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'Nowadays, whether I’m depicting a shoe or a Coca Cola bottle, or presenting a fresh face in an interview, a film, or on cable TV, I’m invariably producing portraits. That may be down to the fact that I find other people so much more interesting than myself.' —Andy Warhol
Andy Warhol’s commissioned portraits immortalised his sitters through the medium of acrylic, silkscreen and canvas. Combing photography, painting and silkscreen allowed Warhol to explore his fascination with people, creating the perfected image of someone who had attained the American dream – a portrait of a could be idol, ‘As far as Andy was concerned, the portrait was an idealised interpretation of someone’s personality’i noted Vincent Fremont. Yet the power of these punchy pop images are also indebted to their undeniable pathos. Andy enabled everyone to be beautiful, allowing his sitter to feel good under his uniformed mask. The screenprint technique allowed Warhol to edit out imperfections, reducing the face to eyes and painted lips, the skin bare and ridden of any impurities, timeless and impermeable. Pat Hackett, a confidante and employee of Warhol once said, ‘In short, he would do unto others as he would wish others do unto him.’ii
Warhol had an enduring fixation with appearance and beauty regimes, no doubt stemming from his skin condition, which, as a child in Pittsburgh had earnt him the nickname ‘spot’ for his vitiligo and he was teased for having a red nose. In despair at his own appearance, Warhol revered beauty, and was liberal with his appreciation: 'I’ve never met a person I couldn’t call a beauty.’iii
Sharing a similar interest in obsessive beauty was the esteemed dermatologist Janet Sartin, who founded the Janet Sartin skin treatment salon in New York in 1945. Sartin was part of the celebrity culture which Warhol adored and inhabited. Revered for her facial treatments, Sartin pioneered new techniques and products, sought after by the wealthy and famous. Depicted against a background of soft, delicate, rose-skin coloured pink, Janet Sartin gazes both at the viewer and at a point beyond time. Freezing her image at this exact moment, Warhol combats and beats the aging process. She is a poster girl for her own treatment centre. There is an undeniable connection between artist and sitter- indeed Warhol, was Sartin’s patient. Janet Sartin made people beautiful through her work in the clinic, much like Warhol immortalised and beautified his sitters in his portraits made at his factory.
Robert Levin, Andy Warhol undergoing a facial treatment at the Janet Sartin Spa in New York City, 1981. Image: © Robert Levin. As early as 1969, Warhol produced his portraits on his since standardised 40 x 40 inch scale. This enabled his protagonists to be larger than life, big enough to make an impact, whilst simultaneously still of a scale that allowed easy production, display and distribution, an essential factor of Warhol’s art-business. Warhol would begin the portraiture process using his Polaroid Big-Shot camera, usually shot close range, less than a metre away. Often taking over one hundred photographs, Warhol would go on to select four or five, which an employee would then process to produce small-scale versions in black and white on acetate film. ‘Warhol often used these as the raw material for a radical transformation of the subject that might be compared to a cosmetic procedure performed by a plastic surgeon. The composition and contrast were altered, as were the mouth and nose, the proportions balanced and blemishes retouched.’iv These edited films were then enlarged to the final painting size, on which Warhol marked up any last corrections. A coloured primer coat would then be applied to the canvas, followed by the copying of the film outlines, masking and addition of the coloured areas with a brush, and application of the prepared silkscreen using acetate film and the silkscreen ink with a scraper. The finished product allowed Warhol to eliminate the evidence of the hand (he did not like his hands – he deemed them too big) and to a certain extent, automate art making.
'The reason I’m painting this way is that I want to be a machine.' —Andy WarholPerhaps uniquely among Warhol’s commissioned portraits, this beautiful portrayal of Janet Sartin reveals not only Warhol’s immediately recognisable style and perfected process, it also has the touching ability to hint at Warhol very human insecurities through his fundamental relationship with the sitter.
i Vincent Fremont, ‘Andy Warhol’s Porträts’, in Andy Warhol Porträts, exh. cat., Anthony d’Offay, London, Munich and New York, 1993, p. 30
ii Andy Warhol, exh. cat., Tate Modern, London, 2020, p. 47
iii Andy Warhol, Andy Warhol, The Philosophy of Andy Warhol: From A to B and Back Again, London and New York, 2007, [1975], p. 61
iv Andy Warhol, exh. cat., Tate Modern, London, 2020, p. 44
Provenance
The Estate of Andy Warhol
Matteo Lampertico Arte Moderna e Contemporanea, Milan
Acquired from the above by the present ownerExhibited
Milan/Turin, Voena Gallery, Andy Warhol, American Beauty, 8 October - 15 December 2002 (illustrated, n.p.)
