Provenance
Juda Rowan Gallery, London
Private Collection, London (acquired from the above in 1984)
Marc and Jacqueline Leland, London
Sotheby's, London, 10 February 2016, lot 56
Private Collection, London
Exhibited
Aalst, Galerij S65, Sean Scully: schilderijen – tekeningen, 26 October - 2 December 1984 (illustrated on the cover)
Literature
Marla Price, Sean Scully: Catalogue Raisonné of the Paintings, Volume II, 1980-1989, Berlin, 2018, no. 1984.05, p. 112 (illustrated)
Catalogue Essay
‘I distinguish between two spheres of reality: one is the physical reality of everyday life and the other corresponds to the realm of art. Abstraction is the spiritual art of our time’. Sean Scully
‘My work is based on immersion…I am taking on the history of art, I’m immersed in it and I’m immersed in what I make’. Sean Scully

Sean Scully’s sumptuously rendered canvasses celebrate the possibilities of the medium of painting, their rich strata of tonal variation and architectural linearity exemplary of Scully’s celebrated body of work. Comprised of three tessellated canvasses, Dust encapsulates Scully’s profound experimentation with austere geometry and lyrical contemplation, coalescing in an array of sublime striations of thickly applied impasto and translucent gradations of grey blue, ochre and cherry tones. Evoking an emotive visual resonance through the artist’s symbiosis of formal reduction and painterly poesy, the canvas subsumes our gaze through the hypnotic bands of rich colour and rigorous geometric repetition. Executed in 1984, the present work was painted the same year in which Scully was selected for An International Survey of Recent Painting and Sculpture at the Museum of Modern Art, New York, the year preceding Scully’s first solo institutional exhibition in America at the Museum of Art, Carnegie Institute, Pittsburgh, which later travelled to the Museum of Fine Arts, Boston.

Primarily drawing upon the tenets of abstraction to transport the viewer into his contemplative painterly sphere, Scully’s repetitive formal pattern, his strips of worked brushstrokes which overlap and intertwine with one another, are hypnotic in their rhythmic vitality. Continuing an aesthetic dialogue with hard abstraction, the squares of Kazimir Malevich and the hard edges of Ad Reinhardt, Scully’s linear bands reverberate through his expressive paint application. Removing the guidelines of tape he used to section his painted stripes in 1981, the artist began to paint freehand, allowing his brushstrokes to bleed, smudge and waver. In the present work and emblematic of his canvasses, Scully creates radiated slithers of colour which border his tonal sections. These contours glimmer through the intensity of his palette, demarcating the wall of sections like tonal channels, furrowing through his composition. Scully’s presence in the creation of the work is felt through the evident stratifying of paint layers; Scully’s abstraction bears the mark of its creator rather than aspiring to a polished, perfected and highly finished surface as displayed in the work of the Minimalists. Through his gestural utilisation of oil, Scully’s painterly canvases are imbued with a poetic quality, wistful in their ability to resonate and conjure distinctive memories and personal experiences. Encapsulating a wealth of associative connotations, Scully’s seemingly boundless canvasses provide a synthesis of painterly profundity and suggestive abstraction. Further dismantling figurative and traditional notions of painting and representation, in the early eighties Scully worked with polyptych canvasses, combining and reusing canvasses to create dynamic compositions comprised of numerous planes, presenting Scully’s trademark stripes either perpendicularly or at a right angle. Using the same tripartite canvas structure as Dust, Scully’s pinnacle work Heart of Darkness, 1982, currently housed in the Art Institute of Chicago, Illinois, also showcases a similar rotation of lines set against each other, creating a similarly satisfying and intriguing visual tension. Painted two years prior to the present work, the canvas showcases the themes explored in Dust, namely Scully’s exquisite marriage of colour, depth and composition.

