Dorothea Lange - Dorothea Lange: The Family Collection New York Monday, October 3, 2022 | Phillips

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  • In 1955, Lange became interested in documenting the criminal justice system, particularly the role of public defenders hired by the state to defend accused persons unable to pay for their own defense. She pitched the story to LIFE magazine, which gave her the go-ahead to start shooting. Lange found a compelling protagonist for this project: Martin Pulich, an earnest young public defender in Alameda County, California. Lange quickly immersed herself in the subject matter, shadowing Pulich through his meetings with clients and court appearances, developing a deep understanding of the complex and impersonal judicial system, and reinforcing her belief in the need for free legal representation for the accused. While the most memorable photographs from this series capture the intensity of the courtroom, and the fierce drive of Pulich’s advocacy for his clients, she also showed the dim holding cells, the paddy wagons, and the bureaucratic procedures that governed the lives of prisoner and counsel alike, creating an immersive context for the human drama of her story.


    Ultimately, and to Lange’s dismay, LIFE declined to publish the story. However, other outlets picked up Public Defender and the images appeared in newspapers as well as in publications by the Legal Aid Society and the National Lawyers’ Guild. The uniform mounts and typed captions of several of the prints in this group suggest they were used for publication and/or exhibition. Today, Public Defender is regarded as one of the great achievements of Lange’s post-war period and an exemplary demonstration of photography’s ability to capture a complex and multi-layered situation.


    As of this writing, it is believed that the 16 photographs offered here comprise the largest Public Defender group to appear at auction.

     

    The photographs in Dorothea Lange: The Family Collection were in the photographer’s collection at the time of her death and thenceforth passed to her descendants. The images represent the entirety of Lange’s career as one of the foremost documentary photographers of the 20th century, from work made before her engagement with the Resettlement Administration, later the Farm Security Administration, in the 1930s, to the travel photography that absorbed her in her final years, as well as more personal images of her family. Each print bears a Family Collection stamp on the reverse.

    • Provenance

      Collection of Dorothea Lange
      By descent to the present owners

    • Literature

      John Szarkowski, The Museum of Modern Art, Dorothea Lange, pp. 76, 78 and 79
      Robert Coles and Therese Heyman, Dorothea Lange: Photographs of a Lifetime, pp. 150 and 151
      Keith Davis, The Photographs of Dorothea Lange, pp. 95 and 97
      Sarah Hermanson Meister, Dorothea Lange: Words & Pictures, p. 124, 127 and 131
      Pierre Borhan, Dorothea Lange: The Heart and Mind of a Photographer, pp. 59, 211 and 219
      Therese Heyman, John Szarkowski, and Sandra Phillips, Dorothea Lange: American Photographs, pl. 120
      Naomi Rosenblum, Sally Stein, et al., Dorothea Lange: The Human Face, pp. 73 and 76
      Elizabeth Partridge, Dorothea Lange: A Visual Life, pp. 26 and 27

    • Catalogue Essay

      Titles include:
      Loading the paddy wagon, 1955
      County Jail, holding cell, 1955
      Martin Pulich with defendant in court (standing), 1955
      Martin Pulich with client (hand on arm), 1955
      Martin Pulich with defendant in court (both standing), 1955
      Martin Pulich with defendant in court (seated), 1955
      Two men at desk in County Jail, 1955
      Shining Seats in Courthouse, Oakland, CA, 1957
      Martin Pulich (close up), 1955
      The Defendant: Alameda County Court House, Oakland, CA, 1955
      Defendant signing in, 1955
      Alameda County Court House in Oakland, 1955
      Two Oakland City police officers in police van, 1947

Dorothea Lange: The Family Collection

32

Selected Images from The Public Defender

1955
16 gelatin silver prints, 5 mounted, printed 1950s early 1960s.
Various sizes to 10 1/2 x 13 in. (26.7 x 33 cm)
Each with the family collection stamp, all but three with the '1163 Euclid Avenue, Berkeley, California, Telephone Landscape 4-3880’ or '1163 Euclid Avenue, Berkeley, California' stamp on the verso or reverse of the mount; three with typed captions on mount recto.

Full Cataloguing

Estimate
$18,000 - 22,000 

Sold for $22,680

Contact Specialist

Christopher Mahoney
Senior International Specialist
+1 212 940 1245
cmahoney@phillips.com

Vanessa Hallett
Worldwide Head of Photographs and Deputy Chairwoman
+1 212 940 1243
vhallett@phillips.com
 

Dorothea Lange: The Family Collection

Online Auction 3 - 13 October 2022