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  • Provenance

    Galleria Continua, Beijing
    Acquired from the above by the present owner

  • Exhibited

    Beijing, Galleria Continua, HOST, 19 March - 20 August 2016, n.p. (illustrated)

  • Catalogue Essay

    Music and architecture - one stable and inhabitable, the other mobile and inhabiting the listener - both provide temporal structures experienceable in time. I want to engage the openness of music and the stability of architecture, the interpenetrations of rhythm, volume, timbre and pitch to work directly on the embodied mind of anyone who encounters these Open Blockworks and encourage them to move around the sculpture’s stillness.

    Mass and space, light and dark, line and volume are all at play. The work is a score to be read by the body.

    The challenge is to encourage a re-habitation of spacetime, to engage the body in a proprioceptive re-birthing of its own mature being. These sculptures are not idealisations but instruments against which life can register itself.

    - Antony Gormley, April 2019

    Phillips would like to thank Antony Gormley for his contribution to this essay.

  • Catalogue Essay

    音樂和建築-一個是穩定的、可居住的,另一個則是移動的、因聽眾而存在- 兩者都具有及時體驗的時間維度結構。我想要觸及音樂的開放性和建築的穩定性,讓節奏、音量、音色和音高的相互滲透,直接影響任何邂逅這些開放式砌塊的人之具體認知,並鼓勵他們在雕塑的靜止中自由移動





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4 mm Corten steel
191.5 x 43 x 29.5 cm. (75 3/8 x 16 7/8 x 11 5/8 in.)
Executed in 2014.

HK$3,000,000 - 5,000,000 

sold for HK$3,750,000

Contact Specialist

Isaure de Viel Castel
Head of Department, 20th Century & Contemporary Art

20th Century & Contemporary Art Evening Sale

Hong Kong Auction 26 May 2019