Artist Biography
Andy Warhol
American • 1928 - 1987
Andy Warhol was the leading exponent of the Pop Art movement in the U.S. in the 1960s. Following an early career as a commercial illustrator, Warhol achieved fame with his revolutionary series of silkscreened prints and paintings of familiar objects, such as Campbell's soup tins, and celebrities, such as Marilyn Monroe. Obsessed with popular culture, celebrity and advertising, Warhol created his slick, seemingly mass-produced images of everyday subject matter from his famed Factory studio in New York City. His use of mechanical methods of reproduction, notably the commercial technique of silk screening, wholly revolutionized art-making.
Working as an artist, but also director and producer, Warhol produced a number of avant-garde films in addition to managing the experimental rock band The Velvet Underground and founding Interview magazine. A central figure in the New York art scene until his untimely death in 1987, Warhol was notably also a mentor to such artists as Keith Haring and Jean-Michel Basquiat.
230
Janet Sartin
synthetic polymer paint and silkscreen ink on canvas
101.7 x 101.9 cm (40 x 40 1/8 in.)
Executed in 1982, this work is accompanied by a certificate of authenticity, stamped by the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc., New York, and numbered 'PO 50.214'.
Estimate
£180,000 - 250,000 ‡
Sold for £226,800
Tamila Kerimova
Specialist, Director, Head of Day Sale, 20th Century & Contemporary Art
+ 44 20 7318 4065
tkerimova@phillips.com
20th Century & Contemporary Art Day Sale
London Auction 16 April 2021
201
Salman Toor
Dancing to Whitney
Estimate £40,000 - 60,000 ‡
Sold for £252,000
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202
Alex Gardner
Triangle #2
Estimate £30,000 - 50,000 ‡
Sold for £138,600
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203
Issy Wood
You know you bathe me way more than you should
Estimate £15,000 - 20,000 ♠
Sold for £32,760
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204
Cindy Ji Hye Kim
Whispers
Estimate £10,000 - 15,000 ‡
Sold for £25,200
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205
Ivy Haldeman
Side Touch
Estimate £5,000 - 7,000 ‡
Sold for £56,700
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206
This lot is no longer available.
207
Claire Tabouret
The Soccer Team
Estimate £100,000 - 150,000 ‡♠
Sold for £478,800
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208
Stanley Whitney
Stay Song 19
Estimate £50,000 - 70,000 ‡
Sold for £93,240
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209
Ebony G. Patterson
Untitled (from the Gangstas for Life series)
Estimate £10,000 - 15,000 ‡
Sold for £27,720
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210
Eddy Kamuanga Ilunga
Fragile
Estimate £35,000 - 55,000
Sold for £119,700
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211
Derrick Adams
Interior Life (Figure 13)
Estimate £6,000 - 8,000
Sold for £25,200
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212
Eddie Martinez
Mandala #7 (Frankenthaler Wash)
Estimate £200,000 - 300,000
Sold for £201,600
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213
Cy Gavin
Portrait: Hunger
Estimate £30,000 - 50,000 ‡
Sold for £40,320
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214
SoiL Thornton
So Warm Out, That's A Lot Of Sea Weed Chips
Estimate £20,000 - 30,000 ‡
Sold for £22,680
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215
Oscar Murillo
Untitled (Drawings off the wall)
Estimate £100,000 - 150,000 ‡♠
Sold for £151,200
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216
Rose Wylie
Black Strap (Red Fly)
Estimate £60,000 - 80,000 ‡♠
Sold for £220,500
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217
Niniko Morbedadze
The Fairy Tale
Estimate £8,000 - 12,000 ‡
Sold for £22,680
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218
Jonas Burgert
Blattschlaf
Estimate £80,000 - 120,000 ‡♠
Sold for £65,520
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219
Kenny Scharf
Tribolic
Estimate £30,000 - 40,000 ‡
Sold for £75,600
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220
George Condo
Untitled
Estimate £30,000 - 50,000 ‡
Sold for £80,640
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221
George Condo
Operatic Abstraction
Estimate £80,000 - 120,000 ‡
Sold for £94,500
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222
This lot is no longer available.
