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'The cosmic hooks, the summoning of spirits, the virtuoso line, the command of colour and composition — it all adds up to its own kind of brilliance.'
—Dr. Lisa FischmanBold, energetic, visceral and thought provoking, Eddie Martinez’s Mandala #7 (Frankenthaler Wash), 2016, encapsulates the artist’s immense energy and reflective influential subject matter from which the work takes its name. Celebrated as part of a suite of seven large scale works that marked the artist’s first solo museum show, Ants at a Picknic at the Davis Museum, Boston in 2017, the works highlight Martinez’s diverse inspirations from the graffiti and skateboarding culture of New York to Buddhist religious practice.Initially inspired by the artist’s earlier sketch book studies of mandalas, Martinez enlarged the images and used silkscreen ink to replicate the small drawings onto the final canvases. The mandala series reflect Martinez’s love of graffiti in their fast-moving freedom of line whilst also highlighting the importance of drawing and the skill it developed for both his graffiti and large painted canvas studio works. Highly admired for his textural surfaces created in a multitude of media, the Mandala works vibrantly pulsate with a thick impasto of oil paint, spray paint, and other varied materials, including scraps of fabric and baby wipes. As the artist explained, ‘I was in a state of turmoil and got obsessed with the amount of trash I was producing. And so I just started sticking it onto the canvas.’i The result is a wonderfully absorbing and engaging abstraction.
In conjunction with the Ants at a Picknic exhibition, visiting Buddhist monks from Ithaca, New York, constructed a richly complex Medicine Buddha sand mandala – a shape infused with healing properties - amidst the paintings in the gallery space. Mandalas are microcosms. For Martinez, they represent his world, his inner thoughts and compulsive approach to drawings, much as a Buddhist mandala represents a microcosm of the entire universe. In contrast however to the painstakingly meticulous creation of the Buddhist practice which is then importantly swept away and eradicated upon creation, Martinez embodies the spiritual and reflective importance whilst creating an excitingly poignant and permanent record.
Eddie Martinez, Installation view of Ants at a Picknic at the Davis Museum at Wellesley College, MA, 2017. Image: © Eddie Martinez. Courtesy of the artist and Mitchell-Innes & Nash, New York. In interview with Forbes magazine Martinez spoke about the inspiration for his works and the exhibition:
Forbes: Why is the title Ants at a Picknic?
EM: I don't know. I think it’s just a funny quote about something being spoiled. I don't know why it’s spelled like that. It just kind of happened in the sketchbook. I was watching the highly intellectual television program Family Guy and they just did a funny bit about ants at a picnic and it really resonated with me. That’s where it came from. It was a visual of ants - ruining a picnic.
Forbes: What inspired this exhibition?
EM: My assistant found these drawings of mandalas that I made in 2005 in a flat file and it totally rejuvenated my interest in them. And [Director] Lisa [Fischman] gave me a lot of freedom for what this exhibition could be. So I decided I wanted to revisit the mandalas and I started drawing them a lot. And then I started painting them. And that’s just what it became. I was really wanting to do them large scale, which made a lot of sense for an institution. And we went from there.
Forbes: When did you start to gravitate towards mandalas and why?
EM: When I was really young I thought I was a Buddhist, or something. But, you know. I wasn’t. I was always interested in meditation. I mean, now, I have a daily practice. I think I just liked the repetition. Also, they are really a container for shapes and marks. It’s something I’ve gravitated to over the past decade – this idea of the container. I used make these tabletop still lifes, where everything kind of fit into that rectangular shape. I also created a character - this other personality, or an alter ego, called Spirit Duder. And in the first Spirit Duder drawing—it’s in the catalogue—he's looking up at this floating mandala with crazy eyeballs. I don't know. It's something that stuck with me.
Forbes: Tell me about the mandalas you created for the exhibition.
EM: Well, they’re all based drawings, except for the black and white painting. They’re all based on small drawings, and then they’re blown up really huge. The first step is to silk screen them on canvas – just the black skeleton. And then I take it from there. The black and white painting is probably the most true to the original drawing.
Forbes: Why is that one the only one without color?
EM: Since I started using this process of silkscreen, in every body of work that I’m making, I like to make at least one piece that’s black and white. But I’m also not comfortable with just silk screening on canvas and not adding anything to it. It’s just not the kind of painting I’m interested in. So in this instance, I built up the black.
Forbes: I know that the creation of mandalas is a spiritual practice. Do you get a spiritual fulfillment from creating these, or is it separate from your personal spirituality?
