Though famed for his depictions of branded consumer goods and twentieth century celebrities, in Saint Apollonia Andy Warhol appropriates his subject matter from a fifteenth century painting attributed to Piero della Francesca. Originally conceived as an altarpiece, della Francesca’s painting commemorates the ecclesiastical tale of Saint Apollonia, who was captured by the Alexandrians during a siege circa 248 AD. Tortured for her Christian beliefs, her teeth were extracted using the plyers she is depicted holding in both Warhol and della Francesca’s images. Threatened with being burnt at the stake unless she uttered blasphemous words against Christ, Apollonia made the ultimate sacrifice for her religious beliefs and threw herself into the fire.
Attributed to Piero della Francesca, Saint Apollonia, c. 1455/1460, National Gallery of Art, Washington, D.C. Image: National Gallery of Art, Washington, D.C. Samuel H. Kress Collection, 1952.5.19. Warhol’s choice to lift his subject matter from a Renaissance masterpiece aligns with other artworks he was producing in the 1980s. His 1984 series Details of Renaissance Paintings took works by Sandro Botticelli, Leonardo da Vinci and Paulo Uccello as its subject matter, transforming them for the modern day by utilising bold colours and tightly cropped compositions. In doing so, he likens the recognisability of these masterpieces to the prominence of celebrity images in modern society, exploring the idea of the icon across centuries. In Saint Apollonia, Warhol retains more of the source image’s original detail than in his other appropriations of Renaissance paintings. Rather than reducing the image of Apollonia to flat blocks of colour, Warhol keeps the cracked effect of the tempera in della Francesca’s work. The image is not cropped drastically either, but simply reproduced as a commodity. By directly appropriating della Francesca’s imagery, Warhol challenges the concept of originality and commercialises the religious icon using his Pop aesthetic.
Literature
Frayda Feldman and Jörg Schellmann 330-333
Artist Biography
Andy Warhol
American • 1928 - 1987
Andy Warhol was the leading exponent of the Pop Art movement in the U.S. in the 1960s. Following an early career as a commercial illustrator, Warhol achieved fame with his revolutionary series of silkscreened prints and paintings of familiar objects, such as Campbell's soup tins, and celebrities, such as Marilyn Monroe. Obsessed with popular culture, celebrity and advertising, Warhol created his slick, seemingly mass-produced images of everyday subject matter from his famed Factory studio in New York City. His use of mechanical methods of reproduction, notably the commercial technique of silk screening, wholly revolutionized art-making.
Working as an artist, but also director and producer, Warhol produced a number of avant-garde films in addition to managing the experimental rock band The Velvet Underground and founding Interview magazine. A central figure in the New York art scene until his untimely death in 1987, Warhol was notably also a mentor to such artists as Keith Haring and Jean-Michel Basquiat.
3
Saint Apollonia (F. & S. 330-333)
1984
The complete set of four screenprints in colours, on Essex Offset Kid Finish paper, the full sheets.
all S. 76.1 x 55.9 cm (29 7/8 x 22 in.)
All signed and numbered 20/250 in pencil (there were also 35 artist's proofs), with the artist's copyright inkstamp on the reverse, published by Dr. Frank Braun, Dusseldorf, all unframed.
Estimate
£25,000 - 35,000
Sold for £38,100
EditionsLondon@phillips.com
+44 20 7318 4024
Rebecca Tooby-Desmond
Specialist, Head of Sale, Editions
rtooby-desmond@phillips.com
Robert Kennan
Head of Editions, Europe
rkennan@phillips.com
Anne Schneider-Wilson
Senior International Specialist, Editions
aschneider-wilson@phillips.com
Louisa Earl
Associate Specialist, Editions
learl@phillips.com
Evening & Day Editions
London Auction 23 - 24 January 2025
59
This lot is no longer available.
