George Nakashima - Design New York Tuesday, June 7, 2022 | Phillips

Create your first list.

Select an existing list or create a new list to share and manage lots you follow.

  • Provenance

    One chair:
    Full Circle Gallery, Alexandria, Virginia
    Acquired from the above by the present owner

    Other chair:
    Acquired directly from the artist's studio, 1988

  • Literature

    George Nakashima, The Soul of a Tree: A Woodworker's Reflections, Tokyo, 1981, pp. 108, 143, 149, 153, 167
    Derek E. Ostergard, George Nakashima: Full Circle, exh. cat., American Craft Museum, New York, 1989, pp. 155, 159, 163
    Mira Nakashima, Nature, Form & Spirit: The Life and Legacy of George Nakashima, New York, 2003, pp. 108, 147, 173-175, 195, 215-16, 248

  • Artist Biography

    George Nakashima

    American • 1905 - 1990

    Working out of his compound in rural New Hope, Pennsylvania, George Nakashima produced some of the most original and influential furniture designs of the post-war era. Nakashima aimed to give trees a second life, choosing solid wood over veneers and designing his furniture to highlight the inherent beauty of the wood, such as the form and grain. To this end, his tables often feature freeform edges, natural fissures and knot holes. Nakashima was an MIT-trained architect and traveled widely in his youth, gaining exposure to modernist design the world over.

    The signature style he developed was the distillation of extraordinary, diverse experiences, which led to the establishment of his furniture-making business in 1946. In particular, his practice of Integral Yoga, which he studied while working under the architect Antonin Raymond on the construction of the Sri Aurobindo Ashram in Pondicherry, India, had a lasting impact on his philosophy as a designer.

    After returning to the U.S. in 1940, Nakashima's family was interned in an American concentration camp, a horrible ordeal that nevertheless introduced him to traditional Japanese joinery by way of a Nisei woodworker he met in the camp. He incorporated these techniques and also drew on American vernacular forms, such as the Windsor chair. These diverse influences have resulted in immense crossover appeal in the world of twentieth-century design collecting.

    View More Works

Property from a Private Collection, Massachusetts

64

Pair of "Conoid" lounge chairs

1985-1988
American black walnut, hickory.
Taller: 34 x 22 x 25 1/2 in. (86.4 x 55.9 x 64.8 cm)
Shorter: 33 x 21 7/8 x 24 1/2 in. (83.8 x 55.6 x 62.2 cm)

Underside of one chair inscribed in marker FULL Ø and signed and dated, partially obscured, and the other inscribed in marker Ambrosio/George Nakashima/Oct. 12 1988. Together with a copy of the original order card.

Estimate
$10,000 - 15,000 

Sold for $18,900

Contact Specialist

Benjamin Green
Associate Specialist

Associate Head of Sale

bgreen@phillips.com
+1 917 207 9090

Design

New York Auction 7 June 2022