EM: I think the act of drawing and the act of painting definitely fill a spiritual place for me. There’s nothing intentional while making them - I don’t try to present any kind of spiritual association. But that said, having them here in this room in the Davis Museum, when we installed this show two weeks ago, they were hanging and the lighting wasn’t really ready yet, so it was kind of dim in here and I just sat and looked at them individually. And I had what could be considered a spiritual experience.
Forbes: Can you explain how your works are biographical in nature?
EM: Well, when I talk about drawing as being biographical, it’s because I always have paper or a pad or something. And so they’re all biographical, in that way. I’m writing things down, what I’m thinking or hearing. When I travel I draw a lot.
Forbes: You also have the show at the Drawing Center that’s opening soon. And can you talk a little bit about that practice, highlighted there– your studio wall? You’re always drawing.
EM: Yeah. So I don't really draw in the studio. But all the small drawings, like the things that become these big paintings, etc. I do them at home, or out and about, and then I’ll bring them into the studio. I put them up on the big wall so there’s up to 1,000 drawings just kind of tacked together. I use that as a sounding board, and also sometimes I’ll grab them while I’m painting and walk around and take things from them.
i Eddie Martinez, in conversation with Bill Powers, I Needed to Figure Out Something I Could Make Myself, 25 January 2016, ARTnews, online
Provenance
Mitchell-Innes & Nash, New York
Acquired from the above by the present ownerExhibited
Boston, The Davis Museum at Wellesley College, Eddie Martinez: Ants at a Picknic, 19 September - 17 December 2017
Literature
Joelle Jameson, Eddie Martinez and Contemporary South African Prints at Wellesley’s Davis Museum, AEQAI, 29 October 2017, online (illustrated)
Ann Binlot, Eddie Martinez Opens His First Museum Show At The Davis Museum, Forbes, 27 October 2017, online (illustrated)
212
Mandala #7 (Frankenthaler Wash)
signed with the artist's initials 'EM' upper centre; signed 'Eddie Martinez' on the reverse
silkscreen ink, oil, spray paint, thumbtacks and collaged canvas on canvas
305.2 x 244 cm (120 1/8 x 96 1/8 in.)
Executed in 2016.
Estimate
£200,000 - 300,000
Sold for £201,600
Tamila Kerimova
Specialist, Director, Head of Day Sale, 20th Century & Contemporary Art
+ 44 20 7318 4065
tkerimova@phillips.com
20th Century & Contemporary Art Day Sale
London Auction 16 April 2021
201
Salman Toor
Dancing to Whitney
Estimate £40,000 - 60,000 ‡
Sold for £252,000
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202
Alex Gardner
Triangle #2
Estimate £30,000 - 50,000 ‡
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203
Issy Wood
You know you bathe me way more than you should
Estimate £15,000 - 20,000 ♠
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204
Cindy Ji Hye Kim
Whispers
Estimate £10,000 - 15,000 ‡
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205
Ivy Haldeman
Side Touch
Estimate £5,000 - 7,000 ‡
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206
This lot is no longer available.
207
Claire Tabouret
The Soccer Team
Estimate £100,000 - 150,000 ‡♠
Sold for £478,800
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208
Stanley Whitney
Stay Song 19
Estimate £50,000 - 70,000 ‡
Sold for £93,240
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209
Ebony G. Patterson
Untitled (from the Gangstas for Life series)
Estimate £10,000 - 15,000 ‡
Sold for £27,720
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210
Eddy Kamuanga Ilunga
Fragile
Estimate £35,000 - 55,000
Sold for £119,700
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211
Derrick Adams
Interior Life (Figure 13)
Estimate £6,000 - 8,000
Sold for £25,200
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212
Eddie Martinez
Mandala #7 (Frankenthaler Wash)
Estimate £200,000 - 300,000
Sold for £201,600
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213
Cy Gavin
Portrait: Hunger
Estimate £30,000 - 50,000 ‡
Sold for £40,320
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214
SoiL Thornton
So Warm Out, That's A Lot Of Sea Weed Chips
Estimate £20,000 - 30,000 ‡
Sold for £22,680
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215
Oscar Murillo
Untitled (Drawings off the wall)
Estimate £100,000 - 150,000 ‡♠
Sold for £151,200
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216
Rose Wylie
Black Strap (Red Fly)
Estimate £60,000 - 80,000 ‡♠
Sold for £220,500
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217
Niniko Morbedadze
The Fairy Tale
Estimate £8,000 - 12,000 ‡
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218
Jonas Burgert
Blattschlaf
Estimate £80,000 - 120,000 ‡♠
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219
Kenny Scharf
Tribolic
Estimate £30,000 - 40,000 ‡
Sold for £75,600
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220
George Condo
Untitled
Estimate £30,000 - 50,000 ‡
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221
George Condo
Operatic Abstraction
Estimate £80,000 - 120,000 ‡
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222
This lot is no longer available.