223
Banksy
Girl with Balloon
Estimate £120,000 - 180,000 ♠
Sold for £132,300
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224
Banksy
Bird with Grenade
Estimate £50,000 - 70,000 ♠
Sold for £327,600
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225
Banksy
Love is in the air
Estimate £300,000 - 500,000 ‡♠
Sold for £315,000
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226
Harland Miller
Quarry Hill - Nowhere Nothing Fuck Up
Estimate £50,000 - 70,000 ♠
Sold for £75,600
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227
Damien Hirst
Nessus
Estimate £100,000 - 150,000 ♠
Sold for £113,400
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228
Sterling Ruby
SP151
Estimate £250,000 - 350,000 ‡
Sold for £390,600
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229
Francesco Clemente
Terry Winters
Estimate £50,000 - 70,000 ‡♠
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230
Andy Warhol
Janet Sartin
Estimate £180,000 - 250,000 ‡
Sold for £226,800
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231
Richard Pettibone
Andy Warhol, ‘Marilyn’
Estimate £10,000 - 15,000 ‡
Sold for £21,420
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232
Richard Pettibone
Andy Warhol, ‘Flowers'
Estimate £6,000 - 8,000 ‡
Sold for £31,500
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233
Andy Warhol
Campbell's Soup Box: Noodle Soup
Estimate £100,000 - 150,000 ‡
Sold for £126,000
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234
Andy Warhol
Campbell's Soup Box: Chicken Rice
Estimate £100,000 - 150,000 ‡
Sold for £126,000
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235
John Chamberlain
Mezzomangle
Estimate £200,000 - 300,000 ‡
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236
Frank Stella
Konelly
Estimate £100,000 - 150,000 ‡
Sold for £119,700
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237
Alexander Calder
Untitled
Estimate £150,000 - 200,000 ‡
Sold for £201,600
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238
Alexander Calder
Dialogue marin
Estimate £40,000 - 60,000 ‡
Sold for £88,200
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239
Alexander Calder
Untitled
Estimate £40,000 - 60,000 ‡
Sold for £126,000
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240
Pablo Picasso
Le Peintre
Estimate £180,000 - 250,000 ‡♠
Sold for £201,600
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241
Giorgio de Chirico
Dioscuri
Estimate £100,000 - 150,000 ‡♠
Sold for £138,600
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242
Philip Guston
22 February
Estimate £40,000 - 60,000 ‡
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243
Bernard Boutet de Monvel
Femme de profil au chapeau noir
Estimate £12,000 - 18,000 ‡
Sold for £7,560
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244
Victor Vasarely
Autoportrait
Estimate £180,000 - 250,000 ‡♠
Sold for £296,100
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245
Victor Vasarely
Zet-Ton
Estimate £70,000 - 90,000 ♠
Sold for £119,700
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246
Victor Vasarely
Tenger
Estimate £80,000 - 120,000 ‡♠
Sold for £88,200
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247
Eduardo Terrazas
Possibilities of a Structure: Cosmos 1.1.130
Estimate £25,000 - 35,000
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248
Pierre Soulages
Brou de noix sur papier 75, 2 X 108 cm, 2004
Estimate £150,000 - 200,000 ‡♠
Sold for £239,400
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249
Markus Lüpertz
Otello - Selbdritt 2.
Estimate £25,000 - 35,000 ‡♠
Sold for £94,500
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250
Thomas Schütte
Ohne Titel
Estimate £120,000 - 180,000 ‡♠
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251
Georg Baselitz
Untitled
Estimate £15,000 - 20,000 ‡♠
Sold for £18,900
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252
Sigmar Polke
Untitled
Estimate £100,000 - 150,000 ♠
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253
Anselm Kiefer
Rapunzel
Estimate £40,000 - 60,000 ♠
Sold for £44,100
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254
Georg Baselitz
Trauerseeschwalbe
Estimate £15,000 - 20,000 ‡♠
Sold for £16,380
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255
Peter Dreher
Seascape #11
Estimate £10,000 - 15,000 ‡♠
Sold for £12,600
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256
Peter Dreher
Two works: (i) Tag um Tag guter Tag (Day by Day good Day) Nr. 2243 (Night); (ii) Tag um Tag guter Tag (Day by Day good Day) Nr. 2291 (Night)
Estimate £15,000 - 20,000 ‡♠
Sold for £23,940
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257
Günther Uecker
Splitter
Estimate £30,000 - 40,000 ‡♠
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258
Günther Uecker
„Man muss noch Chaos in sich haben, um einen tanzenden Stern gebären zu können“ (Friedrich Nietzsche) - X
