Provenance
Paula Cooper Gallery, New York
Exhibited
Geneva, Musée d'art moderne et contemporain, on long term loan June 1994 - June 2001
Bretagne, FRAC Bretagne and Galerie Art & Essai, Cady Noland, March 7 - April 21, 2013
Catalogue Essay
“There is a method in my work which has taken a pathological trend. From the point at which I was making work out of objects I became interested in how, actually, under which circumstances people treat other people like objects.”
CADY NOLAND, 1990

Exerting equal influence on Noland and having employed similar materials, Bruce Nauman approached this subject in a more circumscribed manner. In Double Steel Cage Piece, 1974, Nauman presents a cage within a cage. An opening in the outer fence allows the viewer to enter the outer cage, but renders the inner cage inaccessible. The
reference to imprisonment is fundamental in both Noland’s fence and Nauman’s cage, however Nauman asserts his intentions were more emotional than political, a sentiment that also characterizes Noland’s structure— the ubiquity of the fence implies an intent greater than penitentiary detainment alone. For Noland’s Industry Park does not enclose, but merely draws a demarcation in the existing space, a permeable barrier that nonetheless separates.

Noland unlike Duchamp and Nauman, reveals some of her intent with the title. Industrial Parks—areas zoned and planned for the purpose of industrial development, often with few environmental safeguards—position the present lot in the cross-roads of the artist’s commentary on American consumerism and capitalism. Yet her comments are not merely sociological. She is forging a new territory for the formal language of sculpture. Industry Park materializes concerns regarding interiority and exteriority that continue to elicit comment. Industry Park is the architecture of social exclusion. It is Noland’s distillation of the march of history, one that divides rather than unites. The silent scream of a chain link fence mimes the emotional and interpersonal separations that we experience. Exerting influence on a new generation of artists, Noland’s work has become a lodestar in contemporary art. This is Noland’s gift, to cast in a new light the unconscious formal structure of our world.

Cady Noland, the darling fugitive of the contemporary art world, has been a seminal figure for over a quarter century; remarkably in absentia for the last decade. Her works, while gracefully referencing minimalism, aggressively confront the myth of the pursuit of freedom and happiness as America’s founding principle. Referencing consumer culture and mass media via familiar imagery and materials drawn from the mundane world of hardware stores and supermarkets, Noland delivers astute and poetic observations in her tableaus of objects reduced to their basic components.

Noland’s revelatory aesthetic realism opens a window into the often unseen and unacknowledged forces that shape our world. Industry Park, 1991, is unequivocally one of Noland’s most elemental works–both physically and conceptually. Consisting of a simple steel chain link fence, its ubiquity is essential to its message. In an interview
with Michèle Cone, Noland states “I like using objects in the original sense, letting objects be what they are.” A direct heir to Duchamp’s contribution of the ready-made as exemplified with his Bottle Rack, Noland one-ups Duchamp’s achievement. “To treat objects like objects is to do something to them — which is not to say necessarily to
transform them […].” But in Noland’s work we have the opportunity to delve deeper,” do something” more with the objects and in the process reveal more complex meanings.

6

Cady Noland

Industry Park

1991
zinc-plated steel chain link fence
100 1/4 x 216 x 3 in. (254.6 x 548.6 x 7.6 cm.)

Estimate
$500,000 - 700,000

Contact Specialist
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Head of Sale
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Contemporary Art Evening Sale

