COLOR VISION: MASTER PRINTS FROM GUY STRICHERZ AND IRENE MALLI
186
William Eggleston
Untitled (countertop with dishes)
- Estimate
- $4,000 - 6,000
$5,805
Lot Details
Dye transfer print, printed 1999.
1989
Image 17 7/8 x 11 7/8 in. (45.4 x 30.2 cm)
Sheet 19 7/8 x 15 7/8 in. (50.5 x 40.3 cm)
Sheet 19 7/8 x 15 7/8 in. (50.5 x 40.3 cm)
Signed in ink in the margin; Eggleston Artistic Trust copyright credit reproduction limitation stamp on the verso. Printers' proof from an edition of 10 plus 3 lettered artist's proofs.
Created by the artist in the United States.
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Created by the artist in the United States.
Priority Bidding is here! Secure a lower Buyer's Premium. Learn more >
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Further Details
Full-Cataloguing
Provenance
Literature
William Eggleston
American | 1939William Eggleston's highly saturated, vivid images, predominantly capturing the American South, highlight the beauty and lush diversity in the unassuming everyday. Although influenced by legends of street photography Robert Frank and Henri Cartier-Bresson, Eggleston broke away from traditional black and white photography and started experimenting with color in the late 1960s.
At the time, color photography was widely associated with the commercial rather than fine art — something that Eggleston sought to change. His 1976 exhibition at the Museum of Modern Art, Color Photographs, fundamentally shifted how color photography was viewed within an art context, ushering in institutional acceptance and helping to ensure Eggleston's significant legacy in the history of photography.
Browse ArtistAt the time, color photography was widely associated with the commercial rather than fine art — something that Eggleston sought to change. His 1976 exhibition at the Museum of Modern Art, Color Photographs, fundamentally shifted how color photography was viewed within an art context, ushering in institutional acceptance and helping to ensure Eggleston's significant legacy in the history of photography.