Estimate £25,000 - 35,000 ‡♠
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259
Franz West
o.T. (Liege)
Estimate £60,000 - 80,000 ‡♠
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260
William Turnbull
Paddle Venus 5
Estimate £60,000 - 80,000 ♠
Sold for £113,400
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261
Antoine Bourdelle
Héraklès archer, buste
Estimate £30,000 - 40,000 Ω
Sold for £35,280
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262No Reserve
Aristide Maillol
Relief, La Victoire
Estimate £10,000 - 15,000 •‡
Sold for £7,560
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263No Reserve
Auguste Rodin
Martyre (petit modèle)
Estimate £22,000 - 28,000 Ω•
Sold for £8,190
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264
Auguste Rodin
Tête de la Muse tragique
Estimate £7,000 - 10,000 Ω
Sold for £10,710
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265
Emilio Greco
Figura Seduta No. 3
Estimate £6,000 - 8,000 ‡♠
Sold for £7,560
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266
Giacomo Manzù
Amanti
Estimate £6,000 - 8,000 ‡♠
Sold for £8,190
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267No Reserve
Venanzo Crocetti
Ragazza che legge
Estimate £1,500 - 2,000 •‡♠
Sold for £945
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268No Reserve
Venanzo Crocetti
Two works: (i) Giovane con cane; (ii) Study for Giovane con cane
Estimate £1,000 - 1,500 •‡♠
Sold for £756
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269
Ron Arad
Tondo 2020
Estimate £60,000 - 80,000 ♠
Sold for £138,600
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270
Ron Arad
Tondino
Estimate £20,000 - 30,000 ♠
Sold for £37,800
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271
Daniel Buren
Die Farbe gesetzt/ersetzt - B 2 Gelb
Estimate On Request
Sold for £25,200
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272
Michelangelo Pistoletto
Scaffali – Vasi Cinesi
Estimate £100,000 - 150,000 ‡♠
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273
Marino Marini
Cavallo e cavaliere
Estimate £18,000 - 25,000 ‡♠
Sold for £15,120
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274
Marino Marini
Giocoliere
Estimate £10,000 - 15,000 ‡♠
Sold for £12,600
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275
Alighiero Boetti
Andare a caccia da solo
Estimate £10,000 - 15,000 ♠
Sold for £11,340
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276
Alighiero Boetti
Senza titolo (Mettere i verbi all’infinito)
Estimate £10,000 - 15,000 ♠
Sold for £10,080
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277
Jannis Kounellis
Untitled
Estimate £70,000 - 90,000 ‡♠
Sold for £100,800
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278
Mario Merz
Leggere nelle nuvole
Estimate £10,000 - 15,000 ‡♠
Sold for £12,600
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279
Giosetta Fioroni
Mi si è sfilata una scarpa
Estimate £8,000 - 12,000 ♠
Sold for £8,820
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280
Antonio Calderara
Orizzonte Pluricromatico al Margine
Estimate £50,000 - 70,000
Sold for £37,800
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281
Bram Bogart
En cage
Estimate £15,000 - 20,000 ‡♠
Sold for £22,680
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282
Raoul De Keyser
Vóór het vlakke groen
Estimate £50,000 - 70,000 ‡♠
Sold for £113,400
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283
Jan Fabre
Walking Leaf ? (From series: Walking Leaves 1986-1993)
Estimate £25,000 - 35,000 ‡♠
Sold for £25,200
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284
Art & Language
Portrait of President Barack Obama in the Style of Jackson Pollock
Estimate £15,000 - 20,000 ‡♠
Sold for £11,340
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285
Olivier Mosset
Untitled
Estimate £40,000 - 60,000 ‡
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286
Allan McCollum
Perfect Vehicle
Estimate £20,000 - 30,000 ‡
Sold for £47,880
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287
Leandro Erlich
Cadres Dores
Estimate £15,000 - 20,000 ‡
Sold for £18,900
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288
Cildo Meireles
Prototype for "Descala"
Estimate £50,000 - 70,000 ‡
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289
Christo
Wrapped Trees (Project for Avenue des Champs-Elysées)
Estimate £30,000 - 50,000 ‡♠
Sold for £90,720
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290
Christo
Wrapped Monument to Christobal Colon (Project for Barcelona - Plaça Porta de la Pau)
Estimate £40,000 - 60,000 ‡♠
Sold for £56,700
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291
Victor Man
Untitled
Estimate £25,000 - 35,000 ‡♠
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292
Adrian Ghenie
Study for Nougat 5
Estimate £15,000 - 20,000 ‡♠
