning, experimenting with a multitute of form, colour and size. Playing with circles, spheres and fields of nails alongside a sparse background, Uecker introduced the craftsman tool into the realm of high art. A symbol of religion and persecution, a hard and sharp object is made in Uecker’s hands to simultaneously appear smooth and non-threatening. The familiar metallic object is reimagined through Uecker’s repurposing, shocking us into a new way of seeing.
'I use nails as structural elements; I don’t want them to be seen as nails. In using these means, I’m concerned with creating an oscillation in their ordered relationship to one another, one that disturbs their geometric order, is capable of unsettling it… I consider mutability to be important; it is able to convey the beauty of movement.'
—Günther UeckerIn I Heard the Grass, That Was Rubbing Itself in the Wind, Like Violins, Like Grasshoppers That Chirp, 2009, the work pulsates with a sort of rhythm; protruding at different depths and angles, they create a musical beat, an emotional pattern. The hardness of the metal become soft and tangible, seeming to move on the surface. The title itself is poetic and lyrical, conjuring powerful imagery of these hard objects being transformed into blades of glass that rustle in the wind.
The use of white paint that covers some of the nail heads and the panel into which they are nailed, enhances the interplay of light and shadow. As the light shifts over the work, new levels of volume and depth are revealed. Contrasting the dark colour of the nail, Uecker bridles the meanings of white and abilities of light. For Uecker, light and white create a way of being in a separate world which exists alongside our material one: ‘A white world, I believe, is a humane world, in which people experience a colourful existence, in which they can be truly alive… The state of whiteness may be understood as prayer, and its articulation can be a spiritual experience.’ii The alternating beat of the nail formation, moving between light and dark, shadow and white, creates a mediative platform, and gives the viewer the ability to be transported to Uecker’s other world.From 1990, the artist’s work became increasingly political. The physical act of nailing is central to understanding the many iterations of the nail in Uecker’s work. Questions are pinned and nailed into our consciousness – it represents not only aggression but reconciliation. As the artist stated: ‘Art cannot save the human race, yet thought the tools of Art one can create a Dialogue that encourages Man to act in defence of Mankind.’iii
Collector's Digest
• Born in Wendorf, Mecklenburg in 1930, Günther Uecker lives and works in Düsseldorf.
• Throughout the 1950s, Uecker sought out philosophies such as such as Buddhism, Taoism, and Islam. His fascination with purification rituals, such as the Gregorian chant, led him to engage in his own rituals of repetition, such as the hammering of nails for extended periods of time.
• He started integrating nails, corks and cardboard tubes into the surface of his canvases to create relief works which were closer to sculpture rather than painting.
• In 1961 Uecker joined Gruppo Zero (Zero Group), founded by Heinz Mack and Otto Piene. After the Gruppo Zero dissolved in 1966, Uecker shifted to creating works influenced by body, Conceptual, and Land art.
• Uecker has participated in many exhibitions, including Documenta 4, Kassel, Germany (1968), the Venice Biennale (1970), and numerous solos shows at the Kunsthalle Düsseldorf (1983), a retrospective at the Kunsthalle der Hypo-Kulturstiftung, Munich (1990), and at the Ulmer Museum, Ulm, Germany (2010) to name a few.
