Ima de Cheuilly, France, acquired directly from the artist, 1978
DeLorenzo Gallery, New York, 1987
Private collection, Germany, 1987
DeLorenzo Gallery, New York, 2009
Acquired from the above by the present owner, 2010
Michel Butor, Diego Giacometti, Paris, 1985, p. 168
Françoise Francisci, Diego Giacometti: Catalogue de l’œuvre, Volume I, Paris, 1986, p. 72
Daniel Marchesseau, Diego Giacometti, Paris, 1986, pp. 19, 46, 200, 207
François Baudot, Diego Giacometti, Paris, 1998, pp. 29, 32, 76
Christian Boutonnet and Rafael Ortiz, Diego Giacometti, Paris, 2003, p. 59
Swiss • 1902 - 1985
In 1935 Diego Giacometti took a holiday in Stampa, the Swiss town in which he grew up. The trip marked one of the first periods in which he was separated from his brother Alberto Giacometti, and perhaps in connection with having removed himself from the shadow of his brother's career, he began his first animal sculptures. It was shortly after this trip that the younger Giacometti also started making furniture, after patrons admired the stands he was crafting for his brother's sculptures. Diego modeled his maquettes in plaster (as opposed to clay or wax, which was the more common choice for sculptors) and cast his furniture in bronze, a departure from most metal furniture at the time, which was cast in iron. Illustrious clients included the Maeght and Noailles families as well as the decorator Jean-Michel Frank, who commissioned Alberto (assisted by Diego) to create plaster lighting and fireplace accessories.
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