Sold for £37,800
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293
Cindy Sherman
Untitled film still #38
Estimate £50,000 - 70,000 ‡
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294
Marina Abramović and Ulay
Mickey Mouse
Estimate £20,000 - 30,000 ♠
Sold for £44,100
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295
Thomas Struth
Museo del Prado 3, Madrid 2005
Estimate £50,000 - 70,000 ‡♠
Sold for £56,700
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296
Gerhard Richter
Domecke I
Estimate £10,000 - 15,000 ‡♠
Sold for £12,600
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297
Wolfgang Tillmans
Lighter Drop
Estimate £25,000 - 35,000 ‡♠
Sold for £20,160
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298
Wolfgang Tillmans
Lighter 33
Estimate £20,000 - 30,000 ♠
Sold for £27,720
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299
Douglas Gordon
Self Portrait of You + Me (Sofia Loren)
Estimate £40,000 - 60,000 ♠
Sold for £44,100
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300
William Kentridge
Porter Series - Carte l'Europe (Shower Woman)
Estimate £70,000 - 90,000 ‡♠
Sold for £100,800
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301
William Kentridge
Drawing from Sobriety, Obesity and Growing Old (Soho's Headquarters)
Estimate £50,000 - 70,000 ♠
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302
Andy Warhol
Queen Elizabeth
Estimate £20,000 - 30,000
Sold for £88,200
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303
Tony Lewis
Thep Poof
Estimate £7,000 - 9,000
Sold for £12,600
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304
Robert Longo
Study for Silver Head
Estimate £30,000 - 40,000 ‡
Sold for £75,600
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305
Robert Longo
Untitled (Andrew Young)
Estimate £30,000 - 50,000
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306
Robert Longo
Study of Uzi
Estimate £15,000 - 25,000 ‡
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307
Raymond Pettibon
No Title (We dogs are...)
Estimate £30,000 - 50,000
Sold for £30,240
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308
Jeff Elrod
Untitled
Estimate £30,000 - 50,000 ‡
Sold for £25,200
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309
Mark Flood
The Bacchae
Estimate £8,000 - 12,000
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310
Angel Otero
Untitled SK-PY
Estimate £20,000 - 30,000 ‡
Sold for £27,720
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311
Kojo Marfo
Noble Passage
Estimate £10,000 - 15,000 ♠
Sold for £35,280
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312
Gary Hume
Red Tree
Estimate £15,000 - 20,000 ‡♠
Sold for £22,680
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313
Anish Kapoor
Untitled
Estimate £30,000 - 50,000 ‡♠
Sold for £40,320
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314
Marc Quinn
We Share the same Chemistry as the Stars AZ280
Estimate £100,000 - 150,000 ‡♠
Sold for £126,000
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315
Tony Cragg
Loop
Estimate £60,000 - 80,000 ‡♠
Sold for £75,600
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316
Michael Craig-Martin
All/Ball
Estimate £10,000 - 15,000 ♠
Sold for £10,710
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317
Julian Opie
Youngkoe factory owner
Estimate £12,000 - 18,000 ‡♠
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318
Jason Martin
Bronca
Estimate £30,000 - 50,000 ‡♠
Sold for £39,060
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319
Mr Doodle
Untitled
Estimate £20,000 - 30,000 ♠
Sold for £30,240
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320
Liza Lou
Chromium
Estimate £60,000 - 80,000 ‡
Sold for £63,000
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321
Tom Burr
O’Hara Nude with Boots
Estimate £12,000 - 18,000 ‡
Sold for £15,120
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322
Richard Aldrich
Untitled
Estimate £12,000 - 15,000 ‡
Sold for £22,680
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323
Stanley Brouwn
Space-Fragment Architecture
Estimate £12,000 - 18,000 ‡♠
Sold for £18,900
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324
Franz Ackermann
Rupalee: former cultural center
Estimate £25,000 - 35,000 ‡♠
Sold for £52,920
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325
Gerhard Richter
Six works: (i) Cage 1; (ii) Cage 2; (iii) Cage 3; (iv) Cage 4; (v) Cage 5; (vi) Cage 6
Estimate £30,000 - 40,000 ♠
Sold for £176,400
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326
Damien Hirst
Fire
Estimate £8,000 - 12,000 ♠
Sold for £21,420
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327
Charming Baker
One Day Our Past Will Be All There Is To Look Forward To
Estimate £15,000 - 20,000 ♠
Sold for £12,600
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