i Günther Uecker, quoted in Mechtild Bening, Iwona Bigos, Dirk Blubaum, Tiziana Caianiello, Britta Dombrowe, Michael Goden, Gerhard Garaulich, Moritz Jager, Ute Lemm and Gunther Uecker, Gunther Uecker: Portrat Mensch, Vienna, 2016, p.27
ii Günther Uecker, quoted in Mechtild Bening, Iwona Bigos, Dirk Blubaum, Tiziana Caianiello, Britta Dombrowe, Michael Goden, Gerhard Garaulich, Moritz Jager, Ute Lemm and Gunther Uecker, Gunther Uecker: Portrat Mensch, Vienna, 2016, p.27
iii Günther Uecker, Violations – Connections, New York, 2012, n.p.Provenance
Haunch of Venison, New York (acquired directly from the artist)
Acquired from the above by the present ownerLiterature
Ahmed Alsoudani, 'Günther Uecker by Ahmed Alsoudani', BOMB Magazine, 1 January 2013, online (illustrated)
140
Ich hörte das Gras, das sich im Wind rieb, wie Violinen, wie Heuschrecken, die zirpen (I Heard the Grass, That Was Rubbing Itself in the Wind, Like Violins, Like Grasshoppers That Chirp)
signed, titled and dated 'Ich hörte das Gras, das sich im Wind rieb, wie Violinen, wie Heuschrecken, die zirpen Uecker 09' on the reverse of the left panel; signed and dated 'Uecker 09' on the reverse of the right panel
white paint on nails on canvas on panel, diptych
left panel 90.1 x 60 cm (35 1/2 x 23 5/8 in.)
right panel 90.2 x 60.4 cm (35 1/2 x 23 3/4 in.)
Executed in 2009. This work is registered in the Uecker Archiv under the number GU.09.027 and will be noted for inclusion in the forthcoming Uecker Catalogue Raisonné.
Estimate
£200,000 - 300,000 ‡♠
Sold for £403,200
Specialist, Associate Director, Head of Day Sale, 20th Century & Contemporary Art
+44 20 7318 4084
20th Century & Contemporary Art Day Sale
London Auction 4 March 2022
101
Antonia Showering
It Wasn't To Be
Estimate £10,000 - 15,000 ‡♠
Sold for £226,800
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102
Jordy Kerwick
Cool Cats
Estimate £6,000 - 8,000
Sold for £85,680
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103
Rebecca Ness
Glasses
Estimate £8,000 - 12,000 ‡
Sold for £25,200
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104
Annan Affotey
Daizy
Estimate £8,000 - 12,000
Sold for £50,400
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105
Cristina BanBan
El Sueño Va Sobre El Tiempo
Estimate £15,000 - 20,000 ‡♠
Sold for £138,600
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106
Godwin Champs Namuyimba
Great in You
Estimate £15,000 - 20,000 ‡
Sold for £56,700
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107
Sungi Mlengeya
Chaotic Disposition
Estimate £20,000 - 30,000
Sold for £69,300
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108
Salman Toor
Itinerant Vagrant
Estimate £60,000 - 80,000 ‡
Sold for £81,900
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109
Oluwole Omofemi
Sisters II
Estimate £15,000 - 20,000 ‡
Sold for £44,100
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110
Jerrell Gibbs
100, Longz
Estimate £6,000 - 8,000
Sold for £30,240
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111
Wangari Mathenge
Supplication in Alabaster
Estimate £8,000 - 12,000 ‡
Sold for £25,200
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112
Lisa Brice
Untitled xiii, (Cut your coat, study 2)
Estimate £20,000 - 30,000 ‡♠
Sold for £88,200
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113
Tschabalala Self
Bush
Estimate £50,000 - 70,000 ‡
Sold for £107,100
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114
Avery Singer
Prada Mask
Estimate £150,000 - 200,000 ‡
Sold for £252,000
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115
Harold Ancart
Untitled
Estimate £70,000 - 90,000 ♠†
Sold for £163,800
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116
This lot is no longer available.
