Acquired directly from the artist by the present owner
Caracas, Centro Venezolano Americano, Armando Reverón Pinturas, November 23 - December 10, 1951
Caracas, Museo de Bellas Artes, Exposición Retrospectiva de Armando Reverón, July 1955
Boston, The Institute of Contemporary Art; Washington D.C., The Corcoran Gallery of Art; New Orleans, Isaac Delgado Museum of Art; Museum of Fine Arts Houston; San Francisco Museum of Art, Armando Reverón, 1956
Caracas, Instituto Venezolano Italiano de Cultura, Armando Reverón, April 9, 1961
Juan Calzadilla, Armando Reverón, Caracas, 1979, no. 282, p. 318 (illustrated)
María Elena Huizi, Armando Reverón, Caracas, 2007, p. 58 (illustrated)
Venezuelan • 1889 - 1954
Armando Reverón was born into a wealthy Venezuelan family where he found an early interest in art, studying in Caracas and Spain under Ignacio Zuloaga. Upon his return to Venezuela he was diagnosed with schizophrenia, causing him to retreat to the coastal village of Macuto with his lifelong partner, Juanita.
Often depicting landscapes and nudes, Reverón developed a singular painting technique utilizing a highly textured monochromatic white palette. Many of his works also feature touches of blue, gray, aquamarine and occasional areas of bare canvas. This color scheme emulates the blinding luminosity of light one would experience on the beaches of Venezuela. Reverón worked in isolation and made most of his painting supplies himself, including brushes, canvases and coconut tree frames.
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