223
Banksy
Girl with Balloon
Estimate £120,000 - 180,000 ♠
Sold for £132,300
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224
Banksy
Bird with Grenade
Estimate £50,000 - 70,000 ♠
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225
Banksy
Love is in the air
Estimate £300,000 - 500,000 ‡♠
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226
Harland Miller
Quarry Hill - Nowhere Nothing Fuck Up
Estimate £50,000 - 70,000 ♠
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227
Damien Hirst
Nessus
Estimate £100,000 - 150,000 ♠
Sold for £113,400
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228
Sterling Ruby
SP151
Estimate £250,000 - 350,000 ‡
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229
Francesco Clemente
Terry Winters
Estimate £50,000 - 70,000 ‡♠
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230
Andy Warhol
Janet Sartin
Estimate £180,000 - 250,000 ‡
Sold for £226,800
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231
Richard Pettibone
Andy Warhol, ‘Marilyn’
Estimate £10,000 - 15,000 ‡
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232
Richard Pettibone
Andy Warhol, ‘Flowers'
Estimate £6,000 - 8,000 ‡
Sold for £31,500
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233
Andy Warhol
Campbell's Soup Box: Noodle Soup
Estimate £100,000 - 150,000 ‡
Sold for £126,000
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234
Andy Warhol
Campbell's Soup Box: Chicken Rice
Estimate £100,000 - 150,000 ‡
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235
John Chamberlain
Mezzomangle
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236
Frank Stella
Konelly
Estimate £100,000 - 150,000 ‡
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237
Alexander Calder
Untitled
Estimate £150,000 - 200,000 ‡
Sold for £201,600
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238
Alexander Calder
Dialogue marin
Estimate £40,000 - 60,000 ‡
Sold for £88,200
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239
Alexander Calder
Untitled
Estimate £40,000 - 60,000 ‡
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240
Pablo Picasso
Le Peintre
Estimate £180,000 - 250,000 ‡♠
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241
Giorgio de Chirico
Dioscuri
Estimate £100,000 - 150,000 ‡♠
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242
Philip Guston
22 February
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243
Bernard Boutet de Monvel
Femme de profil au chapeau noir
Estimate £12,000 - 18,000 ‡
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244
Victor Vasarely
Autoportrait
Estimate £180,000 - 250,000 ‡♠
Sold for £296,100
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245
Victor Vasarely
Zet-Ton
Estimate £70,000 - 90,000 ♠
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246
Victor Vasarely
Tenger
Estimate £80,000 - 120,000 ‡♠
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247
Eduardo Terrazas
Possibilities of a Structure: Cosmos 1.1.130
Estimate £25,000 - 35,000
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248
Pierre Soulages
Brou de noix sur papier 75, 2 X 108 cm, 2004
Estimate £150,000 - 200,000 ‡♠
Sold for £239,400
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249
Markus Lüpertz
Otello - Selbdritt 2.