117
Emmanuel Taku
Sisters in Lilac
Estimate £20,000 - 30,000 ‡
Sold for £214,200
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118
Amani Lewis
For Angela and her kin...in the garden (NITT edition)
Estimate £30,000 - 50,000 ‡
Sold for £94,500
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119
André Butzer
Schutztod (Teil 1)
Estimate £70,000 - 90,000 ‡♠
Sold for £264,600
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120
Allison Zuckerman
Green Gardens
Estimate £30,000 - 50,000 ‡
Sold for £163,800
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121
Milo Matthieu
Psi
Estimate £20,000 - 30,000 ‡
Sold for £69,300
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122
Edgar Plans
My Little Monster Loves Balloons
Estimate £70,000 - 90,000 ‡♠
Sold for £352,800
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123
Susumu Kamijo
In the Valley
Estimate £60,000 - 80,000 ‡
Sold for £88,200
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124
Yoshitomo Nara
Untitled
Estimate £100,000 - 150,000
Sold for £226,800
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125
Yayoi Kusama
Pumpkin
Estimate £200,000 - 300,000 ‡
Sold for £516,600
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126
Chiharu Shiota
Zustand des Seins (Fotoapparat) / State of Being (Camera)
Estimate £30,000 - 50,000 ‡
Sold for £100,800
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127
Takashi Murakami x Virgil Abloh (Off White)
Times
Estimate £120,000 - 180,000
Sold for £226,800
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128
Yan Lei
Untitled (Color Wheel)
Estimate £20,000 - 30,000
Sold for £47,880
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129
Lucas Arruda
Untitled
Estimate £60,000 - 80,000 ‡
Sold for £113,400
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130
Antony Gormley
MEME CVI
Estimate £60,000 - 80,000 ♠†
Sold for £163,800
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131
Glenn Brown
The Flowers of Arles
Estimate £120,000 - 180,000 ‡♠
Sold for £151,200
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132
Cecily Brown
Untitled
Estimate £30,000 - 40,000 ‡♠
Sold for £81,900
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133
Zak Ové
DP18
Estimate £5,000 - 7,000 ‡♠
Sold for £5,670
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134
Hurvin Anderson
Landing
Estimate £100,000 - 150,000 ‡♠
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135
Caroline Walker
A Scattering
Estimate £40,000 - 60,000 ‡
Sold for £327,600
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136
Georg Baselitz
Der Kardinal hinter dem Vorhang
Estimate £350,000 - 550,000 ‡♠
Sold for £478,800
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137
Gerhard Richter
Abstraktes Bild
Estimate £200,000 - 300,000 ‡♠
Sold for £352,800
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138
This lot is no longer available.
139
This lot is no longer available.
140
Günther Uecker
Ich hörte das Gras, das sich im Wind rieb, wie Violinen, wie Heuschrecken, die zirpen (I Heard the Grass, That Was Rubbing Itself in the Wind, Like Violins, Like Grasshoppers That Chirp)
Estimate £200,000 - 300,000 ‡♠
Sold for £403,200
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141
Michael Krebber
Untitled
Estimate £50,000 - 70,000 ‡♠
Sold for £60,480
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142
George Condo
The Renegade
Estimate £60,000 - 80,000 ‡
Sold for £113,400
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143
George Condo
The Grocery Man
Estimate £70,000 - 80,000 ‡
Sold for £163,800
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144
George Condo
Untitled
Estimate £300,000 - 500,000
Sold for £378,000
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145
Oli Epp
Death by Chocolate
Estimate £30,000 - 50,000 ‡♠
Sold for £100,800
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146
Walter Price
Felt soot 5
Estimate £15,000 - 20,000 ‡
Sold for £17,640
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147
Rashid Johnson
Untitled Anxious Drawing
Estimate £35,000 - 45,000
Sold for £81,900
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148
Sol LeWitt
Horizontal Bands (More Or Less)
Estimate £120,000 - 180,000 ‡
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149
Richard Serra
Composite 1-4
Estimate £200,000 - 300,000 ‡
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150
Richard Prince
Untitled
Estimate £300,000 - 500,000 ‡
Sold for £384,300
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151
Richard Prince
Untitled (Publicity)
Estimate £35,000 - 45,000