Oscillating between the confines of clean geometry and a looser, more evocative painterly style, the present work is comprised of two notable colour palettes. In the upper section, steely blues, greys and greens envelop us in a colder world, whilst the burnt oranges, reds and yellows of the lower section breath an intense warmth into Scully’s composition. Creating an innate tension, a juxtaposition of formal and subjective preoccupations, the present work suspends the viewer’s gaze in a unique intermission, striking an emotional chord through its compositional and tonal push and pull. Scully’s masterful ability to both simultaneously marry this duality whilst incorporating myriad differences, charge the present work with a natural visual dynamism. Drawing upon the world around him, Scully travelled to Morocco in 1969, the light, sounds and sights leaving an unrivalled impression upon his practice; Scully incorporated the stripes and patterns from local Moroccan textiles into his compositions. Four years before the creation of Dust, Scully travelled to Mexico where, like Josef and Anni Albers, the artist experienced the intense heat, vivid light and scorched, arid colours of the country’s landscape. At odds with the colder climes of the artist’s native Ireland and England, the present work conveys the equatorial divide between the north and south, emphasising the split within his oppositional palette. Leading us on a visual adventure, Scully notes, ‘The need to create comes because you are split and forced to find some kind of unity. I believe that duality is a quality evident in all my work’ (the artist, quoted in, Maria Lluïsa Borràs, ‘The Spiritual Art Of Our Time’, in, Sean Scully. A Retrospective, London, 2007, p. 30).

Encapsulating a multitude of emotions in his expert handling of colour and line, the present work is paradigmatic of Scully’s transfiguration of hard geometry into a resounding spiritual experience. Capturing the essence of a fleeting or deeply felt emotion, a landscape or a memory, Scully’s paintings strike at the core of human experience, uniting us all through our shared familiarities. Continuing a dialogue with Joseph Mallord William Turner’s tumultuous land and seascapes which begin to explore the possibilities of abstraction, Scully here further reduces the essence of what surrounds us, communicating its organic quintessence through the subtlest expression of form and tone. Like contours of the earth, his stripes act like arteries which underlay the foundations of mankind, the romance of the horizon, land, earth and air, all assimilated within his composition. As the title of the painting suggests, Scully reduces representational elements to explore the very basis of that which comprises the earth we live upon, thus encouraging us to explore our place within the landscape and to reflect on all our experiences in relation to it.

108

Sean Scully

Dust

signed, titled and dated 'Sean Scully '84 "DUST"' on the reverse
oil on canvas
160.2 x 137.8 cm (63 1/8 x 54 1/4 in.)
Painted in 1984.

Estimate
£400,000 - 600,000 ‡♠

Sold for £471,000

Contact Specialist
Tamila Kerimova
Specialist, Head of Day Sale
+ 44 20 7318 4065
tkerimova@phillips.com