Estimate £25,000 - 35,000 ‡♠
Sold for £94,500
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250
Thomas Schütte
Ohne Titel
Estimate £120,000 - 180,000 ‡♠
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251
Georg Baselitz
Untitled
Estimate £15,000 - 20,000 ‡♠
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252
Sigmar Polke
Untitled
Estimate £100,000 - 150,000 ♠
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253
Anselm Kiefer
Rapunzel
Estimate £40,000 - 60,000 ♠
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254
Georg Baselitz
Trauerseeschwalbe
Estimate £15,000 - 20,000 ‡♠
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255
Peter Dreher
Seascape #11
Estimate £10,000 - 15,000 ‡♠
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256
Peter Dreher
Two works: (i) Tag um Tag guter Tag (Day by Day good Day) Nr. 2243 (Night); (ii) Tag um Tag guter Tag (Day by Day good Day) Nr. 2291 (Night)
Estimate £15,000 - 20,000 ‡♠
Sold for £23,940
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257
Günther Uecker
Splitter
Estimate £30,000 - 40,000 ‡♠
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258
Günther Uecker
„Man muss noch Chaos in sich haben, um einen tanzenden Stern gebären zu können“ (Friedrich Nietzsche) - X
Estimate £25,000 - 35,000 ‡♠
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259
Franz West
o.T. (Liege)
Estimate £60,000 - 80,000 ‡♠
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260
William Turnbull
Paddle Venus 5
Estimate £60,000 - 80,000 ♠
Sold for £113,400
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261
Antoine Bourdelle
Héraklès archer, buste
Estimate £30,000 - 40,000 Ω
Sold for £35,280
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262No Reserve
Aristide Maillol
Relief, La Victoire
Estimate £10,000 - 15,000 •‡
Sold for £7,560
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263No Reserve
Auguste Rodin
Martyre (petit modèle)
Estimate £22,000 - 28,000 Ω•
Sold for £8,190
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264
Auguste Rodin
Tête de la Muse tragique
Estimate £7,000 - 10,000 Ω
Sold for £10,710
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265
Emilio Greco
Figura Seduta No. 3
Estimate £6,000 - 8,000 ‡♠
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266
Giacomo Manzù
Amanti
Estimate £6,000 - 8,000 ‡♠
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267No Reserve
Venanzo Crocetti
Ragazza che legge
Estimate £1,500 - 2,000 •‡♠
Sold for £945
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268No Reserve
Venanzo Crocetti
Two works: (i) Giovane con cane; (ii) Study for Giovane con cane
Estimate £1,000 - 1,500 •‡♠
Sold for £756
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269
Ron Arad
Tondo 2020
Estimate £60,000 - 80,000 ♠
Sold for £138,600
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270
Ron Arad
Tondino
Estimate £20,000 - 30,000 ♠
Sold for £37,800
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271
Daniel Buren
Die Farbe gesetzt/ersetzt - B 2 Gelb
Estimate On Request
Sold for £25,200
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272
Michelangelo Pistoletto
Scaffali – Vasi Cinesi
Estimate £100,000 - 150,000 ‡♠
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273
Marino Marini
Cavallo e cavaliere
Estimate £18,000 - 25,000 ‡♠
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274
Marino Marini
Giocoliere
Estimate £10,000 - 15,000 ‡♠
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275
Alighiero Boetti
Andare a caccia da solo
Estimate £10,000 - 15,000 ♠
Sold for £11,340
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276
Alighiero Boetti
Senza titolo (Mettere i verbi all’infinito)
Estimate £10,000 - 15,000 ♠
Sold for £10,080
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277
Jannis Kounellis
Untitled
Estimate £70,000 - 90,000 ‡♠
Sold for £100,800
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278
Mario Merz
Leggere nelle nuvole
Estimate £10,000 - 15,000 ‡♠
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279
Giosetta Fioroni
Mi si è sfilata una scarpa
Estimate £8,000 - 12,000 ♠
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280
Antonio Calderara
Orizzonte Pluricromatico al Margine
Estimate £50,000 - 70,000
Sold for £37,800
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281
Bram Bogart
En cage
Estimate £15,000 - 20,000 ‡♠
Sold for £22,680
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282
Raoul De Keyser
Vóór het vlakke groen
Estimate £50,000 - 70,000 ‡♠
Sold for £113,400
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283
Jan Fabre
Walking Leaf ? (From series: Walking Leaves 1986-1993)
Estimate £25,000 - 35,000 ‡♠
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284
Art & Language
Portrait of President Barack Obama in the Style of Jackson Pollock
Estimate £15,000 - 20,000 ‡♠
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285
Olivier Mosset
Untitled
Estimate £40,000 - 60,000 ‡
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286
Allan McCollum
Perfect Vehicle
Estimate £20,000 - 30,000 ‡
Sold for £47,880
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287
Leandro Erlich
Cadres Dores
Estimate £15,000 - 20,000 ‡
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288
Cildo Meireles
Prototype for "Descala"
Estimate £50,000 - 70,000 ‡