Sold for £52,920
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152
Jim Hodges
Diary of Flowers (CLOSE)
Estimate £20,000 - 30,000 ‡
Sold for £22,680
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153
Felix Gonzalez-Torres
Untitled
Estimate £20,000 - 30,000 ‡
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154
Steven Parrino
Slip it in
Estimate £300,000 - 500,000 ‡
Sold for £252,000
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155
Jean-Michel Basquiat
Windmill
Estimate £220,000 - 280,000 ‡
Sold for £327,600
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156
Keith Haring
Untitled
Estimate £100,000 - 150,000 ‡
Sold for £126,000
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157
Andy Warhol
Untitled (Pepsi Cans)
Estimate £40,000 - 60,000 ‡
Sold for £69,300
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158
Andy Warhol
Still Life (Hammer and Sickle)
Estimate £20,000 - 30,000 ‡
Sold for £37,800
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159
Andy Warhol
Untitled (Avanti)
Estimate £25,000 - 35,000 ‡
Sold for £56,700
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160
Brice Marden
Green Book II
Estimate £40,000 - 60,000
Sold for £44,100
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161
Elaine de Kooning
Early Still Life
Estimate £10,000 - 15,000 ‡
Sold for £39,060
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162
Rudolf Stingel
Untitled
Estimate £250,000 - 350,000 ‡♠
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163
Daniel Buren
Peinture acrylique blanche sur tissu rayé blanc et marron
Estimate On Request
Sold for £107,100
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164
Germaine Richier
La Lutte
Estimate £15,000 - 20,000 ‡♠
Sold for £30,240
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165
This lot is no longer available.
166
Georges Mathieu
Arménie
Estimate £100,000 - 150,000 ‡♠
Sold for £126,000
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167
Max Ernst
Paysage
Estimate £50,000 - 70,000 ‡♠
Sold for £63,000
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168
Max Ernst
Enseigne pour une école de pirates
Estimate £60,000 - 80,000 ‡♠
Sold for £107,100
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169
Gerhard Richter
Rot-Gelb-Blau
Estimate £60,000 - 80,000 ‡♠
Sold for £144,900
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170
Sigmar Polke
Untitled
Estimate £50,000 - 70,000 ‡♠
Sold for £69,300
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171
A.R. Penck
Komposition
Estimate £40,000 - 60,000 ♠
Sold for £107,100
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172
Günther Förg
Ohne Titel
Estimate £30,000 - 40,000 ‡♠
Sold for £44,100
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173
Anselm Reyle
Untitled
Estimate £25,000 - 35,000 ‡♠
Sold for £40,320
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174
Gerhard Richter
Strip
Estimate £40,000 - 60,000 ♠
Sold for £69,300
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175
Günther Förg
Alessandria
Estimate £40,000 - 60,000 ‡♠
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176
Thomas Struth
Nanjing Xi Lu, Shanghai
Estimate £25,000 - 35,000 ♠
Sold for £31,500
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177
Thomas Struth
Paradise 18 (Emai Shan), Yunnan Province
Estimate £30,000 - 50,000 ‡♠
Sold for £30,240
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178
Thomas Ruff
ri 03
Estimate £30,000 - 50,000 ‡♠
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179
Anselm Kiefer
der Morgenthau-Plan (The Morgenthau Plan)
Estimate £25,000 - 35,000 ♠
Sold for £75,600
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180
Gerhard Richter
Haggadah (P2)
Estimate £10,000 - 15,000 ♠
Sold for £32,760
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181
Max Uhlig
Landschaftliche Formation
Estimate £1,000 - 2,000 ‡♠
Sold for £4,032
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182
Edmund de Waal
Einmal
Estimate £8,000 - 12,000 ♠
Sold for £34,020
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183
Cornelia Parker
Fox Talbot's Articles of Glass (all that are left)
Estimate £1,500 - 2,500 ♠
Sold for £4,410
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184
Michael Joo
DRWN (Carunculatus) AI 2
Estimate £15,000 - 25,000
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185
Michael Morgner
Aufsteigender
Estimate £1,000 - 2,000 ♠
Sold for £2,394
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186
Arcangelo Sassolino
Senza Titolo
Estimate £3,000 - 5,000 ‡♠
Sold for £6,300
