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  • Provenance

    Rhona Hoffman Gallery, Chicago
    Acquired from the above by the present owner in 2004

  • Exhibited

    Geneva, ART & PUBLIC, Donald Judd Drawings, March 16 - April 19, 2006

  • Catalogue Essay

    Executed in 1991, only three years before the artist’s passing, Untitled exemplifies Donald Judd’s commitment to material, space, and color as the three fundamental elements of art. A key figure of the Minimalist movement beginning in the 1960s, Judd continually rejected traditional notions of art history, as demonstrated by the present lot. From 1988 to 1994, Judd worked with Alu Menziken, an aluminum manufacturing company based in Switzerland, in the construction of these industrial boxes. Menziken’s primary area of focus was the production of automobiles, machinery, and aerospace, making Judd’s preference for working with this company a true testament to his aesthetic ideology and practice—a rejection of the traditional artist’s studio in favor of the factory as a place of artistic production.

    In Untitled, Judd utilizes the industrial materials of clear anodized aluminum and colored acrylic sheets to create a singular form that is without allusion to the pictorial world. The floating rectangular box, a defining characteristic of the works fabricated by Menziken, is bisected by a central panel, which divides the sculpture into three equal parts. While the viewer is initially confronted with a powerful, static form, new spatial relations come into play as his or her position shifts, reflecting the surrounding space in different iterations. In its design, Judd experiments with the striking dichotomy inherent within the structure of the Menziken-fabricated works, and also alludes to the importance of color. While the outer aluminum structure remains austere and unchanging, the interior is imbued with a richness and complexity made possible by the emerald green hue of the acrylic sheet. Floating and isolated, each of these boxes takes on a wholly distinct personality with each color variant. Ultimately, and as exemplified by the present lot, Judd’s preference for modest, simple forms allowed him to truly explore the artistic possibilities of color, light, and space for which he is renowned.

  • Artist Biography

    Donald Judd

    American • 1928 - 1994

    Donald Judd came to critical acclaim in the 1960s with his deceptively simple, yet revolutionary, three-dimensional floor and wall objects made from new industrial materials, such as anodized aluminum, plywood and Plexiglas, which had no precedent in the visual arts. His oeuvre is characterized by the central constitutive elements of color, material, and space. Rejecting the illusionism of painting and seeking an aesthetic freed from metaphorical associations, Judd sought to explore the relationship between art object, viewer, and surrounding space with his so-called "specific objects." From the outset of his three-decade-long career, Judd delegated the fabrication to specialized technicians, eschewing any trace of the artist’s hand. Though associated with the minimalist movement, Judd rejected the term and did not wish to confine his practice to this categorization. 

    After moving to Marfa in 1972, he began drawing plans for the Chinati Foundation, an exhibition space which opened in 1986 to showcase his objects as well as the work of other contemporary artists and is still operating today. In 2020, his revolutionary career was celebrated in a major retrospective at the Museum of Modern Art, New York. 

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PROPERTY FROM A DISTINGUISHED NEW YORK COLLECTION

167

Untitled

stamped with the artist's name, number and fabricator "DONALD JUDD 91-114 © ALUMINUM AG MENZIKEN" on the reverse
clear anodized aluminum and green acrylic sheet
10 x 39 3/8 x 9 3/4 in. (25.4 x 100 x 24.8 cm.)
Executed in 1991.

Estimate
$400,000 - 500,000 

Sold for $790,000

Contact Specialist
John McCord
Head of Day Sale
New York
+1 212 940 1261

20th Century & Contemporary Art Day Sale

New York Auction 17 May 2017