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289
Christo
Wrapped Trees (Project for Avenue des Champs-Elysées)
Estimate £30,000 - 50,000 ‡♠
Sold for £90,720
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290
Christo
Wrapped Monument to Christobal Colon (Project for Barcelona - Plaça Porta de la Pau)
Estimate £40,000 - 60,000 ‡♠
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291
Victor Man
Untitled
Estimate £25,000 - 35,000 ‡♠
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292
Adrian Ghenie
Study for Nougat 5
Estimate £15,000 - 20,000 ‡♠
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293
Cindy Sherman
Untitled film still #38
Estimate £50,000 - 70,000 ‡
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294
Marina Abramović and Ulay
Mickey Mouse
Estimate £20,000 - 30,000 ♠
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295
Thomas Struth
Museo del Prado 3, Madrid 2005
Estimate £50,000 - 70,000 ‡♠
Sold for £56,700
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296
Gerhard Richter
Domecke I
Estimate £10,000 - 15,000 ‡♠
Sold for £12,600
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297
Wolfgang Tillmans
Lighter Drop
Estimate £25,000 - 35,000 ‡♠
Sold for £20,160
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298
Wolfgang Tillmans
Lighter 33
Estimate £20,000 - 30,000 ♠
Sold for £27,720
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299
Douglas Gordon
Self Portrait of You + Me (Sofia Loren)
Estimate £40,000 - 60,000 ♠
Sold for £44,100
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300
William Kentridge
Porter Series - Carte l'Europe (Shower Woman)
Estimate £70,000 - 90,000 ‡♠
Sold for £100,800
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301
William Kentridge
Drawing from Sobriety, Obesity and Growing Old (Soho's Headquarters)
Estimate £50,000 - 70,000 ♠
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302
Andy Warhol
Queen Elizabeth
Estimate £20,000 - 30,000
Sold for £88,200
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303
Tony Lewis
Thep Poof
Estimate £7,000 - 9,000
Sold for £12,600
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304
Robert Longo
Study for Silver Head
Estimate £30,000 - 40,000 ‡
Sold for £75,600
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305
Robert Longo
Untitled (Andrew Young)
Estimate £30,000 - 50,000
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306
Robert Longo
Study of Uzi
Estimate £15,000 - 25,000 ‡
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307
Raymond Pettibon
No Title (We dogs are...)
Estimate £30,000 - 50,000
Sold for £30,240
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308
Jeff Elrod
Untitled
Estimate £30,000 - 50,000 ‡
Sold for £25,200
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309
Mark Flood
The Bacchae
Estimate £8,000 - 12,000
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310
Angel Otero
Untitled SK-PY
Estimate £20,000 - 30,000 ‡
Sold for £27,720
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311
Kojo Marfo
Noble Passage
Estimate £10,000 - 15,000 ♠
Sold for £35,280
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312
Gary Hume
Red Tree
Estimate £15,000 - 20,000 ‡♠
Sold for £22,680
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313
Anish Kapoor
Untitled
Estimate £30,000 - 50,000 ‡♠
Sold for £40,320
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314
Marc Quinn
We Share the same Chemistry as the Stars AZ280
Estimate £100,000 - 150,000 ‡♠
Sold for £126,000
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315
Tony Cragg
Loop
Estimate £60,000 - 80,000 ‡♠
Sold for £75,600
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316
Michael Craig-Martin
All/Ball
Estimate £10,000 - 15,000 ♠
Sold for £10,710
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317
Julian Opie
Youngkoe factory owner
Estimate £12,000 - 18,000 ‡♠
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318
Jason Martin
Bronca
Estimate £30,000 - 50,000 ‡♠
Sold for £39,060
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319
Mr Doodle
Untitled
Estimate £20,000 - 30,000 ♠
Sold for £30,240
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320
Liza Lou
Chromium
Estimate £60,000 - 80,000 ‡
Sold for £63,000
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321
Tom Burr
O’Hara Nude with Boots
Estimate £12,000 - 18,000 ‡
Sold for £15,120
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322
Richard Aldrich
Untitled
Estimate £12,000 - 15,000 ‡
Sold for £22,680
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323
Stanley Brouwn
Space-Fragment Architecture
Estimate £12,000 - 18,000 ‡♠
Sold for £18,900
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324
Franz Ackermann
Rupalee: former cultural center
Estimate £25,000 - 35,000 ‡♠
Sold for £52,920
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325
Gerhard Richter
Six works: (i) Cage 1; (ii) Cage 2; (iii) Cage 3; (iv) Cage 4; (v) Cage 5; (vi) Cage 6
Estimate £30,000 - 40,000 ♠
Sold for £176,400
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326
Damien Hirst
Fire
Estimate £8,000 - 12,000 ♠
Sold for £21,420
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327
Charming Baker
One Day Our Past Will Be All There Is To Look Forward To
Estimate £15,000 - 20,000 ♠
Sold for £12,600
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