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187
John Stezaker
Portrait IV
Estimate £5,000 - 7,000 ♠
Sold for £6,300
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188
Mischa Kuball
Research_desks No 1
Estimate £2,000 - 3,000 ‡♠
Sold for £2,394
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189
Avigdor Arikha
View of Jerusalem
Estimate £5,000 - 7,000 ♠
Sold for £5,670
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190
John Gerrard
Solar Reserve (12.00 / 9.01)
Estimate £2,000 - 3,000 ♠
Sold for £2,772
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191
Carsten Nicolai
Sonderedition „parallel lines cross at infinity“
Estimate £800 - 1,200 ‡♠
Sold for £630
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192
Giulio Paolini
Bound Volume Edition of Six Illustrations for the Writings on Ancient Art by Johann J. Winckelmann
Estimate £1,000 - 2,000 ♠
Sold for £10,080
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193
Not Vital
Snow
Estimate £6,000 - 8,000
Sold for £13,860
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194
Goshka Macuga
Untitled 5 (Aby Warburg Photograph, April 1896, Pueblo woman escaping into her house at the sight of Warburg’s camera)
Estimate £4,000 - 6,000 ♠
Sold for £11,340
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195
Enoc Perez
LAX
Estimate £30,000 - 50,000 ‡
Sold for £75,600
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196
Sassan Behnam-Bakhtiar
Sparks of Life
Estimate £15,000 - 20,000 ‡♠
Sold for £50,400
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197
Farhad Moshiri
Liberry Pie
Estimate £60,000 - 80,000 ‡
Sold for £75,600
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198
Farhad Moshiri
TINY JAR (GOLD ON GREEN)
Estimate £12,000 - 18,000
Sold for £17,640
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199
Makoto Saitō
I am [Portrait of Michelangelo Antonioni] 08
Estimate £80,000 - 120,000 ‡
Sold for £81,900
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200
Giovanni Anselmo
Direzione
Estimate £80,000 - 120,000 ‡♠
Sold for £138,600
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201
Claudio Parmiggiani
Delocazione
Estimate £30,000 - 50,000 ‡♠
Sold for £37,800
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202
Olafur Eliasson
Striped eye lamp
Estimate £20,000 - 30,000 ‡♠
Sold for £39,060
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203No Reserve
Takis
Signal
Estimate £12,000 - 18,000 •‡♠
Sold for £17,640
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204
Tracey Emin
Only God Knows I'm Good
Estimate £35,000 - 55,000 ♠
Sold for £75,600
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205
Damien Hirst
8870 The Fountain and One Starlight, from The Currency
Estimate £15,000 - 25,000 ♠
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206
Jake and Dinos Chapman
Life and Death Vest I (Rush Hour)
Estimate £20,000 - 30,000 ♠
Sold for £25,200
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207
Damien Hirst
Mercy, from The Aspects (H6-1)
Estimate £8,000 - 12,000 ♠
Sold for £27,720
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208
Julian Opie
Natalie walking. 2.
Estimate £20,000 - 30,000 ♠
Sold for £22,680
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209
Thomas Houseago
Untitled
Estimate £40,000 - 60,000 ‡♠
Sold for £37,800
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210
David Yarrow
Rajasthan
Estimate £20,000 - 30,000 ♠
Sold for £35,280
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211
Jason Martin
Youth
Estimate £20,000 - 30,000 ‡♠
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212
Ian Davenport
Light Grey, Dark Blue
Estimate £40,000 - 60,000 ♠†
Sold for £60,480
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213
Gilbert & George
Torture Cross
Estimate £12,000 - 18,000 ‡♠
Sold for £15,120
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214
Tony Bevan
Red Ceiling (PC9819)
Estimate £40,000 - 60,000 ♠
Sold for £88,200
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215
John Latham
Unspecified Material
Estimate £25,000 - 35,000 ♠
Sold for £30,240
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216
George Shaw
The Passion : The Knockout Fish Bar
Estimate £12,000 - 18,000 ♠
Sold for £27,720
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217
Walead Beshty
Black Curl (CMY/Four Magnet: Los Angeles, California, July 6 2012, Fuji Color Crystal Archive Super Type C, Em. No. 186-007, 13712)
Estimate £15,000 - 20,000 ‡♠
Sold for £18,900
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218
Jadé Fadojutimi
What kind of foetus grows here?
