Anthony d’Offay, London
Private Collection, London
Sims Reed Gallery, London (acquired from the above in 2013)
Acquired from the above by the present owner
Dallas Museum of Art, Gerhard Richter in Dallas Collection, 12 February - 16 April 2000, p. 4 (another example exhibited)
The Cleveland Museum of Art, Photography Transformed, 17 February - 28 April 2002 (another example exhibited and illustrated, p. 175)
Kunstmuseum Bonn; Kunstmuseum Luzern; Kunsthalle Emden; Tübingen, Kunsthalle; Museum der Moderne Salzburg, Gerhard Richter: Printed! Prints, Photo Editions and Artist's Books, 10 June 2004 - 16 October 2005 (another example exhibited)
New York, Marlborough Gallery, Landscape- Cityscape, 5 - 30 April 2005 (another example exhibited)
Dusseldorf, Galerie Schönewald und Beuse, Gerhard Richter: Selected Editions, 8 August - 23 December 2008 (another example exhibited)
Munich, Galerie Leu, Gerhard Richter: Paintings and Editions, 25 October - 1 December 2008 (another example exhibited)
Oberstdorf, Kunsthaus Villa Jauss, Ways in the Present: Gerhard Richter, 17 July - 4 October 2009 (another example exhibited)
Berlin, me Collectors Room, Gerhard Richter: Editions 1965-2011, 12 February - 13 May 2012 (another example exhibited)
Turin, Fondazione Sandretto Re Rebaudengo, Gerhard Richter: Editions from the Olbright Collection 1965-2012, 31 January - 21 April 2013 (another example exhibited)
Kunstbau München, Gerhard Richter: Atlas - Mikromega, 23 October 2013 - 9 February 2014 (another example exhibited)
Dusseldorf, Galerie Schwarzer, Gerhard Richter: Small Dimensions, 23 April - 15 June 2015 (another example exhibited)
Essen, Folkwang Museum, Gerhard Richter: The Editions, 7 April - 20 July 2017 (another example exhibited)
Friedrichshafen, Galerie Bernd Lutze, Gerhard Richter: Editions 1968-2015, 27 January - 24 March 2018 (another example exhibited)
Dietmar Elger, Gerhard Richter, Maler, Cologne, 2002, p. 401
Hubertus Butin and Stefan Gronert, eds., Gerhard Richter: Editions 1965-2004, Ostfildern-Ruit, 2004, pp. 96, 246 (illustrated, p. 246)
Shadow Play: Shadow and Light in Contemporary Art. A Homage to Hans Christian Andersen, exh. cat., Kunsthallen Brandts Klaedefabrik, Odense; Kunsthalle zu Kiel; Landesgalerie, Österreichisches Landesmuseum, Linz, 2005-2006, pp. 210- 215
Hubertus Butin, Stefan Gronert and Thomas Olbricht, eds., Gerhard Richter. Editionen 1965 – 2013, Ostfildern, 2014, no. 97, pp. 126, 128, 268 (illustrated, p. 268)
Robert Storr, Robert Storr: Interviews on Art, London, 2017, p. 719
German • 1932
Powerhouse painter Gerhard Richter has been a key player in defining the formal and ideological agenda for painting in contemporary art. His instantaneously recognizable canvases literally and figuratively blur the lines of representation and abstraction. Uninterested in classification, Richter skates between unorthodoxy and realism, much to the delight of institutions and the market alike.
Richter's color palette of potent hues is all substance and "no style," in the artist's own words. From career start in 1962, Richter developed both his photorealist and abstracted languages side-by-side, producing voraciously and evolving his artistic style in short intervals. Richter's illusory paintings find themselves on the walls of the world's most revered museums—for instance, London’s Tate Modern displays the Cage (1) – (6), 2006 paintings that were named after experimental composer John Cage and that inspired the balletic 'Rambert Event' hosted by Phillips Berkeley Square in 2016.
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