20th Century & Contemporary Art Day Sale

London Auction 8 March 2019

101
Sir Frank Bowling, R.A.
Pondlife
Estimate £50,000 - 70,000 ‡♠
Sold for £112,500
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102
Peter Doig
White Canoe (version)
Estimate £150,000 - 250,000 ‡♠
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103
Hans Hartung
T1976 - E3
Estimate £40,000 - 60,000 ‡♠
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104
Yayoi Kusama
Earth
Estimate £40,000 - 60,000 ‡
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105
Yayoi Kusama
Birds
Estimate £40,000 - 60,000 ‡
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106
Daniel Buren
Peinture acrylique blanche sur tissu rayé blanc et rouge
Estimate On Request
Sold for £275,000
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107
Günther Förg
Untitled
Estimate £120,000 - 180,000 ‡♠
Sold for £411,000
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108
Sean Scully
Dust
Estimate £400,000 - 600,000 ‡♠
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109
Leon Kossoff
Head of Chaim
Estimate £70,000 - 100,000 ♠
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110
Peter Doig
Boat to Carrera
Estimate £40,000 - 60,000 ‡♠
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111
David Hockney
Myself and Abraham Lincoln
Estimate £30,000 - 50,000 ‡♠
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112
Sir Peter Blake, R.A.
Blanche Neige et Bet Noir
Estimate £30,000 - 50,000 ♠
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113
Allen Jones
Encore
Estimate £120,000 - 180,000 ♠
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114
Richard Long
White Marble Circle
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115
Barry Flanagan RA
Unicorn
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116
This lot is no longer available.
117
Lee Ufan
Relatum - Gravitation
Estimate £100,000 - 150,000 †
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118
Juan Muñoz
Albuquerque Balcony
Estimate £120,000 - 180,000 ♠
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119
Franz West
Passstück
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120
Fernand Léger
Visage en creux (rouge et vert)
Estimate £25,000 - 30,000 ‡♠
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121
Dennis Oppenheim
Heavy Dog Kiss
Estimate £70,000 - 90,000
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122
Fernand Léger
Les oiseaux sur l’échelle
Estimate £50,000 - 70,000 ♠
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123
Marc Chagall
Le violoncelliste
Estimate £200,000 - 300,000 ‡♠
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124
Sam Francis
Light Blue
Estimate £55,000 - 75,000 ‡
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125
Sol LeWitt
Irregular Vertical and Horizontal Bands of Color Superimposed
Estimate £35,000 - 55,000 ‡
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126
Robert Rauschenberg
Tiller
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127
Tom Wesselmann
Study for Great American Nude #54
Estimate £30,000 - 40,000 ‡
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128
Tom Wesselmann
Study for Nude Collage Edition
Estimate £15,000 - 20,000
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129
Philip Guston
Untitled
Estimate £30,000 - 40,000
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130
Roberto Matta
Untitled
Estimate £9,000 - 12,000 ‡♠
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131
Roberto Matta
Mouth to Mouth
Estimate £15,000 - 20,000 ‡♠
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132
Karel Appel
Laddermannetje
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133
Marino Marini
Rapsodia in blu
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134
Alighiero Boetti
Una brillante idea
Estimate £15,000 - 20,000 ♠
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135
Jannis Kounellis
Senza titolo
Estimate £80,000 - 120,000 ♠
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136
Agostino Bonalumi
Bianco
Estimate £60,000 - 80,000 ♠
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137
Alberto Biasi
Dinamica Visiva
Estimate £60,000 - 80,000 ♠
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138
Giuseppe Uncini
Cementarmato
Estimate £100,000 - 150,000 ‡♠
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139
Jannis Kounellis
Untitled
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140
Günther Uecker
Verletzungen Verbindungen 1
Estimate £60,000 - 80,000 ‡♠
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141
Bernard Aubertin
Tableau Clous
Estimate £7,000 - 9,000 ♠
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142
François Morellet
Sphère-Trames
Estimate £30,000 - 50,000 ‡♠
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143
Victor Vasarely
Orion Gris
Estimate £120,000 - 180,000 ‡♠
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144
Yaacov Agam
Small E/A ND
Estimate £15,000 - 20,000 ‡♠
Sold for £33,750
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145
Victor Vasarely
KASS-2
Estimate £35,000 - 55,000 ♠
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146
François Morellet
Carré²
Estimate £50,000 - 70,000 ♠
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147
Dimitri Hadzi
Centaur with Shields
Estimate £2,000 - 3,000 ‡
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148
Harold Ancart
Untitled
Estimate £100,000 - 150,000 ♠
Sold for £212,500
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149
Dana Schutz
Romance
Estimate £150,000 - 250,000
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150