Estimate £3,000 - 5,000 ♠
Sold for £15,120
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219
Foster Sakyiamah
Yellow Girls Synced
Estimate £5,000 - 7,000 ‡
Sold for £36,540
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220
El Anatsui
Primary School
Estimate £40,000 - 60,000 ‡
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221
Sarah Crowner
Untitled
Estimate £20,000 - 30,000 ‡
Sold for £44,100
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222
Petra Cortright
3 american heritage Angels Crying Lyrics
Estimate £10,000 - 15,000 ‡
Sold for £12,600
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223
Canyon Castator
Fuel on the Fire
Estimate £7,000 - 9,000
Sold for £23,940
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224
Matías Sánchez
Republicanos españoles
Estimate £10,000 - 15,000 ‡♠
Sold for £32,760
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225
Katherine Bernhardt
Sharpies on Black
Estimate £20,000 - 30,000 ‡
Sold for £95,760
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226
Robert Nava
Time Vehicle
Estimate £20,000 - 30,000 ‡
Sold for £69,300
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227
Louis Fratino
Double sided work: (i) After Ivan Prescott; (ii) Man in the weeds (After Ivan Prescott)
Estimate £10,000 - 15,000 ‡
Sold for £50,400
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228
Serge Attukwei Clottey
Jidenna
Estimate £15,000 - 20,000 ‡
Sold for £63,000
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229
Aboudia
Untitled
Estimate £18,000 - 26,000 ‡
Sold for £113,400
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230
Isshaq Ismail
Failure and Possibilities
Estimate £20,000 - 30,000
Sold for £163,800
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231
Roby Dwi Antono
Frightened Little Girl
Estimate £3,000 - 5,000
Sold for £27,720
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232
Ayako Rokkaku
Untitled
Estimate £30,000 - 50,000 ‡
Sold for £390,600
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233
George Condo
Untitled #6
Estimate £20,000 - 30,000
Sold for £100,800
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234
William Kentridge
Indispensable!
Estimate £15,000 - 20,000 ♠
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235
Richard Pettibone
Andy Warhol 'Marilyn'
Estimate £12,000 - 18,000 ‡
Sold for £15,120
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236
Richard Pettibone
Andy Warhol 'Marilyn'
Estimate £12,000 - 18,000 ‡
Sold for £15,120
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237
Ken Price
Untitled
Estimate £10,000 - 15,000 ‡
Sold for £44,100
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238
Larry Rivers
Large Summer Pregnancy
Estimate £20,000 - 30,000 ‡
Sold for £25,200
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239
William N. Copley
Belgian Flag
Estimate £50,000 - 70,000 ‡
Sold for £63,000
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240
William N. Copley
Untitled (A Collection of 22 Sketches for William N. Copley's Flags Series)
Estimate £15,000 - 20,000 ‡
Sold for £20,160
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241
Jack Pierson
Spring Can Really Hang You Up the Most
Estimate £60,000 - 80,000 ‡
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242
Doug Aitken
Jungle Plane
Estimate £30,000 - 40,000 ‡
Sold for £103,320
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243
Banksy
Flying Copper
Estimate £20,000 - 30,000 ♠
Sold for £37,800
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244
Banksy
Have A Nice Day
Estimate £20,000 - 30,000 ♠
Sold for £47,880
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245
Banksy
Toxic Mary
Estimate £20,000 - 30,000 ♠
Sold for £37,800
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