I'll be a Monkey's Uncle

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  • Artist Bio

    Kara Walker

    American • 1969

    Kara Walker sugarcoats nothing. Her masterpiece public art commission, A Subtlety, 2014, was a 35-foot high racial confrontation of artifact, mythology and American history in the form of a sphinx packed from 80-tonnes of Domino white sugar crystals. Walker's practice first caught audiences with her haunting paper cutout silhouettes retelling the injustices of slavery and the foundations of American capitalist culture.

    Walker's immense talent matched by her cunning commentary has made her one of the most important contemporary artists today, having enjoyed major exhibitions at the Walker Art Center, Minneapolis and the Whitney Museum of Art, New York in addition to permanent placements within the collections of the Metropolitan Museum of Art and Art Institute Chicago. Her auction market is strong for a mid-career artist, with works reaching more than $300,000.

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367

I'll be a Monkey's Uncle

1996
Lithograph, on Somerset Satin paper, with full margins.
S. 39 3/4 x 35 in. (101 x 88.9 cm)
Signed, dated and annotated `AP 5/10' in pencil (an artist's proof, the edition was 25), published by Landfall Press, Chicago, framed.

Estimate
$6,000 - 9,000 

sold for $8,125

Contact Specialist
Kelly Troester
Worldwide Co-Head of Editions, Modern
+1 212 940 1221
ktroester@phillips.com

Cary Leibowitz
Worldwide Co-Head of Editions, Contemporary
+1 212 940 1222
cleibowitz@phillips.com

Kip Eischen
Specialist
+1 212 940 1332
keischen@phillips.com

General Enquiries
+1 212 940 1220

Editions & Works on Paper

New York Auction 24 April 2018