George Condo
Untitled
Estimate £150,000 - 200,000
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151
KAWS
Untitled
Estimate £300,000 - 500,000
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152
KAWS
Untitled (MBFG7)
Estimate £200,000 - 300,000 ‡
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153
Shara Hughes
Spring
Estimate £8,000 - 12,000
Sold for £70,000
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154
Peter Halley
Discursion
Estimate £40,000 - 60,000 ‡
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155
Imi Knoebel
Ich Nicht XI
Estimate £120,000 - 180,000 ♠
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156
Damien Hirst
N-Hydroxymaleimide
Estimate £140,000 - 180,000 ‡♠
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157
Mark Grotjahn
Untitled (Butterfly Five Color Ray)
Estimate £150,000 - 200,000 ‡
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158
Rudolf Stingel
Untitled
Estimate £250,000 - 350,000 ‡♠
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159
Lesley Vance
Untitled
Estimate £10,000 - 15,000
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160
Jenny Holzer
TOP SECRET NOFORN 11 U.S. government document
Estimate £80,000 - 120,000
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161
Roni Horn
Untitled (Weather)
Estimate £30,000 - 50,000 ‡
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162
Sherrie Levine
Untitled (hat)
Estimate £60,000 - 80,000 ‡
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163
David Salle
White Blouse
Estimate £100,000 - 150,000 ‡
Sold for £106,250
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164
Robert Longo
Study of Black Falcon
Estimate £30,000 - 50,000
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165
Tauba Auerbach
B
Estimate £15,000 - 20,000 ‡
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166
Jonas Wood
Night Bloom
Estimate £50,000 - 70,000 ‡
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167
Jonas Wood
Manute With Flaming Ball
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168
Christopher Wool
Untitled
Estimate £100,000 - 150,000
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169
Mike Kelley
Ghoul #2 (pimp)
Estimate £75,000 - 95,000
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170
Glenn Ligon
Funny Motherfucker #1
Estimate £120,000 - 180,000 ‡
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171
Oscar Murillo
Untitled (Drawing off the Wall)
Estimate £80,000 - 120,000 ‡♠
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172
Oscar Murillo
Drawings off the Wall (Ill)
Estimate £60,000 - 80,000 ‡♠
Sold for £112,500
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173
Alex Israel
Untitled (flat)
Estimate £60,000 - 80,000
Sold for £106,250
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174
Andreas Gursky
Ocean VI
Estimate £200,000 - 300,000 ♠
Sold for £231,250
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175
Anish Kapoor
Momo
Estimate £250,000 - 350,000 ♠
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176
Daniel Buren
Cut-out: Situated work in five parts, traffic red
Estimate On Request
Sold for £50,000
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177
Haim Steinbach
crate & barrel 2
Estimate £45,000 - 65,000
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178
Manolo Valdés
Reina Mariana
Estimate £70,000 - 90,000 ‡♠
Sold for £187,500
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179
Tony Cragg
After We Have Gone
Estimate £200,000 - 300,000 ♠
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180
Rebecca Warren
Untitled
Estimate £15,000 - 20,000 ♠
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181
Sarah Morris
Mina Zayed (Abu Dhabi)
Estimate £30,000 - 50,000 ‡♠
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182
Damien Hirst
Second Series Biopsy: M132/655-Leukaemia_blood_cells,_scanning_electron_micrograph-SPL.jpg
Estimate £40,000 - 60,000 ‡♠
Sold for £62,500
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183
Chris Ofili
Study for Ovid-Jupiter
Estimate £8,000 - 12,000 ‡♠
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184
Grayson Perry
Four works: (i-iv) Untitled
Estimate £4,000 - 6,000 ♠
Sold for £6,875
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185
Sarah Lucas
Sex Baby
Estimate £4,000 - 6,000 ♠†
Sold for £6,250
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186
Paul McCarthy
Black and White Heidi
Estimate £10,000 - 15,000
Sold for £10,000
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187
Rodney Graham
Cedars, Stanley Park (8)
Estimate £15,000 - 20,000
Sold for £28,750
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188
Jeff Wall
Cuttings
Estimate £100,000 - 150,000
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189
Elger Esser
Beauduc
Estimate £20,000 - 30,000 ♠
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190
Thomas Ruff
ri 03
Estimate £30,000 - 50,000 ♠
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191
Andreas Gursky
Zürich Bankproject No. 5
Estimate £40,000 - 60,000 ‡♠
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192
Wolfgang Tillmans
Super Collider - A
Estimate £8,000 - 12,000 ‡♠
Sold for £12,500
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193
Maurizio Cattelan
Don't forget to call your mother
Estimate £20,000 - 30,000 ‡♠
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194
Gerhard Richter
Strip
Estimate £40,000 - 60,000 ♠
Sold for £56,250
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195
Gerhard Richter
Babette
Estimate £20,000 - 30,000 ♠
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196
