Cindy Sherman - Photographs New York Wednesday, October 9, 2024 | Phillips
  • Condition Report

  • Description

    View our Conditions of Sale.

  • Provenance

    Sprüth Magers/Simon Lee, London
    Private Collection, New York
    Max Lang Gallery, New York
    Private Collection, London, 2009
    Artnet auctions, 30 June 2021, lot 134283
    Private Collection, Los Angeles

  • Literature

    Sherman, Cindy Sherman: The Complete Untitled Film Stills, p. 129
    Krauss and Bryson, Cindy Sherman: 1975-1993, p. 64
    Rizzoli Electa, Cindy Sherman, p. 93
    The Museum of Modern Art, Cindy Sherman, pl. 23
    The Museum of Contemporary Art, Cindy Sherman: Retrospective, pl. 27

  • Catalogue Essay

    The photograph offered here is from Cindy Sherman’s seminal Untitled Film Still series. Made between 1977 and 1980, the Untitled Film Stills took as their starting point female stereotypes from popular culture, including those found in B movies, film noire, television, and pulp fiction. Sherman cast herself as the main character in each photograph, meticulously styling and costuming herself for dramatic effect in her performance for the camera. Never named or identified, Sherman’s heroines are nevertheless immediately recognizable as archetypes, prompting viewers to construct their own narratives. The element of performance in Sherman’s Film Stills and their investigation of self and identity, have made the work a central touchstone in postmodern and contemporary art.

  • Artist Biography

    Cindy Sherman

    American • 1954

    Seminal to the Pictures Generation as well as contemporary photography and performance art, Cindy Sherman is a powerhouse art practitioner.  Wily and beguiling, Sherman's signature mode of art making involves transforming herself into a litany of characters, historical and fictional, that cross the lines of gender and culture. She startled contemporary art when, in 1977, she published a series of untitled film stills.

    Through mise-en-scène​ and movie-like make-up and costume, Sherman treats each photograph as a portrait, though never one of herself. She embodies her characters even if only for the image itself. Presenting subversion through mimicry, against tableaus of mass media and image-based messages of pop culture, Sherman takes on both art history and the art world.

    Though a shape-shifter, Sherman has become an art world celebrity in her own right. The subject of solo retrospectives across the world, including a blockbuster showing at the Museum of Modern Art, New York, and a frequent exhibitor at the Venice Biennale among other biennials, Sherman holds an inextricable place in contemporary art history.

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315

Untitled Film Still #27b

1979
Gelatin silver print.
7 1/2 x 9 1/2 in. (19.1 x 24.1 cm)
Signed, dated, and numbered 6/10 in pencil on the verso.

Estimate
$25,000 - 35,000 

Place Advance Bid
Contact Specialist

Sarah Krueger
Head of Department, Photographs
skrueger@phillips.com

 

Vanessa Hallett
Worldwide Head of Photographs and Chairwoman, Americas
vhallett@phillips.com

Photographs

New York Auction 9 October 2024