New York 16 May 2013 7pm

1
Wade Guyton
U Sculpture (v. 5)
Estimate $250,000 - 350,000
Sold for $365,000
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2
Nate Lowman
Escalade
Estimate $400,000 - 600,000
Sold for $545,000
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3
Rudolf Stingel
Untitled
Estimate $500,000 - 700,000
Sold for $665,000
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4
Jeff Koons
Jim Beam - Observation Car
Estimate $1,200,000 - 1,800,000
Sold for $1,625,000
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5
Christopher Wool
And If
Estimate $3,500,000 - 4,500,000
Sold for $4,085,000
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6
Cady Noland
Industry Park
Estimate $500,000 - 700,000
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7
Andreas Gursky
Rhein
Estimate $1,000,000 - 1,500,000
Sold for $1,925,000
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8
Thomas Schütte
Großer Geist Nr. 9
Estimate $3,000,000 - 5,000,000
Sold for $4,085,000
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9
Richard Prince
Untitled (Man's hand with watch)
Estimate $150,000 - 250,000
Sold for $161,000
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10
Rudolf Stingel
Untitled
Estimate $400,000 - 600,000
Sold for $509,000
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11
Christopher Wool
Untitled
Estimate $1,000,000 - 1,500,000
Sold for $1,685,000
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12
Andy Warhol
Self-Portrait
Estimate $600,000 - 800,000
Sold for $725,000
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13
Jean-Michel Basquiat
Untitled (Soap)
Estimate $5,000,000 - 7,000,000
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14
Glenn Ligon
Stranger Drawing #7
Estimate $300,000 - 500,000
Sold for $509,000
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15
Andy Warhol
Blue/Green Marilyn from Reversal Series
Estimate $1,000,000 - 1,500,000
Sold for $1,325,000
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16
Lucio Fontana
Concetto spaziale, Attese
Estimate $900,000 - 1,200,000
Sold for $1,565,000
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17
Andy Warhol
Flowers
Estimate $2,000,000 - 3,000,000
Sold for $2,461,000
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18
Roy Lichtenstein
Still Life
Estimate $4,000,000 - 6,000,000
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19
Ellsworth Kelly
Green black
Estimate $2,500,000 - 3,500,000
Sold for $2,965,000
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20
Josef Albers
Study for Homage to the Square: Signal
Estimate $800,000 - 1,200,000
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21
John Chamberlain
Gris Gris Gumbo Ya Ya
Estimate $800,000 - 1,200,000
Sold for $905,000
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22
Jean-Michel Basquiat
Untitled
Estimate $3,500,000 - 4,500,000
Sold for $4,085,000
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23
Andy Warhol
Four Marilyns
Estimate On Request
Sold for $38,245,000
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24
This lot is no longer available.
25
Andy Warhol
Marilyn Monroe (Marilyn)
Estimate $1,400,000 - 1,800,000
Sold for $2,045,000
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26
Wayne Thiebaud
Cat and Traffic
Estimate $400,000 - 600,000
Sold for $893,000
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27
Morris Louis
Roseate
Estimate $300,000 - 500,000
Sold for $365,000
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28
Alexander Calder
The White Face
Estimate $3,500,000 - 4,500,000
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29
Philip Guston
Brushes
Estimate $700,000 - 900,000
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30
James Rosenquist
The Meteor Hits the Swimmer's Pillow
Estimate $500,000 - 700,000
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31
Jeff Koons
Giraffe (Light Green)
Estimate $500,000 - 700,000
Sold for $521,000
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32
Damien Hirst
Sulbenicilina Disódica
Estimate $500,000 - 700,000
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33
Kelley Walker
I see an attacking bear-shaped thing
Estimate $200,000 - 300,000
Sold for $341,000
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34
Franz West
Untitled (Two heads)
Estimate $400,000 - 600,000
Sold for $461,000
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35
Richard Prince
Untitled (Cowboy)
Estimate $300,000 - 500,000
Sold for $425,000
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36
Mark Grotjahn
Butterfly
Estimate $200,000 - 300,000
Sold for $473,000
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37
Dana Schutz
Dead Zebra
Estimate $200,000 - 300,000
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38
Thomas Houseago
Untitled
Estimate $150,000 - 200,000
Sold for $209,000
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Contemporary Art Evening Sale

New York 16 May 2013 7pm

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Provenance

Exhibited

Catalogue Essay

6

Cady Noland

Industry Park

Contemporary Art Evening Sale

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