Gerhard Richter
Mustangs
Estimate £50,000 - 70,000 ♠
Sold for £162,500
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197
Gerhard Richter
Cage Grid (Teil A)
Estimate £25,000 - 35,000 ♠
Sold for £67,500
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198
Martin Kippenberger
Ohne Titel (Nun entscheiden Sie sich mal. Sie können nicht vergleichen)
Estimate £60,000 - 80,000 ♠
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199
Markus Lüpertz
Untitled (Self-Portrait)
Estimate £15,000 - 20,000 ♠
Sold for £32,500
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200
Hernan Bas
Decorative panel for the foyer of a homosexual's home
Estimate £30,000 - 50,000
Sold for £95,000
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201
Adrian Ghenie
Casemate II
Estimate £35,000 - 55,000 ♠
Sold for £32,500
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202
Yan Pei-Ming
Dreamspace
Estimate £35,000 - 55,000 ‡♠
Sold for £87,500
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203
Miquel Barceló
La Mer avec Nuages
Estimate £20,000 - 30,000 ♠
Sold for £52,500
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204
Tal R
Last drawing before mars
Estimate £30,000 - 50,000 ♠
Sold for £137,500
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205
Mel Bochner
Obscene
Estimate £12,000 - 18,000
Sold for £17,500
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206
Allora & Calzadilla
Shape Shifter
Estimate £20,000 - 30,000 ‡
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207
This lot is no longer available.
208
Heimo Zobernig
Ohne Titel
Estimate £25,000 - 35,000 ♠
Sold for £43,750
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209
Jeff Elrod
Untitled
Estimate £40,000 - 60,000 ‡
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210
Sterling Ruby
The Tripper
Estimate £20,000 - 30,000
Sold for £25,000
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211
Jon Rafman
New Age Demanded (Pushed and Pulled Gold)
Estimate £12,000 - 18,000 ‡
Sold for £23,750
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212
Huma Bhabha
Lecturer
Estimate £25,000 - 35,000
Sold for £75,000
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213
Juan Muñoz
Untitled (Amsterdam Series)
Estimate £25,000 - 35,000 ♠
Sold for £40,000
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214
Tomás Saraceno
GQ Lup b/M+W
Estimate £20,000 - 30,000 ♠
Sold for £18,750
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215
Michel François
Souffles dans le verre - Noir
Estimate £20,000 - 30,000 ♠
Sold for £52,500
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216
Wim Delvoye
Sabine
Estimate £30,000 - 50,000 ♠
Sold for £37,500
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217
Hans-Peter Feldmann
Flower Pot
Estimate £8,000 - 12,000 ‡♠
Sold for £10,625
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218
Jeppe Hein
Modified Social Bench #8
Estimate £6,000 - 8,000 ♠
Sold for £10,000
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219
Jeppe Hein
Please Do Not Touch
Estimate £8,000 - 12,000 ‡♠
Sold for £30,000
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220
Paolo Serra
Untitled
Estimate £6,000 - 8,000 ♠
Sold for £18,750
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221
Marcello Lo Giudice
Rouge/Red
Estimate £15,000 - 20,000 ‡♠
Sold for £20,000
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222
Yves Zurstrassen
Summertime
Estimate £10,000 - 15,000 ♠
Sold for £17,500
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223
Julian Opie
Hannah, Lottie and Esther blinking (vertical)
Estimate £20,000 - 30,000 ♠
Sold for £30,000
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224
Samuel Havadtoy
Shibui
Estimate £6,000 - 8,000 ♠
Sold for £10,625
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225
Julian Opie
Fiona, artist. 4.
Estimate £15,000 - 25,000 ♠
Sold for £16,250
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226
David Kim Whittaker
Memory for the Yeoman (Willy Lot)
Estimate £20,000 - 30,000 ♠
Sold for £27,500
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227
Lita Cabellut
Leda
Estimate £20,000 - 30,000 ♠
Sold for £37,500
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228
Nate Lowman
Dirty Dancing
Estimate £20,000 - 30,000 ‡
Sold for £22,500
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229
Florian Süssmayr
Untitled
Estimate £2,000 - 3,000 ‡♠
Sold for £3,750
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230
Katrin Fridriks
Mothernature Awakening Force
Estimate £3,000 - 5,000 ♠
Sold for £27,500
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231
Gerhard Richter
Flow (P16)
Estimate £6,000 - 8,000 ♠
Sold for £12,500
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232
Gerhard Richter
Flow (P15)
Estimate £6,000 - 8,000 ♠
Sold for £11,875
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233
Wang Yigang
Abstract N3
Estimate £10,000 - 15,000
Sold for £43,750
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234
Erró
Guy Party
Estimate £15,000 - 20,000 ♠
Sold for £16,250
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235
KAWS
Three works: (i) Small Lie (Brown); (ii) Small Lie (Black); (iii) Small Lie (Grey)
Estimate £1,000 - 1,500
Sold for £3,000
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20th Century & Contemporary Art Day Sale

London Auction 8 March 2019

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Provenance

Exhibited

Literature

Catalogue Essay

108

Sean Scully

Dust

20th Century & Contemporary Art Day Sale

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