“Cherry Blossoms are about beauty and life and death. They’re extreme – there’s something hopeful yet hopeless about them. They’re art but taken from nature... Blossoms are optimistic and bright yet fragile, just like we are.”
—Damien HirstDamien Hirst's eight-part series, titled The Virtues, is inspired by Bushidō, the Japanese samurai code of ethics. In 1900, Nitobe Inazō published a book entitled Bushidō: TheSoul of Japan, aiming to explain the practice of Bushidō to Western audiences. According to Nitobe, Bushidō literally translates to “Military-Knight-Ways" and it outlines the expected conduct of Japanese nobles in their daily lives. The Eight Virtues of Bushidō are Justice, Courage, Mercy, Politeness, Honesty, Honour, Loyalty, and Control. Together, they comprise a code of behaviour, which has influenced customs like the tea ceremony and fostered attitudes such as tranquillity in the face of danger. Hirst’s series, which uses painterly dots to depict cherry blossoms, is made up of eight parts that are individually titled to align with the eight virtues. Whilst laden with art historical reference, from Van Gogh to Abstract Expressionism, Hirst’s Virtues fundamentally maintains the serenity of Japanese cherry blossoms and the sincerity of Bushidō.
Published by HENI, London, in 2021, Damien Hirst’s The Virtues were available to purchase for a limited time and the edition size of each individual artwork was determined by the demand during that window. This was the first time that HENI adopted this innovative way of releasing an edition and, following its success, it has become a popular approach to dropping new artworks. For instance, HENI’s recent publication of Damien Hirst’s Civilisation prints, which were exhibited at Phillips’ Berkeley Square gallery 5 August – 2 September 2024, were released in this way.
There is no other contemporary artist as maverick to the art market as Damien Hirst. Foremost among the Young British Artists (YBAs), a group of provocative artists who graduated from Goldsmiths, University of London in the late 1980s, Hirst ascended to stardom by making objects that shocked and appalled, and that possessed conceptual depth in both profound and prankish ways.
Regarded as Britain's most notorious living artist, Hirst has studded human skulls in diamonds and submerged sharks, sheep and other dead animals in custom vitrines of formaldehyde. In tandem with Cheyenne Westphal, now Chairman of Phillips, Hirst controversially staged an entire exhibition directly for auction with 2008's "Beautiful Inside My Head Forever," which collectively totalled £111 million ($198 million).
Hirst remains genre-defying and creates everything from sculpture, prints, works on paper and paintings to installation and objects. Another of his most celebrated series, the 'Pill Cabinets' present rows of intricate pills, cast individually in metal, plaster and resin, in sterilized glass and steel containers; Phillips New York showed the largest of these pieces ever exhibited in the United States, The Void, 2000, in May 2017.
2021 The complete series of eight laminated giclée prints in colours, flush-mounted to aluminium with metal strainers on the reverse (as issued). all 120 x 96 cm (47 1/4 x 37 3/4 in.) All signed in pencil and numbered 174 (printed) on the labels affixed to the reverse, from the editions of varying sizes, published by HENI Editions, London.