Before Marilyn and Moonwalk, there was Andy the illustrator. Andy Warhol’s career began as a commercial illustrator on New York’s Madison Avenue in 1949, during the massive post-war economic boom. His arrival additionally coincided with an extensive change in the motivations and strategies behind advertising, when corporations began utilising applied psychology to influence American consumers into purchasing products. This stint as an ad-man would further his Pop interest in cultural commercialisation and start his artistic career; thus began the first chapter of Warhol’s oeuvre, dominated by charming and light-handed ink drawings.
As a master of line and contour, Warhol’s consistent and unique drawings and designs piqued the interest of his clients, earning him commissions and collaborations with some of the biggest brands of the day: Tiffany & Co., Columbia Records, and Vogue, to name a few. Though stylistically different from the Pop art that would rocket him to international stardom, these early drawings offer a glimpse at an artist well on his way to establishing an art movement that would change the way the world conceived of contemporary art and its connection to pop culture, morphing from his early successes in the commercial art scene.
Warhol’s simple yet sophisticated line drawings of this time contain a child-like whimsy – though that’s not to say Warhol didn’t take his work seriously. As reflected in his early drawings, he took to heart a piece of advice from one of his art teachers who told the young artist to paint for himself, not what others wanted to see. This wisdom would validate Warhol’s desire to draw his favourite things: cherubs, shoes, cats, and often young men. Across these drawings and hand-coloured prints, we see Warhol as a compulsive creator, documenting life and fantasy with the stark clarity of ink on paper.
