Born in Bronxville and working between New York City, Tivoli, New York, and Hydra, Greece, Brice Marden developed a unique style that departs from his Abstract Expressionist and Minimalist contemporaries. Drawing from his personal experiences and global travels, Marden’s works demonstrate a gestural and organic emotion channeled through the power of color. By the late 1960s, Marden received international recognition as the master of the monochrome panel and, in the late 1970s, began exploring the relationship between horizontal and vertical planes. His practice is deeply informed by his knowledge of classical architecture, world religion, ancient history, and spirituality. Elected to the American Academy of Arts and Letters in 1998, Marden is represented in notable institutional collections including the Whitney Museum of Art, New York, Philadelphia Museum of Art, Stedelijk Museum, Amsterdam, and Centre Georges Pompidou, Paris.
1969 Lithograph in black and grey, on Rives BFK paper, with full margins. I. 13 1/2 x 19 7/8 in. (34.3 x 50.5 cm) S. 20 1/8 x 26 in. (51.1 x 66 cm) Signed, dated and numbered 73/100 in pencil (there were also 10 artist's proofs lettered A-J), published by Tanglewood Press, New York (with their blindstamp), framed.
